The Rover, or, The Banished Cavaliers
- Transcription, correction, editorial commentary, and markup by Staff and Research Assistants at the University of Virginia, Sara Brunstetter, John O'Brien
SourcesLondon : Printed for John Amery ,
Research informing these annotations draws on publicly-accessible resources, with links provided where possible. Annotations have also included common knowledge, defined as information that can be found in multiple reliable sources. If you notice an error in these annotations, please contact firstname.lastname@example.org.
Original spelling and capitalization is retained, though the long s has been silently modernized and ligatured forms are not encoded.
Hyphenation has not been retained, except where necessary for the sense of the word.
Page breaks have been retained. Catchwords, signatures, and running headers have not. Where pages break in the middle of a word, the complete word has been indicated prior to the page beginning.
Materials have been transcribed from and checked against first editions, where possible. See the Sources section.
CitationBehn, Aphra. , Printed for John Amery , 1677 . Literature in Context: An Open Anthology. http://anthologydev.lib.virginia.edu/work/Behn/behn-rover. Accessed: 2021-12-03T12:59:58.43Z
Linked Data: Persons and places related to this work.
The Banish't Cavaliers.
As it is ACTED
His Royal Highness
Licensed July 2d 1677.
ROGER L'ESTRANGE.n001an001aRoger L'Estrange had the title of "Licensor of the Press" in England at this time; he was in effect the official government censor for all printed material. He had the right to inspect printing presses and to intercept any printed matter that he suspected of being seditious, libellous, or blasphemous. The presence of his name here on the title page indicates that he had read through the play and found nothing objectionable in it. It's interesting to note that while L'Estrange's name is here in the place where we might expect to find the name of the author, Behn's is not. It was actually typical of printed playtexts in this period that they did not identify the author of the play; the success of a play was seen to lie much more in the skill of the performers and the theater company than of the author (much as in modern Hollywood movies, where the names of stars are well known, but the screenwriters are usually obscure.) L'Estrange was not the "author" of this play in a modern sense, but the prominence of his name here "authorizes" its publication in another sense, as a play approved by the state authorities. Moreover, this play was, as the title page also announces, staged in one of the two official state-licensed theaters, in this case the one sponsored by the Duke of York, the brother of King Charles, who was the sponsor of the other state-licensed theater in London. - [UVAstudstaff]
Printed FOR John Amery, at the Peacock, against
St. Dunstan's Church in Fleet-street. 1677