<?xml-model href="https://raw.githubusercontent.com/LiteratureInContext/LiC-data/development/schema/LiC_schema_4.rng" type="application/xml" schematypens="http://relaxng.org/ns/structure/1.0"?>
<TEI xmlns="http://www.tei-c.org/ns/1.0" xml:id="behn-rover">
   <teiHeader>
      <!--TEI Header BEGINS-->
      <fileDesc>
         <!--BEGINS File Description -->
         <titleStmt>
            <title>The Rover, or, The Banished Cavaliers</title>
            <author>
               <persName type="lcnaf" key="n50006616">
                  <name>
                     <forename>Aphra</forename>
                     <surname>Behn</surname>
                  </name>
               </persName>

            </author>

            <editor>
               <persName type="orcid" key="0000-0001-6453-8721">
                  <name ref="editors.xml#JOB">
                     <surname>O'Brien</surname>
                     <forename>John</forename>
                  </name>
               </persName>
            </editor>


            <respStmt>
               <resp>Transcription, correction, editorial commentary, and markup</resp>
               <name>Staff and Research Assistants at the University of Virginia</name>
               <name ref="editors.xml#SB">Sara Brunstetter</name>
               <name ref="editors.xml#JOB">John O'Brien</name>
                 
            </respStmt>
            <funder>National Endowment for the Humanities</funder>
         </titleStmt>

         <publicationStmt>
            <publisher>Literature in Context</publisher>


            <address>
               <addrLine>Department of English, The University of Virginia</addrLine>
               <addrLine>P. O. Box 400121</addrLine>
               <addrLine>Charlottesville, VA </addrLine>
               <addrLine>22904-4121</addrLine>
               <addrLine>jobrien@virginia.edu</addrLine>
               <addrLine>lic.open.anthology@gmail.com</addrLine>
            </address>



            <availability status="free">
               <licence target="http://creativecommons.org/licenses/by-sa/4.0/">Published by
                  Literature in Context under a Creative Commons Attribution-ShareAlike 4.0 Unported
                  License </licence>
            </availability>

         </publicationStmt>

         <sourceDesc>
            <biblStruct>
               <monogr>
                  <author>
                     <name>
                        <forename>Aphra</forename>
                        <surname>Behn</surname>
                     </name>
                  </author>
                  <title type="main">The Rover: or, the Banish't Cavaliers</title>
                  <imprint>
                     <pubPlace>
                        <placeName type="tgn" key="7011781"> London </placeName>
                     </pubPlace>
                     <publisher>Printed for John Amery</publisher>
                     <date when="1677">1677</date>
                     <note resp="editors.xml#JOB">Our text is based on the Text Creation
                        Partnership’s digital edition, which was produced from microfilm scans of
                        the copy of the first print edition of 1677, published by the London printer
                        John Amery, that is held at the Huntington Library in San Marino,
                        California. Page images are taken from this copy, with the exception of the
                        title page, which appears to be missing in the Huntington's copy. The title
                        page here is taken from the copy of the first edition at the Senate House
                        Library, University of London, and appears courtesy of that library. This
                        edition was annotated and edited for use in the Literature in Context
                        project by University of Virginia students in ENEC 3400, Restoration and
                        Eighteenth Century British Theatre, in the fall of 2016, and has been
                        further edited and annotated by John O'Brien and Sara Brunstetter. </note>
                  </imprint>
               </monogr>
               <note resp="editors.xml#JOB">Behn adapted this play and its sequel, <hi rend="italic">The Rover, Part 2</hi>, from Thomas Killigrew's <hi rend="italic">Thomaso</hi>
               </note>
            </biblStruct>
         </sourceDesc>
      </fileDesc>

      <profileDesc>
         <!--BEGINS Profile Description  -->
         <langUsage>
            <language ident="en">English</language>
         </langUsage>
         <creation/>
         <textDesc n="play">
            <channel mode="w">print</channel>
            <constitution type="single"/>
            <derivation type="revision"/>
            <domain/>
            <factuality type="fiction"/>
            <interaction/>
            <preparedness type="prepared"/>
            <purpose type="entertain" degree="high"/>
         </textDesc>
         <settingDesc>
            <setting>
               <name type="tgn" key="7003012">Kingdom of Naples</name>
               <time when="1677">1677</time>
            </setting>
         </settingDesc>
      </profileDesc>
      <encodingDesc>
         <!-- BEGINS Encoding Description -->
         <projectDesc>
            <p>This text is prepared as part of the <hi rend="italic">Literature in Context</hi>
               project, which provides an accessible, curated, and marked-up selection of primary
               sources relevant to the study and the teaching of British and American literature of
               the 18th century. This project is funded by the National Endowment for the Humanities
               and developed by faculty at The University of Virginia and Marymount University. </p>
         </projectDesc>
         <editorialDecl>
            <interpretation>
               <p>Research informing these annotations draws on publicly-accessible resources, with
                  links provided where possible. Annotations have also included common knowledge,
                  defined as information that can be found in multiple reliable sources. If you
                  notice an error in these annotations, please contact lic.open.anthology@gmail.com.
               </p>
            </interpretation>
            <normalization>
               <p>Original spelling and capitalization is retained, though the long s has been
                  silently modernized and ligatured forms are not encoded.</p>
            </normalization>
            <hyphenation>
               <p>Hyphenation has not been retained, except where necessary for the sense of the
                  word.</p>
            </hyphenation>
            <segmentation>
               <p>Page breaks have been retained. Catchwords, signatures, and running headers have
                  not. Where pages break in the middle of a word, the complete word has been
                  indicated prior to the page beginning.</p>
            </segmentation>
            <correction>
               <p>Materials have been transcribed from and checked against first editions, where
                  possible. See the Sources section.</p>
            </correction>
         </editorialDecl>
         <tagsDecl>
            <namespace name="http://www.tei-c.org/ns/1.0">
               <tagUsage gi="div">Unnumbered divs used.</tagUsage>
            </namespace>
         </tagsDecl>
         <classDecl>
            <taxonomy xml:id="lcnaf">
               <bibl>Library of Congress Name Authority File</bibl>
            </taxonomy>
            <taxonomy xml:id="lcc">
               <bibl>Library of Congress Classification</bibl>
            </taxonomy>
            <taxonomy xml:id="tgn">
               <bibl>Getty Thesaurus of Geographic Names</bibl>
            </taxonomy>
            <taxonomy xml:id="orcid">
               <bibl>Open Researcher and Contributor ID</bibl>
            </taxonomy>
         </classDecl>
      </encodingDesc>
      <profileDesc/>
      <revisionDesc>
         <!--BEGINS Revision Description -->
         <change when="2019-05-19" who="editors.xml#JOB">updating and refining xml</change>
         <change when="2018" who="editors.xml#SB">Updated XML for LiC</change>
         <change when="2019-05-15" who="editors.xml#TH">Updated TEI Header and renamed the file for
            consistency</change>
         <change when="2019-04-16" who="editors.xml#TH">Updated HI to HI REND="ITALIC" and corrected
            the title for display; corrected castList for actors</change>
         <change when="2022-12-13" who="editors.xml#TH">Updated placeNames with keys, and corrected
            Naples to Kingdom of Naples in profileDesc</change>
      </revisionDesc>
   </teiHeader>
   <text>
      <front>
         <titlePage>
            <pb n="Title Page" facs="pageImages/i.jpg"/>
            <titlePart>THE<lb/>
                </titlePart>
            <titlePart>ROVER.<lb/> OR, <lb/> The Banish't Cavaliers.<lb/>
                </titlePart>
                <lb/>
            <titlePart>As it is ACTED<lb/> AT<lb/> His Royal Highness<lb/> THE<lb/> Duke's
               Theatre.<lb/>
                </titlePart>
                <lb/>
            <titlePart>Licensed <hi rend="italic">July</hi> 2<hi rend="superscript">d.</hi> 1677.<lb/>
               <ref target="lestrange_" corresp="lestrange">
                        <hi rend="italic">ROGER
                  L'ESTRANGE.</hi>
                    </ref>
                    <lb/>
                </titlePart>
                <lb/>
            <docImprint>
               <pubPlace>
                        <placeName type="tgn" key="7011781">
                            <hi rend="italic">LONDON</hi>
                        </placeName>
                    </pubPlace>, <lb/> Printed for <publisher>
                        <hi rend="italic">John Amery</hi>,</publisher>
                    <pubPlace>at the <hi rend="italic">Peacock</hi>, against<lb/> St. <hi rend="italic">Dunstan'</hi>s Church in <hi rend="italic">Fleet-street</hi>
                    </pubPlace>. <docDate>1677</docDate>
            </docImprint>
         </titlePage>
         <div type="prologue">
            <pb n="ii" facs="pageImages/ii.jpg"/>
            <head>PROLOGUE.</head>
            <lg>
               <l>WItts, like Physitians never can agree,</l>
               <l>When of a different Societie.</l>
               <l>And <ref target="rabels_" corresp="rabels">
                            <hi rend="italic">Rabels</hi>
                     Drops</ref> were never more cry'd down</l>
               <l>By all the Learned Doctors of the Town,</l>
               <l>Than a New <hi rend="italic">Play</hi> whose Author is unknown.</l>
               <l>Nor can those Doctors with more Malice sue</l>
               <l>(And powerful Purses) the discenting Few,</l>
               <l>Than those with an Insulting Pride, do raile</l>
               <l>At all who are not of their own <ref target="cabal_" corresp="cabal">Caball</ref>:</l>
               <l rend="indent">If a Young Poet hitt your Humour right,</l>
               <l>You judg him then out of Revenge and Spight.</l>
               <l>So amongst men there are Ridiculous Elves,</l>
               <l>Who Monkeys hate for being too like themselves.</l>
               <l>So that the reason of the grand debate,</l>
               <l>Why Witt so oft is damn'd, when good <hi rend="italic">Plays</hi> take,</l>
               <l>Is, that you <ref target="censure_" corresp="censure">Censure</ref> as you love,
                  or hate.</l>
               <l rend="indent">Thus like a Learned Conclave Poets sit,</l>
               <l>Catholique Judges both of Sense and Wit,</l>
               <l>And Damn or Save, as they themselves think fit.</l>
               <l>Yet those who to others faults are so severe,</l>
               <l>Are not so perfect but themselves may Erre.</l>
               <l>Some write <ref target="coract_" corresp="coract">Coract</ref> indeed, but then
                  the whole</l>
               <l>(Bating their own Dull stuff i'th' <hi rend="italic">Play</hi>) is stole:</l>
               <l>As Bees do suck from Flowers their Honey dew,</l>
               <l>So they rob others striving to please you.</l>
               <l rend="indent">Some write their Characters Gentile and fine,</l>
               <l>But then they do so Toyl for every line,</l>
               
               <pb n="iii" facs="pageImages/iii.jpg"/>
               <l>That what to you does Easie seem, and Plain,</l>
               <l>Is the hard Issue of their labouring Brain.</l>
               <l>And some th' Effects of all their pains we see,</l>
               <l>Is but to Mimick good Extemporie.</l>
               <l>Others by long Converse about the Town,</l>
               <l>Have Witt enough to write a Lew'd <ref target="lampoon_" corresp="lampoon">
                            <hi rend="italic">Lampoon,</hi>
                        </ref>
                    </l>
               <l>But their chief skill lyes in a Bawdy Song.</l>
               <l>In short, the only Witt that's now in Fashon,</l>
               <l>Is but the gleenings of good Conversation.</l>
               <l>As for the Author of this Coming <hi rend="italic">Play,</hi>
               </l>
               <l>I ask't him what he thought fit I shou'd say</l>
               <l>In thanks for your good Company to day:</l>
               <l>He call'd me Fool, and said it was well known,</l>
               <l>You came not here for our sakes, but your own.</l>
               <l>New <hi rend="italic">Plays</hi> are stuff'd with Witts, and with <ref target="deboche_" corresp="deboche">Deboches</ref>,</l>
               <l>That Crowd and sweat like <ref target="citt_" corresp="citt">
                            <hi rend="italic">Citts,</hi> in <hi rend="italic">May-Day</hi> Coaches</ref>.</l>
            </lg>
            <byline>Written by a Person of Quality.</byline>
         </div>

         
         <div type="publishers_advertisement">
            <pb n="iv" facs="pageImages/iv.jpg"/>
            <head type="title">
                    <ref target="ads_" corresp="ads">Some Books printed this Year
                  1677.</ref> For John Amery, at the Peacock; against <ref target="stdunstans_" corresp="stdunstans">St. Dunstan's Church in Fleet-street</ref>.</head>
            <lb/>

            <p>Advice to Grand Jurors in cases of Blood, Asserting from Law and Reason, That at the
                  <ref target="kingsuit_" corresp="kingsuit">Kings Suit</ref> in all cases (where a
               Person by Law is to be indicted for killing of another person) that the Indictment
               ought to be drawn for <hi rend="italic">Murther,</hi> and that the <hi rend="italic">Grand Jury</hi> ought to find it <hi rend="italic">Murther,</hi> where the
               Evidence is, that the party intended to be indicted had his hands in Blood, and did
               kill the other Person. By <hi rend="italic">Zachary Babington</hi>
               <abbr>Esq</abbr> 8<hi rend="sup">o</hi>. price. 2 <hi rend="italic">s.</hi> 6 <hi rend="italic">d.</hi>
            </p>
            <p>The <hi rend="italic">Country Justice,</hi> Containing the practice of the Justices
               of the Peace, in and out of their Sessions, with an Abridgment of all Statutes
               relating thereunto to this present Year 1677. By <hi rend="italic">Michael
                  Dalton</hi>
               <abbr>Esq</abbr>
               <hi rend="italic">Fol.</hi> price bound 12 <hi rend="italic">s.</hi>
            </p>
            <p>A Treatise of Testaments and last Wills, fit to be understood by all Men, that they
               may know, whether, whereof, and how, to make them. Compiled out of the Laws
               Ecclesiastical, Civil, and Cannon, as also out of the Common Laws, Customs and
               Statutes of this Realm. The fourth Edition, with very large Additions. By <hi rend="italic">Henry Swynburne,</hi> sometimes Judge of the Prerogative Court of
                  <hi rend="italic">York,</hi> in large 4<hi rend="sup">o</hi>. price bound 7 <hi rend="italic">s.</hi>
            </p>
            <p>The <hi rend="italic">Debaucheé,</hi> or the <hi rend="italic">Credulous
                  Cuckold,</hi> a Comedy, Acted at His Highness the <hi rend="italic">Duke's</hi>
               Theatre, in 4<hi rend="sup">o</hi>. price 1 <hi rend="italic">s.</hi>
            </p>
            <p>
               <hi rend="italic">Man without Passion,</hi> or the Wise Stoick, according to the
               Sentiments of <hi rend="italic">Seneca,</hi> written Originally in <hi rend="italic">French,</hi> by that great and Learned Philosopher <hi rend="italic">Anthony Le
                  Grand.</hi> English't by <hi rend="italic">G. R.</hi> printed 1675. 8<hi rend="sup">o</hi>. price 2 <hi rend="italic">s. 6 d.</hi>
            </p>
            <p>An Introduction to the History of <hi rend="italic">England,</hi> comprising the
               principal Affairs of this Land, from its first planting, to the comeing of the <hi rend="italic">English Saxons.</hi> Together with a Catalogue of the 76 <hi rend="italic">British</hi> and <hi rend="italic">Pictish</hi> Kings, by D. D. <hi rend="italic">Langhorne.</hi> Printed 8<hi rend="sup">o</hi>. price 2 <hi rend="italic">s.</hi>
            </p>
         </div>
         <div type="dramatis_personae">
            <pb n="v" facs="pageImages/v.jpg"/>
            <head>The Actors Names.</head>
            <castList>
               <castItem>
                  <actor xml:id="jevorne">Mr. <hi rend="italic">Jevorne</hi>
                        </actor>, <role>
                            <hi rend="italic">Don Antonio</hi>
                        </role>, <roleDesc>The Vice-Roy's
                     Son.</roleDesc>
               </castItem>
               <castItem>
                  <actor xml:id="medburne">Mr. <hi rend="italic">Medburne</hi>
                        </actor>, <role>
                            <hi rend="italic">Don Pedro</hi>
                        </role>, <roleDesc>A Noble <hi rend="italic">Spaniard,</hi>his Friend.</roleDesc>
               </castItem>
               <castItem>
                  <actor xml:id="betterton">Mr. <hi rend="italic">Betterton</hi>
                        </actor>, <role>
                            <hi rend="italic">Belville</hi>
                        </role>, <roleDesc>An <hi rend="italic">English</hi> Colonel in Love with <hi rend="italic">Florinda.</hi>
                        </roleDesc>
               </castItem>
               <castItem>
                  <actor xml:id="smith">Mr. <hi rend="italic">Smith</hi>
                        </actor>, <role>
                            <hi rend="italic">Willmore</hi>
                        </role>, <roleDesc>THE <ref target="rover_" corresp="rover">ROVER</ref>.</roleDesc>
               </castItem>
               <castItem>
                  <actor xml:id="crosbie">Mr. <hi rend="italic">Crosbie</hi>
                        </actor>, <role>
                            <hi rend="italic">Frederick</hi>
                        </role>, <roleDesc>An <hi rend="italic">English</hi> Gentleman, and Friend to <hi rend="italic">Bel.</hi> and <hi rend="italic">Frederick</hi>
                        </roleDesc>
               </castItem>
               <castItem>
                  <actor xml:id="underhill">Mr. <hi rend="italic">Underhill</hi>
                        </actor>, <role>
                            <hi rend="italic">Blunt</hi>
                        </role>, <roleDesc>An <hi rend="italic">English</hi>
                     Country Gentleman.</roleDesc>
               </castItem>
               <castItem>
                  <actor xml:id="richards">Mr. <hi rend="italic">Richards</hi>
                        </actor>, <role>
                            <hi rend="italic">Stephano</hi>
                        </role>, <roleDesc>Servant to <hi rend="italic">Don Pedro.</hi>
                        </roleDesc>
               </castItem>
               <castItem>
                  <actor xml:id="percivall">Mr. <hi rend="italic">Percivall</hi>
                        </actor>, <role>
                            <hi rend="italic">Philippo</hi>
                        </role>, <roleDesc>
                            <hi rend="italic">Lucetta's</hi> Gallant.</roleDesc>
               </castItem>
               <castItem>
                  <actor xml:id="lee">Mr. <hi rend="italic">John Lee</hi>
                        </actor>, <role>
                            <hi rend="italic">Sancho</hi>
                        </role>, <roleDesc>Pimp to <hi rend="italic">Lucetta.</hi>
                        </roleDesc>
               </castItem>
               <castItem>
                  <role>
                            <hi rend="italic">Biskey,</hi> and <hi rend="italic">Sebastian,</hi>
                        </role>
                  <roleDesc>
                            <hi rend="italic">Two Bravo's to</hi>Angellica.</roleDesc>
               </castItem>
               <castItem>
                  <role>Officers and Souldiers.</role>
               </castItem>
               <castItem>
                  <role>Page</role>
                  <roleDesc>To <hi rend="italic">Don Antonio.</hi>
                        </roleDesc>
               </castItem>
            </castList>
            <castList>
               <head>Women.</head>
               <castItem>
                  <actor xml:id="mrs_betterton">Mrs. <hi rend="italic">Betterton</hi>
                        </actor>,
                        <role>
                            <hi rend="italic">Florinda</hi>
                        </role>, <roleDesc>Sister to <hi rend="italic">Don Pedro.</hi>
                        </roleDesc>
               </castItem>
               <castItem>
                  <actor xml:id="barrer">Mrs. <hi rend="italic">Barrer</hi>
                        </actor>, <role>
                            <hi rend="italic">Hellena</hi>
                        </role>, <roleDesc>A gay Young woman design'd for
                     a Nun, and Sister to <hi rend="italic">Florinda.</hi>
                        </roleDesc>
               </castItem>
               <castItem>
                  <actor xml:id="hughs">Mrs. <hi rend="italic">Hughs</hi>
                        </actor>, <role>
                            <hi rend="italic">Valeria</hi>
                        </role>, <roleDesc>A Kinswoman to <hi rend="italic">Florinda.</hi>
                        </roleDesc>
               </castItem>
               <castItem>
                  <actor xml:id="gwin">Mrs. <hi rend="italic">Gwin</hi>
                        </actor>, <role>
                            <hi rend="italic">Angellica Bianca</hi>
                        </role>, <roleDesc>A Famous
                     Courtizan.</roleDesc>
               </castItem>
               <castItem>
                  <actor xml:id="leigh">Mrs. <hi rend="italic">Leigh</hi>
                        </actor>, <role>
                            <hi rend="italic">Moretta</hi>
                        </role>, <roleDesc>Her Woman.</roleDesc>
               </castItem>
               <castItem>
                  <actor xml:id="norris">Mrs. <hi rend="italic">Norris</hi>
                        </actor>, <role>
                            <hi rend="italic">Callis</hi>
                        </role>, <roleDesc>Governess to <hi rend="italic">Florinda</hi> and <hi rend="italic">Hellena.</hi>
                        </roleDesc>
               </castItem>
               <castItem>
                  <actor xml:id="gillo">Mrs. <hi rend="italic">Gillo</hi>
                        </actor>, <role>
                            <hi rend="italic">Lucetta</hi>
                        </role>, <roleDesc>A Jilting Wench.</roleDesc>
               </castItem>
               <castItem>
                  <role xml:id="servants">Servants, Other <hi rend="italic">Masqueraders</hi> Men
                     and Women.</role>
               </castItem>
            </castList>

            <stage>The Scene <ref target="naples_" corresp="naples">
                        <placeName type="tgn" key="7003012">NAPLES</placeName>
                    </ref>
                </stage>
         </div>
      </front>
      <body>
         <div n="1" type="act">
            <pb n="1" facs="pageImages/1.jpg"/>
            <head type="title">
                    <ref target="intro_" corresp="intro">THE<lb/> ROVER:<lb/> OR,<lb/>
                  The Banish't Cavaliers.</ref>
                </head>
            <head type="subtitle">ACT the First.</head>
            <div n="1" type="scene">
               <stage type="setting">Scene the First. <hi rend="italic">A Chamber.</hi>
                    </stage>
               <stage type="entrance">
                  <hi rend="italic">Enter</hi> Florinda <hi rend="italic">and</hi> Hellena. </stage>

               <sp>
                  <speaker>Florinda</speaker>
                  <l>WHat an Impertinent thing is a Young Girl bred in a Nunnery? How full of
                     Questions? <ref target="prithee_" corresp="prithee">Prithee</ref> no more <hi rend="italic">Hellena,</hi> I have told thee more than thou understand'st
                     already.</l>
               </sp>

               <sp>
                  <speaker>Hellena</speaker>
                  <l>The more's my grief, I wou'd <ref target="fain_" corresp="fain">fain</ref> know
                     as much as you, which makes me so Inquisitive; nor is't enough I know you'r a
                     Lover, unless you tell me too, who 'tis you sigh for.</l>
               </sp>

               <sp>
                  <speaker>Florinda</speaker>
                  <l>When you'r a Lover, I'le think you fit for a Secret of that Nature.</l>
               </sp>

               <sp>
                  <speaker>Hellena</speaker>
                  <l>'Tis true, I never was a Lover yet—but I begin to have a shrew'd guess, what
                     'tis to be so, and fancy it very pretty to sigh, and sing, and blush, and wish,
                     and dream and wish, and long and wish to see the Man; and when I do look pale
                     and tremble; just as you did when my Brother brought home the fine English
                     Colonel to see you—what do you call him <hi rend="italic">Don Belvill.</hi>
                  </l>
               </sp>

               <sp>
                  <speaker>Florinda</speaker>
                  <l>
                            <ref target="Fye_" corresp="Fye">Fye</ref>
                            <note resp="editors.xml#UVAstudstaff" type="gloss" xml:id="Fye" target="Fye_">Exclamation of anger or disapproval at perceived mistreatment. Source:
                        Oxford English Dictionary</note>
                     <hi rend="italic">Hellena.</hi>
                  </l>
               </sp>

               <sp>
                  <speaker>Hellena</speaker>
                  <l>That blush betrays you.—I am sure 'tis so—or is it <hi rend="italic">Don
                        Antonio</hi>
                     <ref target="viceroy_" corresp="viceroy">the Vice-Roy's</ref> Son?—or perhaps
                     the Rich Old <hi rend="italic">Don Vincentio</hi> whom my Father designs you
                     for a Husband?- why do you blush again?</l>
               </sp>

               <pb n="2" facs="pageImages/2.jpg"/>

               <sp>
                  <speaker>Florinda</speaker>
                  <l>With Indignation, and how near soever my Father thinks I am to Marrying that
                     hated Object, I shall let him see, I understand better, what's due to my
                     Beauty, Birth and Fortune, and more to my Soul, then to obey those unjust
                     Commands.</l>
               </sp>

               <sp>
                  <speaker>Hellena</speaker>
                  <l>Now hang me, if I don't love thee for that dear disobedience. I love mischief
                     strangely, as most of our Sex do, who are come to Love nothing else—but tell me
                     dear <hi rend="italic">Florinda,</hi> don't you love that fine <ref target="anglese_" corresp="anglese">
                                <hi rend="italic">Anglese</hi>
                            </ref>?—for I vow next to loving him my self, 'twill please me
                     most that you do so, for he is so <ref target="gay_" corresp="gay">gay</ref>
                     and so handsome.</l>
               </sp>

               <sp>
                  <speaker>Florinda</speaker>
                  <l>
                     <hi rend="italic">Hellena,</hi> a Maid <ref target="design_" corresp="design">design'd</ref> for a Nun, ought not to be so Curious in a discourse of
                     Love.</l>
               </sp>

               <sp>
                  <speaker>Hellena</speaker>
                  <l>And dost thou think that ever I'le be a Nun? or at least till I'm so Old, I'm
                     fit for nothing else—Faith no Sister; andthat which makes me long to know
                     whether you love <hi rend="italic">Belvile,</hi> is because I hope he has some
                     mad Companion or other, that will spoil my devotion, nay I'm resolv'd to
                     provide my self this <ref target="carnival_" corresp="carnival">Carnival</ref>,
                     if there be ere a handsome proper fellow of my humour above ground, tho I ask
                     first.</l>
               </sp>
               <sp>
                  <speaker>Florinda</speaker>
                  <l>Prithee be not so wild.</l>
               </sp>
               <sp>
                  <speaker>Hellena</speaker>
                  <l>Now you have provided your self of a Man, you take no care for poor me—prithee
                     tell me, what dost thou see about me that is unfit for Love—have I not a World
                     of Youth? a humour gay? a Beauty passable? a Vigour desirable? well Shap't?
                        <ref target="cleanlimbd_" corresp="cleanlimbd">clean limb'd</ref>? sweet
                     breath'd? and sense enough to know how all these ought to be employ'd to the
                     best advantage; yes I do and will, therefore lay aside your hopes of my Fortune
                     by my being a Devote, and tell me how you came acquainted with this <hi rend="italic">Belvile?</hi> for I perceive you knew him before he came to
                        <hi rend="italic">
                                <placeName type="tgn" key="7003012">Naples</placeName>.</hi>
                  </l>
               </sp>
               <sp>
                  <speaker>Florinda</speaker>
                  <l>Yes, I knew him at the Siege of <ref target="pamplona_" corresp="pamplona">
                                <hi rend="italic">
                                    <placeName type="tgn" key="7008233">Pampulona</placeName>,</hi>
                            </ref> he was then a Colonel of <hi rend="italic">French</hi>
                     <ref target="horse_" corresp="horse">Horse,</ref> who when the Town was
                     Ransack't, Nobly treated my Brother and my self, preserving us from all
                     Insolences; and I must own, (besides great Obligations) I have I know not what,
                     that pleads kindly for him about my Heart, and will suffer no other to
                     enter.—But see my Brother.</l>
               </sp>

               <stage type="entrance">Enter Don Pedro Stephano <hi rend="italic">with a <ref target="habit_" corresp="habit">Masquing habit</ref>
                        </hi> and
                  Callis.</stage>

               <sp>
                  <speaker>Pedro</speaker>
                  <l>Good morrow Sister.—Pray when saw you your Lover <hi rend="italic">Don
                        Vincentio?</hi>
                  </l>
               </sp>

               <sp>
                  <speaker>Florinda</speaker>
                  <l>I know not Sir—<hi rend="italic">Callis</hi> when was he here? for I consider
                     it so little, I know not when it was.</l>
               </sp>

               <pb n="3" facs="pageImages/3.jpg"/>

               <sp>
                  <speaker>Pedro</speaker>
                  <l>I have a Command from my Father here to tell you, you ought not to despise him,
                     a Man of so vast a Fortune, and such a Passion for you—<hi rend="italic">Stephano</hi> my things.</l>
                  <stage>Puts on his Masquing habit.</stage>
               </sp>

               <sp>
                  <speaker>Florinda</speaker>
                  <l>A Passion for me, 'tis more than e're I saw, or he had a desire should be
                     known—I hate <hi rend="italic">Vincentio,</hi> Sir, and I wou'd not have a Man
                     so dear to me as my Brother, follow the ill Customes of our Countrey, and <ref target="slave_" corresp="slave">make a slave of his Sister</ref>—and Sir, my
                     Father's will, I'm sure you may divert.</l>
               </sp>

               <sp>
                  <speaker>Pedro</speaker>
                  <l>I know not how dear I am to you, but I wish only to be <ref target="ranckt_" corresp="ranckt">ranckt</ref> in your esteem, equal with the English Coll.
                        <hi rend="italic">Belvile—</hi> why do you frown and blush? is there any
                     guilt belongs to the Name of that Cavalier.</l>
               </sp>

               <sp>
                  <speaker>Florinda</speaker>
                  <l>I'le not deny I value <hi rend="italic">Belvile,</hi> when I was expos'd to
                     such dangers as the Licenc'd Lust of common Souldiers threatned, when Rage and
                     Conquest flew through the City—then <hi rend="italic">Belvile</hi> this
                     Criminal for my sake, through himself into all dangers to save my Honour and
                     will you not allow him my esteem?</l>
               </sp>

               <sp>
                  <speaker>Pedro</speaker>
                  <l>Yes, pay him what you will in Honour—but you must consider <hi rend="italic">Don Vincentio's</hi> Fortune, and the <ref target="jointure_" corresp="jointure">Joynture</ref> he'l make you.</l>
               </sp>

               <sp>
                  <speaker>Florinda</speaker>
                  <l>Let him consider my Youth, Beauty and Fortune; which ought not to be thrown
                     away on his Age and Joynture.</l>
               </sp>

               <sp>
                  <speaker>Pedro</speaker>
                  <l>'Tis true, he's not so young and fine a Gentleman, as that <hi rend="italic">Belvile,</hi>—but what Jewels will that Cavalier present you with? those of
                     his Eyes and Heart?</l>
               </sp>

               <sp>
                  <speaker>Hellena</speaker>
                  <l>And are not those better than any <hi rend="italic">Don Vincentio</hi> has
                     brought from the <ref target="indies_" corresp="indies">
                                <hi rend="italic">Indies.</hi>
                            </ref>
                  </l>
               </sp>

               <sp>
                  <speaker>Pedro</speaker>
                  <l>Why how now! has your Nunnery breeding taught you to understand the value of
                     Hearts and Eyes?</l>
               </sp>

               <sp>
                  <speaker>Hellena</speaker>
                  <l>Better than to believe <hi rend="italic">Vincentio</hi>'s deserve value from
                     any Woman—he may perhaps encrease her <ref target="baggs_" corresp="baggs">Baggs,</ref>
                     <ref target="impotent_" corresp="impotent">but not her Family.</ref>
                        </l>
               </sp>

               <sp>
                  <speaker>Pedro</speaker>
                  <l>This is fine—go—up to your Devotion, you are not design'd for the conversation
                     of Lovers.</l>
               </sp>

               <sp>
                  <speaker>Hellena</speaker>
                  <l>Nor Saints, yet a while I hope <stage>Aside.</stage> I'st not enough you make a
                     Nun of me, but you must cast my Sister away too? exposing her to a worse
                     confinement than a Religious life.</l>
               </sp>

               <sp>
                  <speaker>Pedro</speaker>
                  <l>The Girl's mad—it is a confinement to be carry'd into the Countrey, to an
                     Antient Villa belonging to the Family of 
                     <pb n="4" facs="pageImages/4.jpg"/>
              
                     the <hi rend="italic">Vincentio's</hi> these five hundred Years, and have no
                     other Prospect than that pleasing one of seeing all her own that meets her
                     Eyes—a fine Ayr, large Fields and Gardens, where she may walk and gather
                     Flowers.</l>
               </sp>

               <sp>
                  <speaker>Hellena</speaker>
                  <l>When by Moon Light? For I am sure she dares not encounter with the heat of the
                     Sun, that were a task only for <hi rend="italic">Don Vincentio</hi> and his
                     Indian breeding, who loves it in the <ref target="dogdays_" corresp="dogdays">Dog dayes</ref>.—and if these be her daily divertisements, what are those
                     of the Night, to lye in a wide Moth—eaten Bed Chamber, with furniture in
                     Fashion in the Reign of <ref target="sancho_" corresp="sancho">King <hi rend="italic">Sancho</hi> the </ref>First; The Bed, that which his
                     Fore—fathers liv'd and dy'd in.</l>
               </sp>

               <sp>
                  <speaker>Pedro</speaker>
                  <l>Very well.</l>
               </sp>

               <sp>
                  <speaker>Hellena</speaker>
                  <l>This Appartment (new furbrusht and fitted out for the young Wife) he (out of
                     freedom) makes his dressing Room, and being a Frugal and a Jealous <ref target="coxcomb_" corresp="coxcomb">Coxcomb</ref>, instead of a <ref target="valet_" corresp="valet">Valet</ref> to uncase his feeble Carcass, he
                     desires you to do that Office—signs of favour I'll assure you, and such as you
                     must not hope for, unless your Woman be out of the way.</l>
               </sp>

               <sp>
                  <speaker>Pedro</speaker>
                  <l>Have you done yet?</l>
               </sp>

               <sp>
                  <speaker>Hellena</speaker>
                  <l>That Honour being past, the Gyant stretches it self; yawns and sighs a Belch or
                     two, loud as a Musket, throws himself into Bed, and expects you in his foul
                     sheets, and e're you can get your self undrest, call's you with a snore or
                     Two—and are not these fine Blessings to a young Lady?</l>
               </sp>

               <sp>
                  <speaker>Pedro</speaker>
                  <l>Have you done yet?</l>
               </sp>

               <sp>
                  <speaker>Hellena</speaker>
                  <l>And this Man you must kiss, nay you must kiss none but him too—and nuzel
                     through his Beard to find his Lips.—And this you must submit to for <ref target="threescore_" corresp="threescore">Threescore</ref> years, and all
                     for a Joynture.</l>
               </sp>

               <sp>
                  <speaker>Pedro</speaker>
                  <l>For all your Character of <hi rend="italic">Don Vincentio,</hi> she is as like
                     to Marry him, as she was before.</l>
               </sp>

               <sp>
                  <speaker>Hellena</speaker>
                  <l>Marry <hi rend="italic">Don Vincentio!</hi> hang me such a Wedlock would be
                     worse than Adultery with another Man. I had rather see her in the <ref target="hostel_" corresp="hostel">
                                <hi rend="italic">Hostel de
                        Dieu,</hi>
                            </ref> to wast her Youth there in Vowes, and be a hand-Maid to
                        <ref target="lazer_" corresp="lazer">Lazers</ref> and Cripples, than to lose
                     it in such a Marriage.</l>
               </sp>

               <sp>
                  <speaker>Pedro</speaker>
                  <l>You have consider'd Sister, that <hi rend="italic">Belvile</hi> has no Fortune
                     to bring you to, banisht his Countrey, despis'd at home, and pitty'd
                     abroad.</l>
               </sp>

               <sp>
                  <speaker>Hellena</speaker>
                  <l>What then? the Vice-Roy's Son is better than that Old Sir Fisty. <hi rend="italic">Don Vincentio! Don Indian!</hi> he thinks he's trading to <pb n="5" facs="pageImages/5.jpg"/>
                     <ref target="gambia_" corresp="gambia">
                                <hi rend="italic">Gambo</hi>
                            </ref>
                     still, and wou'd <hi rend="italic">Barter</hi> himself <ref target="jester_" corresp="jester">(that Bell and Bawble)</ref> for your Youth and
                     Fortune.</l>
               </sp>

               <sp>
                  <speaker>Pedro</speaker>
                  <l>
                     <hi rend="italic">Callis</hi> take her hence, and lock her up all this
                     Carnival, and at <ref target="lent_" corresp="lent">Lent</ref> she shall begin
                     her everlasting Pennance in a Monastery.</l>
               </sp>

               <sp>
                  <speaker>Hellena</speaker>
                  <l>I care not, I had rather be a Nun, than be oblig'd to Marry as you wou'd have
                     me, if I were design'd for't.</l>
               </sp>

               <sp>
                  <speaker>Pedro</speaker>
                  <l>Do not fear the blessing of that choice—you shall be a Nun.</l>
               </sp>

               <sp>
                  <speaker>Hellena</speaker>
                  <l>Shall I so? you may chance to be mistaken in my way of devotion:—a Nun! yes I
                     am like to make a fine Nun! I have an excellent humour for a <ref target="grate_" corresp="grate">Grate</ref>: no, I'le have a <hi rend="italic">Saint</hi> of my own to pray to shortly, if I like any that
                     dares venture on me.</l>
                  <stage>Aside</stage>
               </sp>

               <sp>
                  <speaker>Pedro</speaker>
                  <l>
                     <hi rend="italic">Callis,</hi> make it your business to watch this Wild Cat. As
                     for you <hi rend="italic">Florinda,</hi> I've only try'd you all this while and
                     urg'd my Fathers will; but mine is, that you wou'd love <hi rend="italic">Antonio,</hi> he is Brave and young, and all that can compleat the
                     happiness of a Gallant Maid—this absence of my Father will give us opportunity,
                     to free you from <hi rend="italic">Vincentio,</hi> by Marrying here, which you
                     must do to Morrow.</l>
               </sp>

               <sp>
                  <speaker>Florinda</speaker>
                  <l>To Morrow!</l>
               </sp>

               <sp>
                  <speaker>Pedro</speaker>
                  <l>To Morrow, or 'twill be too late—tis not my Friendship to <hi rend="italic">Antonio,</hi> which makes me urge this, but Love to thee, and hatred to <hi rend="italic">Vincentio</hi>—therefore resolve upon to Morrow.</l>
               </sp>

               <sp>
                  <speaker>Florinda</speaker>
                  <l>Sir, I shall strive to do, as shall become your Sister.</l>
               </sp>

               <sp>
                  <speaker>Pedro</speaker>
                  <l>I'le both believe and trust you—Adieu</l>
               </sp>

               <stage type="exit">
                        <hi rend="italic">Don Pedro</hi> and <hi rend="italic">Stephano.</hi>
               </stage>

               <sp>
                  <speaker>Hellena</speaker>
                  <l>As becomes his Sister!—that is to be as resolv'd your way, as he is his—</l>
                  <stage>[<hi rend="italic">Hellena</hi> goes to <hi rend="italic">Callis</hi>
                  </stage>
               </sp>

               <sp>
                  <speaker>Florinda</speaker>
                  <l>I ne're till now perceiv'd my Ruine near,</l>
                  <l>I've no defence against <hi rend="italic">Antonio's</hi> Love,</l>
                  <l>For he has all the Advantages of Nature,</l>
                  <l>The moving Arguments of Youth and Fortune.</l>
               </sp>

               <sp>
                  <speaker>Hellena</speaker>
                  <l>But heark you <hi rend="italic">Callis,</hi> you will not be so cruel to lock
                     me up indeed, will you.</l>
               </sp>

               <sp>
                  <speaker>Callis</speaker>
                  <l>I must obey the Commands I have—besides, do you consider what a life you are
                     going to lead?</l>
               </sp>

               <sp>
                  <speaker>Hellena</speaker>
                  <l>Yes, <hi rend="italic">Callis,</hi> that of a Nun: and till then I'll be
                     indebted <pb n="6" facs="pageImages/6.jpg"/> a world of Prayers to you, if
                     you'll let me now see, what I never did, the Divertisements of a <hi rend="italic">CarniValleria</hi>
                  </l>
               </sp>

               <sp>
                  <speaker>Callis</speaker>
                  <l>What, go in Masquerade? 'twill be a fine farewel to the World I take it—pray
                     what wou'd you do there?</l>
               </sp>

               <sp>
                  <speaker>Hellena</speaker>
                  <l>That which all the World does, as I am told, be as mad as the rest, and take
                     all Innocent freedomes—Sister you'll go too, will you not? come prithee be not
                     sad.—We'll out—wit Twenty Brothers, if you'll be rul'd by me—come put off this
                     dull humour with your Cloths, and Assume one as gay, and as fantastick, as the
                     Dress my Couzen <hi rend="italic">Valeria,</hi> and I have provided, and let's
                     Ramble.</l>
               </sp>

               <sp>
                  <speaker>Florinda</speaker>
                  <l>
                     <hi rend="italic">Callis,</hi> will you give us leave to go?</l>
               </sp>

               <sp>
                  <speaker>Callis</speaker>
                  <l>I have a Youthful itch of going my self. <stage>Aside</stage> —Madam, if I
                     thought your Brother might not know it, and I might wait on you; for by my
                     troth I'll not trust Young Girles alone.</l>
               </sp>

               <sp>
                  <speaker>Florinda</speaker>
                  <l>Thou see'st my Brother's gone already, and thou shalt attend, and watch us.</l>
               </sp>

               <stage>Enter <hi rend="italic">Stephano.</hi>
               </stage>

               <sp>
                  <speaker>Stephano</speaker>
                  <l>Mad? the Habits are come, and your Couzen <hi rend="italic">Valeria</hi> is
                     drest, and stayes for you.</l>
               </sp>

               <sp>
                  <speaker>Florinda</speaker>
                  <l>'Tis well.—I'll write a Note, and if I chance to see <hi rend="italic">Belvile,</hi> and want an opportunity to speak to him, that shall let him
                     know, what I've resolv'd in favour of him.</l>
               </sp>

               <sp>
                  <speaker>Hellena</speaker>
                  <l>Come, let's in and dress us.</l>
               </sp>

               <stage>[Exeunt.</stage>
            </div>


            <div n="2" type="scene">
               <head>SCENE II. A Long Street.</head>

               <stage>
                  <hi rend="italic">Enter</hi> Belvile <hi rend="italic">Melancholy,</hi> Blunt<hi rend="italic">and</hi> Frederick.</stage>

               <sp>
                  <speaker>Frederick</speaker>
                  <l>Whe what the Devil ails the <ref target="colonel_" corresp="colonel">Coll.</ref> In a time when all the World is gay, to look like meer <ref target="melancholy_" corresp="melancholy">
                                <hi rend="italic">Lent</hi>
                            </ref>
                     thus? Had'st thou been long enough in <hi rend="italic">
                                <placeName type="tgn" key="7003012">Naples</placeName>
                            </hi> to have been in Love, I shou'd have
                     sworn some such Judgment had befall'n thee.</l>
               </sp>

               <sp>
                  <speaker>Belville</speaker>
                  <l>No, I have made no new Amours since I came to <hi rend="italic">
                                <placeName type="tgn" key="7003012">Naples</placeName>?</hi>
                  </l>
               </sp>

               <sp>
                  <speaker>Frederick</speaker>
                  <l>You have left none behind you in <hi rend="italic">Paris?</hi>
                  </l>
               </sp>

               <sp>
                  <speaker>Belville</speaker>
                  <l>Neither.</l>
               </sp>

               <sp>
                  <pb n="7" facs="pageImages/7.jpg"/>
                  <speaker>Frederick</speaker>
                  <l>I cannot divine the Cause then, unless the Old Cause, the want of Money.</l>
               </sp>

               <sp>
                  <speaker>Blunt</speaker>
                  <l>And another Old Cause, the want of a Wench— Wou'd not that revive you?</l>
               </sp>

               <sp>
                  <speaker>Belville</speaker>
                  <l>You are mistaken, <hi rend="italic">Ned.</hi>
                  </l>
               </sp>

               <sp>
                  <speaker>Blunt</speaker>
                  <l>Nay, 'Sheartlikins, then thou'rt past Cure.</l>
               </sp>

               <sp>
                  <speaker>Frederick</speaker>
                  <l>I have found it out; thou hast renew'd thy acquaintance with the Lady that cost
                     thee so many sighs at the Siege of <hi rend="italic">Pampulona—</hi> Pox on't,
                     what d'e you call her—her Brother's a Noble <hi rend="italic">Spaniard</hi>—Nephew to the Dead General—<hi rend="italic">Florinda—</hi> Ay
                        <hi rend="italic">Florinda</hi>—and will nothing serve thy turn but that
                     damn'd virtuous Woman? whom on my Conscience thou lovest in spight too, because
                     thou seest little or no possibility of gaining her.</l>
               </sp>

               <sp>
                  <speaker>Belville</speaker>
                  <l>Thou art mistaken, I have <ref target="interest_" corresp="interest">Int'rest</ref> enough in that lovely Virgins heart, to make me proud and
                     vain, were it not abated by the severity of a Brother, who perceiving my
                     happiness—</l>
               </sp>

               <sp>
                  <speaker>Frederick</speaker>
                  <l>Has civily forbid thee the House?</l>
               </sp>

               <sp>
                  <speaker>Belville</speaker>
                  <l>'Tis so, to make way for a Pow'rful Rival, the Vice-Roy's Son, who has the
                     advantage of me, in being a Man of Fortune, a <hi rend="italic">Spaniard,</hi>
                     and her Brother's Friend, which gives him Liberty to <ref target="court_" corresp="court">make his Court</ref>, whilst I have recourse only to
                     Letters, and distant looks from her Window, which are as soft and kind</l>
                  <l>As those which Heav'n sends down on Penitents.</l>
               </sp>

               <sp>
                  <speaker>Blunt</speaker>
                  <l>Heyday! 'Sheartlikins, simile! by this Light the Man is quite spoild.—</l>
               </sp>

               <sp>
                  <speaker>Frederick</speaker>
                  <l>What the Devil are we made of, that we cannot be thus concern'd for a
                     Wench—'Sheartlikins our Cupids are like the Cooks of the Camp, they can Roast
                     or Boil a Woman, but they have none of the fine tricks to set 'em off, no <ref target="hogoes_" corresp="hogoes">Hogoes</ref> to make the <ref target="sauce_" corresp="sauce">Sawce</ref> pleasant and the Stomach
                     sharp.</l>
               </sp>

               <sp>
                  <speaker>Frederick</speaker>
                  <l>I dare swear I have had a hundred as young kind and handsom as this <hi rend="italic">Florinda;</hi> and Dogs eat me, if they were not as troublesom
                     to me i'th Morning, as they were welcome <ref target="ore_" corresp="ore">o're</ref> Night.</l>
               </sp>

               <sp>
                  <speaker>Blunt</speaker>
                  <l>And yet I warrant, he wou'd not touch another Woman, if he might have her for
                     nothing.</l>
               </sp>

               <sp>
                  <speaker>Belville</speaker>
                  <l>That's thy joy, a cheap Whore.</l>
               </sp>

               <sp>
                  <speaker>Blunt</speaker>
                  <l>Whe I 'Sheartlikins I love a Franck Soul—when did you ever hear of an honest
                     Woman that took a Man's Money? I warrant <pb n="8" facs="pageImages/8.jpg"/>
                     'em good ones—but Gentlemen, You may be free, you have been kept so poor with
                     Parliaments and Protectors, that the little Stock you have is not worth
                     preserving—but I thank my Stars, I had more Grace than to forfeit my Estate by
                     Cavaliering.</l>
               </sp>

               <sp>
                  <speaker>Belville</speaker>
                  <l>Methinks only following the Court, shou'd be sufficient to entitle 'em to
                     that.</l>
               </sp>

               <sp>
                  <speaker>Blunt</speaker>
                  <l>'Sheartlikins, they know I follow it to do it no good, unless they <ref target="coathole_" corresp="coathole">pick a hole in my Coat</ref> for
                     lending you Money now and then, which is a greater Crime to my Conscience,
                     Gentlemen, than to the Common-Wealth.</l>
               </sp>

               <stage>Enter <hi rend="italic">Willmore.</hi>
               </stage>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Ha! dear <hi rend="italic">Belvile!</hi> noble Colonel!</l>
               </sp>

               <sp>
                  <speaker>Belville</speaker>
                  <l>
                     <hi rend="italic">Willmore!</hi> welcom ashore, my dear Rover!—what happy wind
                     blew us this good Fortune?</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Let me salute my dear <hi rend="italic">Frederick</hi> and then Command me.—
                     How is't honest Lad?</l>
               </sp>

               <sp>
                  <speaker>Frederick</speaker>
                  <l>Faith, Sir, the Old Complement, infinitely the better to see my dear mad <hi rend="italic">Willmore</hi> again.—Prithee why camest thou ashore? and
                     where's the <ref target="charles_" corresp="charles">Prince?</ref>
                        </l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>He's well, and Reigns still Lord of the watry Element. —I must abord again
                     within a day or two, and my business ashore was only to enjoy my self a little
                     this CarniValleria</l>
               </sp>

               <sp>
                  <speaker>Belville</speaker>
                  <l>Pray know our new Friend, Sir, he's but bashful, a raw Traveller, but honest,
                     stout, and one of us.</l>
                  <stage>[<hi rend="italic">Embraces</hi> Blunt</stage>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>That you esteem him, gives him an Intr'est here.</l>
               </sp>

               <sp>
                  <speaker>Blunt</speaker>
                  <l>Your Servant, Sir.</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>But well,—Faith I'm glad to meet you again in a warm Climate, where the kind
                     Sun has its God-like Pow'r still over the Wine and Women—Love and Mirth! are my
                     bus'ness in <hi rend="italic">
                                <placeName type="tgn" key="7003012">Naples</placeName>,</hi> and if I mistake not the place, here's an
                     Excellent Market for <ref target="chapmen_" corresp="chapmen">Chapmen</ref> of
                     my humour.</l>
               </sp>

               <sp>
                  <speaker>Belville</speaker>
                  <l>See, here be those kind Merchants of Love you look for.</l>
               </sp>

               <stage>Enter several Men in Masquing Habits, some playing on Musique, others dancing
                  after, Women drest like Courtizans, with Papers pinn'd on their Breasts, and
                  Baskets of Flowers in their Hands.</stage>

               <sp>
                  <speaker>Blunt</speaker>
                  <l>'Sheartlikins, what have we here?</l>
               </sp>

               <sp>
                  <pb n="9" facs="pageImages/9.jpg"/>
                  <speaker>Frederick</speaker>
                  <l>Now the game begins.</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Fine pretty creatures! May a stranger have leave to look and love?—What's
                        here—<ref target="roses_" corresp="roses">
                                <hi rend="italic">Roses for every
                           moneth?</hi>
                            </ref>
                  </l>
               </sp>

               <stage>[Reads the Papers.</stage>

               <sp>
                  <speaker>Blunt</speaker>
                  <l>Roses for every moneth? What means that?</l>
               </sp>

               <sp>
                  <speaker>Belville</speaker>
                  <l>They are, or wou'd have you think they're courtizans, who here in <hi rend="italic">
                                <placeName type="tgn" key="7003012">Naples</placeName>,</hi>
                     are to be hir'd by the moneth.</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Kind, and obliging to inform us—Pray where do these roses grow? I wou'd fain
                     plant some of 'em in a bed of mine.</l>
               </sp>

               <sp>
                  <speaker>Woman</speaker>
                  <l>Beware such roses, Sir.</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>A pox of fear: I'll be bak't with thee between a pair of sheets, and that's
                     they proper still; so I might but strew such Roses over me, and under me—Fair
                     one, Wou'd you wou'd give me leave to gather at your <ref target="bush_" corresp="bush">bush</ref> this idle moneth; I wou'd go near to make some
                     body smell of it all the year after.</l>
               </sp>

               <sp>
                  <speaker>Belville</speaker>
                  <l>And thou hast need of such a remedy, for thou stink'st of tar and ropes ends,
                     like a dock or <ref target="pesthouse_" corresp="pesthouse">pest-house</ref>.</l>
               </sp>

               <stage>[The Woman puts herself into the Hands of a Man, and Exits.</stage>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Nay, nay, you shall not leave me so.</l>
               </sp>

               <sp>
                  <speaker>Belville</speaker>
                  <l>By all means use no violence here.</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Death! Just as I was going to be damnably in love, to have her led off! I could
                     pluck that rose out of his hand, and even kiss the bed, the bush grew in.</l>
               </sp>

               <sp>
                  <speaker>Frederick</speaker>
                  <l>No friend to love, like a long voyage at sea.</l>
               </sp>

               <sp>
                  <speaker>Blunt</speaker>
                  <l>Except a nunnery, <hi rend="italic">Frederick</hi>
                  </l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Death! But will they not be kind? Quickly be kind? Thou know'st I'm no tame
                     sigher, but a rampant lion of the forrest.</l>
               </sp>

               <stage>Advances from the farther end of the Scenes, two Men drest all over with horns
                  of several sorts, making grimaces at one another, with papers pinn'd on their
                  backs.</stage>

               <sp>
                  <speaker>Belville</speaker>
                  <l>Oh the fantastical rogues, how they'r drest! 'Tis a satyre against the whole
                     sex.</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>'Is this a fruit that grows in this warm countrey?</l>
               </sp>

               <sp>
                  <speaker>Belville</speaker>
                  <l>Yes: 'Tis pretty to see these <hi rend="italic">Italians</hi> start, swell and
                     stab, at the word <ref target="cuckold_" corresp="cuckold">cuckold</ref>; and
                     yet stumble at horns on every threshold.</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>See what's on their back—<hi rend="italic">Flowers of every Night.</hi>
                     <stage>[Reads.</stage> —Ah Rogue! and more sweet than roses of ev'ry moneth!
                     This is a gardiner of <hi rend="italic">Adam</hi>'s own breeding.</l>
               </sp>

               <stage>[They dance.</stage>

               <sp>
                  <pb n="10" facs="pageImages/10.jpg"/>
                  <speaker>Belville</speaker>
                  <l>What think you of those grave People?</l>
                  <l>—is a wake in <ref target="essex_" corresp="essex">
                                <hi rend="italic">
                                    <placeName type="tgn" key="7008131">Essex</placeName>
                                </hi>
                            </ref> half so mad or
                     Extravagant?</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>I like their sober grave way, 'tis a kind of legal authoriz'd fornication,
                     where the men are not chid for't, nor the women despis'd, as amongst our dull
                     English, even the monsieurs want that part of good manners.</l>
               </sp>

               <sp>
                  <speaker>Belville</speaker>
                  <l>But here in <hi rend="italic">Italy,</hi> a monsieur is the humblest best bred
                     gentleman—duels are so bafled by <hi rend="italic">Bravo</hi>'s, that an age
                     shews not one but between a <hi rend="italic">French-man,</hi> and a hang-man,
                     who is as much too hard for him on the <ref target="piazza_" corresp="piazza">
                                <hi rend="italic">Piaza,</hi>
                            </ref> as they are for a <hi rend="italic">Dutchman</hi> on <ref target="newbridge_" corresp="newbridge">the New
                        Bridge</ref>—but see another crew.</l>
               </sp>

               <stage>
                  <hi rend="italic">Enter</hi> Florinda, Hellena <hi rend="italic">and</hi> Valeria,
                     <hi rend="italic">drest like Gipsies;</hi> Callis <hi rend="italic">and</hi>
                  Stephano, Lucetta, Philipo <hi rend="italic">and</hi> Sancho <hi rend="italic">in
                     Masquerade.</hi>
               </stage>

               <sp>
                  <speaker>Hellena</speaker>
                  <l>Sister, there's your <hi rend="italic">English Man,</hi> and with him a
                     handsome proper fellow—I'le to him, and instead of telling him his Fortune, try
                     my own.</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>
                     <hi rend="italic">Gipsies</hi> on my life—sure these will prattle if a man
                     crosse their hands. <stage>[<hi rend="italic">Goes to</hi> Hellena.</stage>
                     —dear, pretty, (and I hope) young Devil, will you tell an amorous stranger,
                     what luck he's like to have?</l>
               </sp>

               <sp>
                  <speaker>Hellena</speaker>
                  <l>Have a care how you venture with me Sir, least I pick your pocket, which will
                     more vex your <ref target="humor_" corresp="humor">
                                <hi rend="italic">English</hi> humour</ref>, than an <hi rend="italic">Italian</hi>
                     fortune will please you.</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>How the Devil cam'st thou to know my countrey and humour?</l>
               </sp>

               <sp>
                  <speaker>Hellena</speaker>
                  <l>The first I guess by a certain forward impudence, which does not displease me
                     at this time, and the loss of your money will vex you, because I hope you have
                     but very little to lose.</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Egad child thou'rt ith' right, it is so little, I dare not offer it thee for a
                     kindness—but cannot you divine what other things of more value I have about me,
                     that I wou'd more willingly part with.</l>
               </sp>

               <sp>
                  <speaker>Hellena</speaker>
                  <l>Indeed no, that's the bus'ness of a witch, and I am but a gipsie yet.—Yet
                     without looking in your hand, I have a parlous guess, 'tis some foolish heart
                     you mean, an inconstant<hi rend="italic">English</hi> heart, as little worth
                     stealing as your purse.</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Nay, then thou dost deal with the Devil, that's certain.— thou hast guest as
                     right, as if thou had'st been one of <pb n="11" facs="pageImages/11.jpg"/> that
                     number it has languisht for.—I find you'l be better acquainted with it, nor can
                     you take it in a better time; for I am come from sea, child, and <hi rend="italic">Venus</hi> not being propitious to me in <ref target="venus_" corresp="venus">her own element:</ref> I have a world of love in store—wou'd
                     you wou'd be good natur'd and take some on't off my hands.</l>
               </sp>

               <sp>
                  <speaker>Hellena</speaker>
                  <l>Whe—I cou'd be inclin'd that way—but for a foolish vow I am going to make—to
                     dye a maid.</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Then thou art damn'd without redemption, and as I am a good Christian, I ought
                     in charity to divert so wicked a design —therefore prithee dear creature let me
                     know quickly when, and where I shall begin to set a helping hand to so good a
                     work.</l>
               </sp>

               <sp>
                  <speaker>Hellena</speaker>
                  <l>If you shou'd prevail with my tender heart (as I begin to fear you will, for
                     you have horrible loving eyes) there will be difficulty in't, that you'l hardly
                     undergo for my sake.</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Faith child I have been bred in dangers, and wear a sword, that has been
                     employ'd in a worse cause, than for a handsome kind woman—name the danger—let
                     it be any thing but a long siege—and I'le undertake it.</l>
               </sp>

               <sp>
                  <speaker>Hellena</speaker>
                  <l>Can you storm?</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Oh most furiously.</l>
               </sp>

               <sp>
                  <speaker>Hellena</speaker>
                  <l>What think you of a Nunnery Wall? For he that wins me, must gain that
                     first.</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>A nun! Oh how I love thee for't! There's no sinner like a young Saint—nay now
                     there's no denying me, the <ref target="oldlaw_" corresp="oldlaw">Old Law</ref>
                     had no curse (to a woman) like dying a maid; witness <ref target="jeptha_" corresp="jeptha">
                                <hi rend="italic">Ieptha's</hi>daughter.</ref>
                        </l>
               </sp>

               <sp>
                  <speaker>Hellena</speaker>
                  <l>A very good text this, if well handled, and I perceive Father Captain, you
                     wou'd impose no severe penance on her who were inclin'd to console her self,
                     before she took orders.</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>If she be young and handsome.</l>
               </sp>

               <sp>
                  <speaker>Hellena</speaker>
                  <l>Ay there's it—but if she be not—</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>By this hand, child, I have an implicit faith, and dare venture on thee with
                     all faults—besides, 'tis more meritorious to leave the world, when thou hast
                     tasted and prov'd the pleasure on't. Then 'twill be a virtue in thee, which now
                     will be pure ignorance.</l>
               </sp>

               <sp>
                  <speaker>Hellena</speaker>
                  <l>I perceive good Father Captain, you design only to make me fit for Heaven—but
                     if on the contrary, you shou'd quite divert me from it, and bring me back to
                     the world again, I shou'd have a new man to seek I find; and what a grief that
                        <pb n="12" facs="pageImages/12.jpg"/> will be—for when I begin, I fancy I
                     shall love like any thing, I never try'd yet.</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Egad and that's kind—prithee dear creature, give me credit for a heart, for
                     faith I'm a very honest fellow—Oh, I long to come first to the Banquet of Love!
                     And such a swinging appetite I bring—Oh I'm impatient.—thy lodging sweetheart,
                     thy lodging! or I'm a dead man!</l>
               </sp>

               <sp>
                  <speaker>Hellena</speaker>
                  <l>Why must we be either guilty of fornication or murder if we converse with you
                     men—and is there no difference between leave to love me, and leave to lie with
                     me?</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Faith child they were made to go together.</l>
               </sp>

               <sp>
                  <speaker>Lucetta</speaker>
                  <l>Are you sure this is the man?</l>
               </sp>

               <stage>[<hi rend="italic">Pointing to</hi> Blunt</stage>

               <sp>
                  <speaker>Sancho</speaker>
                  <l>When did I mistake your game?</l>
               </sp>

               <sp>
                  <speaker>Lucetta</speaker>
                  <l>This is a stranger, I know by his gazing; if he be brisk, he'l venture to
                     follow me; and then if I understand my trade, he's mine, he's English too; and
                     they say that's a sort of good natur'd loving people, and have generally so
                     kind an opinion of themselves, that a woman with any wit may flatter e'm into
                     any sort of fool she pleases.</l>
               </sp>

               <sp>
                  <speaker>Blunt</speaker>
                  <l>'Tis so—she is taken— I have Beauties which my false Glass at home did not
                     discover.</l>
               </sp>

               <stage>She often passes by <hi rend="italic">Blunt</hi> and gazes on him, he struts
                  and Cocks, and walks and gazes on her.</stage>

               <sp>
                  <speaker>Florinda</speaker>
                  <l>This Woman watches me so, I shall get no opportunity to discover my self to
                     him, and so miss the intent of my coming —but as I was saying, Sir,—by this
                     Line you shou'd be a Lover.</l>
               </sp>

               <stage>[Looking in his hand.</stage>

               <sp>
                  <speaker>Belville</speaker>
                  <l>I thought how right you guessed, all men are in Love, or pretend to be so—come
                     let me go, I'm weary of this fooling.</l>
               </sp>

               <stage>[Walks away.</stage>

               <sp>
                  <speaker>Florinda</speaker>
                  <l>I will not, till you have confest whether the passion that you have vow'd <hi rend="italic">Florinda,</hi> be true or false?</l>
               </sp>

               <stage>She holds him, he strives to get from her.</stage>

               <sp>
                  <speaker>Belville</speaker>
                  <l>Florinda!</l>
               </sp>

               <stage>[Turns quick towards her.</stage>

               <sp>
                  <speaker>Florinda</speaker>
                  <l>Softly.</l>
               </sp>

               <sp>
                  <speaker>Belville</speaker>
                  <l>Thou hast nam'd one will fix me here for ever.</l>
               </sp>

               <sp>
                  <speaker>Florinda</speaker>
                  <l>She'll be disappointed then, who expects you this night at the Garden-gate, and
                     if you fail not—as let me see the other hand—you will go near to do—she vows to
                     dye or make you happy.</l>
               </sp>

               <stage>[Looks on <hi rend="italic">Callis</hi> who observes 'em.</stage>

               <sp>
                  <pb n="13" facs="pageImages/13.jpg"/>
                  <speaker>Belville</speaker>
                  <l>What canst thou mean?</l>
               </sp>

               <sp>
                  <speaker>Florinda</speaker>
                  <l>That which I say—Farewel.</l>
                  <stage>[Offers to go.</stage>
               </sp>

               <sp>
                  <speaker>Belville</speaker>
                  <l>Oh charming Sybil stay, complete that joy which as it is will turn into
                     destraction!—where must I be? at the Garden-gate? I know it—at Night you
                     say?—I'll sooner forfeit Heav'n than disobey.</l>
               </sp>

               <stage>Enter <hi rend="italic">Don Pedro</hi> and other Masquers, and pass over the
                  Stage.</stage>

               <sp>
                  <speaker>Callis</speaker>
                  <l>Madam, your Brother's here.</l>
               </sp>

               <sp>
                  <speaker>Florinda</speaker>
                  <l>Take this to instruct you farther.</l>
               </sp>

               <stage>[Gives him a Letter, and goes off.</stage>

               <sp>
                  <speaker>Frederick</speaker>
                  <l>Have a care, Sir, what you promise; this may be a Trap laid by her Brother to
                     ruine you.</l>
               </sp>

               <sp>
                  <speaker>Belville</speaker>
                  <l>Do not disturb my happiness with doubts.</l>
               </sp>

               <stage>[Opens the Letter.</stage>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>My dear pretty Creature, a Thousand Blessings on thee! still in this habit you
                     say?—and after Dinner at this place.</l>
               </sp>

               <sp>
                  <speaker>Hellena</speaker>
                  <l>Yes, if you will swear to keep your heart, and not bestow it between this and
                     that.</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>By all the little Gods of Love I swear, I'l leave it with you, and if you run
                     away with it, those Deities of Justice will revenge me.</l>
               </sp>

               <stage>[Ex. all the Women.</stage>

               <sp>
                  <speaker>Frederick</speaker>
                  <l>Do you know the hand?</l>
               </sp>

               <sp>
                  <speaker>Belville</speaker>
                  <l>'Tis <hi rend="italic">Florinda</hi>'s.</l>
                  <l>All Blessings fall upon the virtuous Maid.</l>
               </sp>

               <sp>
                  <speaker>Frederick</speaker>
                  <l>Nay, no Idolatry, a sober Sacrifice I'l allow you.</l>
               </sp>

               <sp>
                  <speaker>Belville</speaker>
                  <l>Oh Friends, the welcom'st News! the softest Letter!— nay—you shall all see it!
                     and cou'd you now be serious, I might be made the happiest Man the Sun shines
                     on!</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>The reason of this mighty joy?</l>
               </sp>

               <sp>
                  <speaker>Belville</speaker>
                  <l>See how kindly she invites me to deliver her from the threatned violence of her
                     Brother—will you not assist me?</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>I know not what thou mean'st, but I'll make one at any mischief where a Woman's
                     concerned—but she'l be grateful to us for the favour, will she not?</l>
               </sp>

               <sp>
                  <speaker>Belville</speaker>
                  <l>How mean you?</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>How shou'd I mean? thou know'st there's but one way for a Woman to oblige
                     me.</l>
               </sp>

               <sp>
                  <speaker>Belville</speaker>
                  <l>Do not prophane—the Maid is nicely virtuous.</l>
               </sp>

               <sp>
                  <pb n="14" facs="pageImages/14.jpg"/>
                  <speaker>Willmore</speaker>
                  <l>Who Pox, then she's fit for nothing but a husband, let her e'n go, Colonel.</l>
               </sp>

               <sp>
                  <speaker>Frederick</speaker>
                  <l>Peace, she's the Colonel's Mistris, Sir.</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Let her be the Devil, if she be thy Mistris, I'l serve her— name the way.</l>
               </sp>

               <sp>
                  <speaker>Belville</speaker>
                  <l>Read here this Postscript.</l>
                  <stage>[Gives him a Letter.</stage>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>
                     <stage>[Reads.]</stage> —Kind Heart, if we Three cannot weave a string to let
                     her down a Garden-Wall, 'twere pity but the Hang-man wove one for us all.</l>
               </sp>

               <stage>At Ten at night—at the Garden-Gate—of which, if I cannot get the Key, I will
                  contrive a way over the Wall—come attended with a Friend or Two.</stage>

               <sp>
                  <speaker>Frederick</speaker>
                  <l>Let her alone for that, your Womans wit! your fair kind Woman! will out-trick a
                     Broker or a Jew: and contrive like a Jesuit in Chains—but see, <hi rend="italic">Ned Blunt</hi> is stolen out after the Lure of a Damsel.</l>
               </sp>

               <stage>[<hi rend="italic">Ex.</hi> Blunt<hi rend="italic">and</hi> Lucetta.</stage>

               <sp>
                  <speaker>Belville</speaker>
                  <l>So, he'll scarce find his way home again, unless we get him cry'd by the
                     Bell-man in the Market-place, and 'twou'd sound prettily—a lost English Boy of
                     Thirty.</l>
               </sp>

               <sp>
                  <speaker>Frederick</speaker>
                  <l>I hope 'tis some Common crafty Sinner, one that will fit him; it may be she'll
                     sell him for <ref target="peru_" corresp="peru">
                                <hi rend="italic">Perue,</hi>
                            </ref> the Rogue's sturdy, and wou'd work well in a Mine; at
                     least I hope she'll dress him for our Mirth, cheat him of all, then have him
                     well-favourd'ly bang'd, and turn'd out Naked at Midnight.</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Prithee what humour is he of, that you wish him so well?</l>
               </sp>

               <sp>
                  <speaker>Belville</speaker>
                  <l>Why of an <hi rend="italic">English</hi> Elder Brother's humour, Educated in a
                     Nursery, with a Maid to tend him till Fifteen, and lyes with his Grand-Mother
                     till he's of Age: one that knowes no pleasure beyond riding to the next Fair,
                     or going up to <hi rend="italic">London</hi> with his right Worshipful Father
                     in Parliament-time; wearing gay Cloths, or making honourable Love to his Lady
                     Mothers <ref target="maid_" corresp="maid">Landry-Maid</ref>: gets drunk at a
                     Hunting-Match, and ten to one then gives some proofs of his Prowess.—A Pox upon
                     him, he's our <hi rend="italic">Banker,</hi> and has all our Cash about him,
                     and if he fail, we are all Broke.</l>
               </sp>

               <sp>
                  <speaker>Frederick</speaker>
                  <l>Oh let him alone for that matter, he's of a damn'd stingey quality, that will
                     secure our stock; I know not in what danger it were indeed if the Jilt shou'd
                     pretend she's in Love with him, for 'tis a kind believing Coxcomb; otherwise if
                     he part with more than a piece of Eight—-<ref target="geld_" corresp="geld">gueld</ref> him: for which offer he may chance to be beaten, if she be a
                     Whore of the First Rank.</l>
               </sp>

               <sp>
                  <pb n="15" facs="pageImages/15.jpg"/>
                  <speaker>Belville</speaker>
                  <l>Nay the Rogue will not be easily beaten, he's stout enough; perhaps if they
                     talk beyond his capacity, he may chance to exercise his Courage upon some of
                     them, else I'm sure they'll find it as difficult to beat as to please him.</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>'Tis a luckey Devil to light upon so kind a Wench!</l>
               </sp>

               <sp>
                  <speaker>Frederick</speaker>
                  <l>Thou had'st a great deal of talk with thy little Gipsie, coud'st thou do no
                     good upon her? for mine was hard-hearted.</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Hang her, she was some damn'd honest Person of Quality I'm sure, she was so
                     very free and witty. If her face be but answerable to her Witt, and humour, I
                     wou'd be bound to Constancy this Moneth to gain her—in the mean time, have you
                     made no kind acquaintance since you came to Town?—you do not use to be honest
                     so long, Gentlemen.</l>
               </sp>

               <sp>
                  <speaker>Frederick</speaker>
                  <l>Faith Love has kept us honest, we have been all fir'd with a Beauty newly come
                     to Town, the Famous <ref target="paduana_" corresp="paduana">
                                <hi rend="italic">
                                    <placeName type="tgn" key="7003085">Paduana</placeName> Angellica
                           Bianca.</hi>
                            </ref>
                  </l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>What the Mistris of the dead <hi rend="italic">Spanish</hi> General?</l>
               </sp>

               <sp>
                  <speaker>Belville</speaker>
                  <l>Yes, she's now the only ador'd Beauty of all the Youth in <hi rend="italic">
                                <placeName type="tgn" key="7003012">Naples</placeName>,</hi> who put on
                     all their Charms to appear lovely in her sight, their Coaches, Liveries, and
                     themselves, all gay, as on a Monarch's Birth-Day, to attract the Eyes of this
                     fair Charmer, while she has the pleasure to behold all languish for her that
                     see her.</l>
               </sp>

               <sp>
                  <speaker>Frederick</speaker>
                  <l>'Tis pretty to see with how much Love the Men regard her, and how much Envy the
                     Women.</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>What Gallant has she?</l>
               </sp>

               <sp>
                  <speaker>Belville</speaker>
                  <l>None, she's expos'd to Sail, and Four days in the Week she's yours—for so much
                     a Month.</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>The very thought of it quenches all manner of Fire in me—yet prithee let's see
                     her.</l>
               </sp>

               <sp>
                  <speaker>Belville</speaker>
                  <l>Let's first to Dinner, and after that wee'l pass the day as you please—but at
                     Night yee must all be at my Devotion.</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>I will not fail you.</l>
               </sp>

               <trailer>The End of the First Act.</trailer>
            </div>
         </div>

         <div n="2" type="act">

            <pb n="16" facs="pageImages/Rover-p16.jpg"/>

            <head>ACT II.</head>

            <div n="1" type="scene">
               <head>Scene I. The Long Street.</head>

               <stage>Enter <hi rend="italic">Belvile</hi> and <hi rend="italic">Frederick</hi> in
                  Masquing Habits, and <hi rend="italic">Willmore</hi> in his own Cloaths, with a
                     <ref target="vizard_" corresp="vizard">Vizard</ref> in his Hand.</stage>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>But why thus disguis'd and muzzel'd?</l>
               </sp>

               <sp>
                  <speaker>Belville</speaker>
                  <l>Because whatever Extravagances we commit in these Faces, our own may not be
                     oblig'd to answer 'em.</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>I shou'd have chang'd my Eternal Buffe too; but no matter, my little Gipsie
                     wou'd not have found me out then; for if she shou'd change hers, it is
                     impossible I should know her, unless I should hear her prattle.—A Pox on't, I
                     cannot get her out of my Head: Pray Heaven, if ever I do see her again, she
                     prove damnably ugly, that I may fortifie my self against her Tongue.</l>
               </sp>

               <sp>
                  <speaker>Belville</speaker>
                  <l>Have a care of Love, for o' my conscience she was not of a quality to give thee
                     any hopes.</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Pox on 'em, why do they draw a Man in then? She has play'd with my Heart so,
                     that 'twill never lye still, till I have met with some kind Wench, that will
                     play the Game out with me— Oh for my Arms full of soft, white, kind—Woman! such
                     as I fancy <hi rend="italic">Angelica.</hi>
                  </l>
               </sp>

               <sp>
                  <speaker>Belville</speaker>
                  <l>This is her House, if you were but in stock to get admittance; they have not
                     din'd yet; I perceive the Picture is not out.</l>
               </sp>

               <stage>
                  <hi rend="italic">Enter</hi> Blunt</stage>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>I long to see the Shadow of the fair Substance; a Man may gaze on that for
                     nothing.</l>
               </sp>

               <sp>
                  <speaker>Blunt</speaker>
                  <l>Coll. Thy Hand—and thine</l>
               </sp>

               <sp>
                  <speaker>Frederick</speaker>
                  <l>I have been an Ass, a deluded Fool, a very Coxcomb from my Birth till this
                     hour, and heartily repent my little Faith.</l>
               </sp>

               <sp>
                  <speaker>Belville</speaker>
                  <l>What the Devil's the matter with thee <hi rend="italic">Ned?</hi>
                  </l>
                  <l>—Oh such a Mrs.</l>
               </sp>

               <sp>
                  <speaker>Frederick</speaker>
                  <l>such a Girl!</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Ha! where.</l>
               </sp>

               <sp>
                  <speaker>Frederick</speaker>
                  <l>Ay where!</l>
               </sp>

               <sp>
                  <speaker>Blunt</speaker>
                  <l>So fond, so amorous, so toying and so fine! and all for sheer Love ye Rogue! Oh
                     how she lookt and kist! and sooth'd my <pb n="17" facs="pageImages/Rover-p17.jpg"/> Heart from my Bosom—I cannot think I was
                     awake, and yet methinks I see and feel her charms still—</l>
               </sp>

               <sp>
                  <speaker>Frederick</speaker>
                  <l>—Try if she have not left the taste of her Balmey Kisses upon my Lips—</l>
               </sp>

               <stage>[Kisses him.</stage>

               <sp>
                  <speaker>Belville</speaker>
                  <l>Ha! Ha! Ha!</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Death Man where is she?</l>
                  <l>—What a Dog was I to stay in dull <hi rend="italic">
                                <placeName type="tgn" key="7002445">England</placeName>
                            </hi> so long,—How have I laught at the
                     Coll. When he sigh'd for Love! but now the little Archer has reveng'd him! and
                     by this one Dart, I can guess at all his joys, which then I took for Fancies,
                     meer Dreams and Fables.—Well, I'm resolv'd to sell all in <hi rend="italic">
                                <placeName type="tgn" key="7008131">Essex</placeName>,</hi> and plant
                     here for ever.</l>
               </sp>

               <sp>
                  <speaker>Belville</speaker>
                  <l>What a Blessing 'tis, thou hast a Mistris thou dar'st boast of; for I know thy
                     Humour is, rather to have a proclaim'd Clap, than a secret Amour.</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Dost know her Name?</l>
               </sp>

               <sp>
                  <speaker>Blunt</speaker>
                  <l>Her Name? No, 'sheartlikins what care I for Names. —She's fair! young! brisk
                     and kind! even to ravishment! and what a Pox care I for knowing her by any
                     other Title.</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Didst give her any thing?</l>
               </sp>

               <sp>
                  <speaker>Blunt</speaker>
                  <l>Give her!—Ha, ha, ha! whe she's a Person of Quality; —that's a good one, give
                     her! 'sheartlikins dost think such Creatures are to be bought? Or are we
                     provided for such a Purchase? give her quoth ye? Why she presented me with this
                     Bracelet, for the Toy of a Diamond I us'd to wear: No, Gentlemen, <hi rend="italic">Ned Blunt</hi> is not every Body—She expects me again to
                     Night.</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Egad that's well; we'll all go.</l>
               </sp>

               <sp>
                  <speaker>Blunt</speaker>
                  <l>Not a Soul: No, Gentlemen, you are Wits; I am a dull Countrey Rogue, I.</l>
               </sp>

               <sp>
                  <speaker>Frederick</speaker>
                  <l>Well, Sir, for all your Person of Quality, I shall be very glad to understand
                     your Purse be secure; 'tis our whole Estate at present, which we are loth to
                        <ref target="bottomhazard_" corresp="bottomhazard">hazard in one
                        Bottom</ref>; come, Sir, unlade.</l>
               </sp>

               <sp>
                  <speaker>Blunt</speaker>
                  <l>Take the necessary Trifle useless now to me, that am belov'd by such a
                     Gentlewoman—'sheartlikins Money! Here take mine too.</l>
               </sp>

               <sp>
                  <speaker>Frederick</speaker>
                  <l>No, keep that to be couzen'd, that we may laugh.</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Couzen'd!—Death! wou'd I cou'd meet with one, that wou'd couzen me of all the
                     Love I cou'd spare to Night.</l>
               </sp>

               <sp>
                  <speaker>Frederick</speaker>
                  <l>Pox, 'tis some common Whore upon my life.</l>
               </sp>


               <pb n="18" facs="pageImages/Rover-p18.jpg"/>

               <sp>
                  <speaker>Blunt</speaker>
                  <l>A Whore!—yes with such Cloths! such Jewels! such a House! such Furniture, and
                     so Attended! a Whore!</l>
               </sp>

               <sp>
                  <speaker>Belville</speaker>
                  <l>Why yes Sir, they are Whores, tho' they'll neither entertain you with Drinking,
                     Swearing, or Bawdry; are Whores in all those gay Cloths, and right Jewels, are
                     Whores with those great Houses richly furnisht with Velvet Beds, Store of
                     Plate, handsome Attendance, and fine Coaches, are Whores and Errant ones.</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Pox on't, where do these fine Whores live?</l>
               </sp>

               <sp>
                  <speaker>Belville</speaker>
                  <l>Where no Rogues in Office Ecliped Constables, dare give 'em Laws, nor the Wine
                     Inspir'd Bullies of the Town, break their Windows; yet they are Whores tho this
                        <hi rend="italic">
                                <placeName type="tgn" key="7008131">Essex</placeName>
                            </hi>
                     Calf believe 'em Persons of Quality.</l>
               </sp>

               <sp>
                  <speaker>Blunt</speaker>
                  <l>'Sheartlikins, y'are all Fools, there are things about this <hi rend="italic">
                                <placeName type="tgn" key="7008131">Essex</placeName>
                            </hi> Calf, that
                     shall take with the Ladies, beyond all your Witt and Parts—this Shape and Size
                     Gentlemen are not to be despis'd— my Waste too tolerably long, with other
                     inviting signs, that shall be nameless.</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Egad I believe he may have met with some Person of Quality that may be kind to
                     him.</l>
               </sp>

               <sp>
                  <speaker>Belville</speaker>
                  <l>Dost thou perceive any such tempting things about him, that shou'd make a fine
                     Woman, and of Quality, pick him out from all Mankind, to throw away her Youth
                     and Beauty upon, nay and her dear heart too!—no, no, <hi rend="italic">Angellica</hi> has rais'd the Price too high.</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>May she languish for Mankind till she dye, and be damn'd for that one sin
                     alone.</l>
               </sp>

               <stage>Enter <hi rend="italic">Two Bravo's,</hi> and hang up a great Picture of <hi rend="italic">Angellica's,</hi> against the Balcone, and Two little ones at
                  each side of the Door.</stage>

               <sp>
                  <speaker>Belville</speaker>
                  <l>See there the fair Sign to the Inn where a Man may Lodg that's Fool enough to
                     give her price.</l>
               </sp>

               <stage>[<hi rend="italic">Willmore</hi> gazes on the Picture.</stage>

               <sp>
                  <speaker>Blunt</speaker>
                  <l>'Sheartlikins, Gentlemen, what's this!</l>
               </sp>

               <sp>
                  <speaker>Belville</speaker>
                  <l>A Famous <hi rend="italic">Courtizan,</hi> that's to be sold.</l>
               </sp>

               <sp>
                  <speaker>Blunt</speaker>
                  <l>How? to be sold! nay then I have nothing to say to her—sold! what Impudence is
                     practic'd in this Countrey? —with what Order and decency Whoring's Establisht
                     here by Virtue of the Inquisition—come let's begone, I'm sure wee're no Chapmen
                     for this Commodity.</l>
               </sp>

               <sp>
                  <speaker>Frederick</speaker>
                  <l>Thou art none I'm sure, unless thou coud'st have her in thy Bed at a price of a
                     Coach in the Street.</l>
               </sp>

               <pb n="19" facs="pageImages/Rover-p19.jpg"/>


               <sp>
                  <speaker>Willmore</speaker>
                  <l>How wondrous fair she is—a Thousand Crowns a Month—by Heaven as many Kingdoms
                     were too little, a plague of this Poverty—of which I ne're complain, but when
                     it hinders my approach to Beauty: which Virtue ne're cou'd purchase.</l>
               </sp>

               <stage>[Turns from the Picture.</stage>

               <sp>
                  <speaker>Blunt</speaker>
                  <l>What's this?— <stage>[Reads.]</stage>
                     <hi rend="italic">A Thousand Crowns a Month!</hi>
                  </l>
                  <l>—'Sheartlikins here's a Sum! sure 'tis a mistake.</l>
                  <l>—Heark you Friend, does she take or give so much by the Month?</l>
               </sp>

               <sp>
                  <speaker>Frederick</speaker>
                  <l>A Thousand Crowns! why 'tis a Portion for the <hi rend="italic">Infanta.</hi>
                  </l>
               </sp>

               <sp>
                  <speaker>Blunt</speaker>
                  <l>Heark ye Friends, won't she trust?</l>
               </sp>

               <sp>
                  <speaker>Bravo</speaker>
                  <l>This is a Trade, Sir, that cannot live by Credit.</l>
               </sp>

               <stage>Enter <hi rend="italic">Don Pedro</hi> in Masquerade, follow'd by <hi rend="italic">Stephano.</hi>
               </stage>

               <sp>
                  <speaker>Belville</speaker>
                  <l>See, here's more Company, let's walk off a while.</l>
               </sp>

               <stage>[<hi rend="italic">Ex.</hi> English.</stage>

               <stage>[Pedro <hi rend="italic">Reads.</hi>
               </stage>

               <stage>Enter <hi rend="italic">Angellica</hi> and <hi rend="italic">Moretta</hi> in
                  the Balcone, and draw a Silk Curtain.</stage>

               <sp>
                  <speaker>Pedro</speaker>
                  <l>Fetch me a thousand Crowns, I never wisht to buy this Beauty at an easier
                     rate.</l>
               </sp>

               <stage>[passes off.</stage>

               <sp>
                  <speaker>Angellica</speaker>
                  <l>Prithee what said those Fellows to thee?</l>
               </sp>

               <sp>
                  <speaker>Bravo</speaker>
                  <l>Madam, the first were admirers of Beauty only, but no purchasers, they were
                     merry with your Price and Picture, laught at the Sum, and so past off.</l>
               </sp>

               <sp>
                  <speaker>Angellica</speaker>
                  <l>No Matter, I'm not displeas'd with their rallying; their wonder feeds my
                     vanity, and he that wishes but to buy, gives me more Pride, than he that gives
                     my Price, can make my pleasure.</l>
               </sp>

               <sp>
                  <speaker>Bravo</speaker>
                  <l>Madam, the last I knew through all his disguises to be <hi rend="italic">Don
                        Pedro,</hi> Nephew to the General, and who was with him in <hi rend="italic">Pampalona.</hi>
                  </l>
               </sp>

               <sp>
                  <speaker>Angellica</speaker>
                  <l>
                     <hi rend="italic">Don Pedro!</hi> my old Gallant's Nephew, when his Uncle dy'd
                     he left him a vast Sum of Money; it is he who was so in love with me at <hi rend="italic">Padua,</hi> and who us'd to make the General so Jealous.</l>
               </sp>

               <sp>
                  <speaker>Moretta</speaker>
                  <l>Is this he that us'd to prance before our Window, and take such care to shew
                     himself an Amorous Ass? If I am not mistaken he is the likeliest Man to give
                     your price.</l>
               </sp>

               <pb n="20" facs="pageImages/Rover-p20.jpg"/>

               <sp>
                  <speaker>Angellica</speaker>
                  <l>The Man is brave and generous, but of an humour so uneasie and inconstant, that
                     the victory over his heart is as soon lost as won, a Slave that can add little
                     to the Triumph of the Conquerour, but Inconstancy's the sin of all Mankind,
                     therefore I'm resolv'd that nothing but Gold, shall charm my heart.</l>
               </sp>

               <sp>
                  <speaker>Moretta</speaker>
                  <l>I'm glad on't; 'tis only Interest that Women of our profession ought to
                     consider: tho' I wonder what has kept you from that general Disease of our Sex
                     so long, I mean that of being in Love.</l>
               </sp>

               <sp>
                  <speaker>Angellica</speaker>
                  <l>A kind, but sullen Star under which I had the happiness to be born; yet I have
                     had no time for Love; the bravest and noblest of Mankind have purchast my
                     favours at so dear a rate, as if no Coin but Gold were currant with our Trade—
                     but here's <hi rend="italic">Don Pedro</hi> again, fetch me my Lute—for 'tis
                     for him or <hi rend="italic">Don Antonio</hi> the Vice-Roys Son, that I have
                     spread my Nets.</l>
               </sp>

               <stage>Enter at one Door <hi rend="italic">Don Pedro, Stephano; Don Antonio</hi> and
                     <hi rend="italic">Diego</hi> at the other Door with People following him in
                  Masquerade, antickly attir'd, some with Musick, they both go up to the
                  Picture.</stage>

               <sp>
                  <speaker>Antonio</speaker>
                  <l>A Thousand Crowns! had not the Painter flatter'd her, I shou'd not think it
                     dear.</l>
               </sp>

               <sp>
                  <speaker>Pedro</speaker>
                  <l>Flatter'd her! by Heav'n he cannot, I have seen the Original, nor is there one
                     Charm here more than Adorns her Face and Eyes; all this soft and sweet, with a
                     certain languishing Air, that no Artist can represent.</l>
               </sp>

               <sp>
                  <speaker>Antonio</speaker>
                  <l>What I heard of her Beauty before had fir'd my Soul, but this confirmation of
                     it has blown it to a flame.</l>
               </sp>

               <sp>
                  <speaker>Pedro</speaker>
                  <l>Ha!</l>
               </sp>

               <sp>
                  <speaker>Page</speaker>
                  <l>Sir, I have known you throw away a Thousand Crowns on a worse face, and tho
                     y'are near your Marriage, you may venture a little Love here. <hi rend="italic">Florinda</hi> will not miss it.</l>
               </sp>

               <sp>
                  <speaker>Pedro</speaker>
                  <l>Ha! <hi rend="italic">Florinda!</hi>—sure 'tis <hi rend="italic">Antonio.</hi>
                  </l>
                  <stage>[aside.</stage>
               </sp>

               <sp>
                  <speaker>Antonio</speaker>
                  <l>
                     <hi rend="italic">Florinda!</hi> name not those distant joyes, there's not one
                     thought of her will check my Passion here.</l>
               </sp>

               <sp>
                  <speaker>Pedro</speaker>
                  <l>
                     <hi rend="italic">Florinda</hi> scorn'd! and all my <stage>[A noise of a Lute
                        above.</stage> hopes defeated, of the Possession of <hi rend="italic">Angelica.</hi>
                     <stage>[<hi rend="italic">Antonio</hi> gazes up.</stage> Her Injuries! by
                     Heaven he shall not boast of.</l>
               </sp>

               <stage>[Song to a Lute above.</stage>

               <pb n="21" facs="pageImages/Rover-p21.jpg"/>

               <lg>
                  <head>SONG.</head>
                  <lg>
                     <l>WHen <hi rend="italic">Damon</hi> first began to Love</l>
                     <l>He languisht in a soft desire,</l>
                     <l>And knew not how the Gods to move,</l>
                     <l>To lessen or increase his Fire.</l>
                     <l>For <hi rend="italic">Caelia</hi> in her charming Eyes</l>
                     <l>Wore all Love's sweets, and all his cruelties.</l>
                  </lg>

                  <lg n="1">
                     <head>II.</head>
                     <l>But as beneath a Shade he lay,</l>
                     <l>Weaving of Flow'rs for <hi rend="italic">Caelia</hi>'s hair,</l>
                     <l>She chanc't to lead her Flock that way,</l>
                     <l>And saw the Am'rous Shepherd there.</l>
                     <l>She gaz'd around upon the place,</l>
                     <l>And saw the Grove (resembling Night)</l>
                     <l>To all the joys of Love invite,</l>
                     <l>Whilst guilty smiles and blushes drest her Face.</l>
                     <l>At this the bashful Youth all Transport grew,</l>
                     <l>And with kind force he taught the Virgin how</l>
                     <l>To yield what all his sighs cou'd never do.</l>
                  </lg>
               </lg>

               <sp>
                  <speaker>Antonio</speaker>
                  <l>By Heav'n she's charming fair!</l>
               </sp>

               <stage>
                  <hi rend="italic">Angellica</hi> throws open the Curtains, and bows to <hi rend="italic">Antonio,</hi> who pulls off his Vizard and bows and blows up
                  kisses. <hi rend="italic">Pedro</hi> unseen looks in's face.</stage>

               <sp>
                  <speaker>Pedro</speaker>
                  <l>'Tis he; the false <hi rend="italic">Antonio!</hi>
                  </l>
               </sp>

               <sp>
                  <speaker>Antonio</speaker>
                  <l>Friend, where must I pay my Offring of Love?</l>
                  <stage>[<hi rend="italic">To the</hi> Bravo.</stage>
                  <l>My Thousand Crowns I mean.</l>
               </sp>

               <sp>
                  <speaker>Pedro</speaker>
                  <l>That Offring I have design'd to make.</l>
                  <l>And yours will come too late.</l>
               </sp>

               <sp>
                  <speaker>Antonio</speaker>
                  <l>Prithee begone, I shall grow angry else.</l>
                  <l>And then thou art not safe.</l>
               </sp>

               <sp>
                  <speaker>Pedro</speaker>
                  <l>My Anger may be fatal, Sir, as yours;</l>
                  <l>And he that enters here may prove this truth.</l>
               </sp>

               <sp>
                  <speaker>Antonio</speaker>
                  <l>I know not who thou art, but I am sure thou'rt worth my killing, for aiming at
                        <hi rend="italic">Angelica.</hi>
                  </l>
               </sp>

               <stage>[They draw and fight.</stage>

               <pb n="22" facs="pageImages/Rover-p22.jpg"/>

               <stage> Enter <hi rend="italic">Willmore</hi> and <hi rend="italic">Blunt</hi> who
                  draw and part 'em.</stage>

               <sp>
                  <speaker>Blunt</speaker>
                  <l>'Sheartlikins, here's fine doings.</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Tilting for the Wench I'm sure—nay gad, if that wou'd win her, I have as good a
                     Sword as the best of ye.—Put up,— put up, and take another time and place, for
                     this is design'd for Lovers only.</l>
               </sp>

               <stage>[They all put up.</stage>

               <sp>
                  <speaker>Pedro</speaker>
                  <l>We are prevented; dare you meet me to Morrow on the <hi rend="italic">
                                <placeName type="tgn" key="7034850">Molo</placeName>?</hi>
                  </l>
                  <l>For I've a Title to a better quarrel,</l>
                  <l>That of <hi rend="italic">Florinda</hi> in whose credulous heart</l>
                  <l>Thou'st, made an Int'rest, and destroyd my hopes.</l>
               </sp>

               <sp>
                  <speaker>Antonio</speaker>
                  <l>Dare!</l>
                  <l>I'll meet thee there as early as the day.</l>
               </sp>

               <sp>
                  <speaker>Pedro</speaker>
                  <l>We will come thus disguised, that whosoever chance to get the better, he may
                     escape unkown.</l>
               </sp>

               <sp>
                  <speaker>Antonio</speaker>
                  <l>It shall be so. <stage>[<hi rend="italic">Ex.</hi> Pedro <hi rend="italic">and</hi> Stephano.</stage> Who shou'd this Rival be? unless the <hi rend="italic">English</hi> Colonel, of whom I've often heard <hi rend="italic">Don Pedro</hi> speak; it must be he, and time he were remov'd,
                     who lays a claim to all my happiness.</l>
               </sp>

               <stage>
                  <hi rend="italic">Willmore</hi> having gaz'd all this while on the Picture, pulls
                  down a little one.</stage>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>This Posture's loose and negligent,</l>
                  <l>The sight on't wou'd beget a warm desire,</l>
                  <l>In Souls whom Impotence and Age had chill'd.</l>
                  <l>—This must along with me.</l>
               </sp>

               <sp>
                  <speaker>Bravo</speaker>
                  <l>What means this rudeness, Sir?—restore the Picture.</l>
               </sp>

               <sp>
                  <speaker>Antonio</speaker>
                  <l>Ha! Rudeness committed to the fair <hi rend="italic">Angellica!</hi>
                  </l>
                  <l>—Restore the Picture, Sir—</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Indeed I will not, Sir.</l>
               </sp>

               <sp>
                  <speaker>Antonio</speaker>
                  <l>By Heav'n but you shall.</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Nay, do not shew your Sword, if you do, by this dear Beauty—I will shew mine
                     too.</l>
               </sp>

               <sp>
                  <speaker>Antonio</speaker>
                  <l>What right can you pretend to't?</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>That of Possession which I will maintain—you perhaps have a 1000 Crowns to give
                     for the Original.</l>
               </sp>

               <sp>
                  <speaker>Antonio</speaker>
                  <l>No matter, Sir, you shall restore the Picture.</l>
               </sp>

               <sp>
                  <speaker>Angellica</speaker>
                  <l>Oh <hi rend="italic">Moretta!</hi> what's the matter?</l>
               </sp>

               <stage>[Ang. <hi rend="italic">and</hi> Morett. <hi rend="italic">above.</hi>
               </stage>

               <pb n="23" facs="pageImages/Rover-p23.jpg"/>

               <sp>
                  <speaker>Antonio</speaker>
                  <l>Or leave your life behind,</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Death! you lye—I will do neither.</l>
               </sp>

               <sp>
                  <speaker>Angellica</speaker>
                  <l>Hold, I command you, if for me you Fight.</l>
               </sp>

               <stage>They Fight, the Spaniards joyn with <hi rend="italic">Ant. Blunt</hi> laying
                  on like mad. They leave off and bow.</stage>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>How Heavenly fair she is!—ah Plague of her price.</l>
               </sp>

               <sp>
                  <speaker>Angellica</speaker>
                  <l>You Sir in Buffe, you that appear a Souldier, that first began this
                     Insolence—</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>'Tis true, I did so, if you call it Insolence for a Man to preserve himself; I
                     saw your Charming Picture and was wounded; quite through my Soul each pointed
                     Beauty ran; and wanting a Thousand Crowns to procure my remedy—I laid this
                     little Picture to my Bosom—which if you cannot allow me, I'll resign.</l>
               </sp>

               <sp>
                  <speaker>Angellica</speaker>
                  <l>No you may keep the Trifle.</l>
               </sp>

               <sp>
                  <speaker>Antonio</speaker>
                  <l>You shall first ask me leave, and this.</l>
               </sp>

               <stage>[Fight again as before.</stage>

               <stage>Enter <hi rend="italic">Belville</hi> and <hi rend="italic">Frederick</hi> who
                  joyn with the English.</stage>

               <sp>
                  <speaker>Angellica</speaker>
                  <l>Hold! will you ruine me!—<hi rend="italic">Beskey</hi>—<hi rend="italic">Sebestian</hi>— part'em.—</l>
               </sp>

               <stage>[The Spaniards are beaten off.</stage>

               <sp>
                  <speaker>Moretta</speaker>
                  <l>Oh Madam, we're undone, a pox upon that rude Fellow, low, he's set on to ruine
                     us: we shall never see good days, till all these fighting poor Rogues are sent
                     to the Gallies.</l>
               </sp>

               <stage>
                  <hi rend="italic">Enter</hi> Belvile, Blunt Fred. <hi rend="italic">and</hi>
                  Wilmour <hi rend="italic">with's shirt bloody.</hi>
               </stage>

               <sp>
                  <speaker>Blunt</speaker>
                  <l>'Sheartlikins, beat me at this sport, and I'le ne're wear Sword more.</l>
               </sp>

               <sp>
                  <speaker>Belville</speaker>
                  <l>The Devil's in thee for a mad Fellow, thou art always one, at an unluckey
                     Adventure—come let's begon whil'st wee're safe, and remember these are <hi rend="italic">Spaniards,</hi> a sort of People that know how to revenge an
                     Affront.</l>
               </sp>

               <stage>[To Willmore</stage>

               <sp>
                  <speaker>Frederick</speaker>
                  <l>You bleed! I hope you are not wounded.</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Not much:—a plague on your <hi rend="italic">Dons,</hi> if they fight no better
                     they'l ne're recover <hi rend="italic">Flanders.</hi>—what the Devil was't to
                     them that I took down the Picture?</l>
               </sp>

               <sp>
                  <speaker>Blunt</speaker>
                  <l>Took it! 'Sheartlikins we'll have the great one too; 'tis ours by
                     Conquest.—prithee help me up and I'll pull it down—</l>
               </sp>

               <pb n="24" facs="pageImages/Rover-p24.jpg"/>

               <sp>
                  <speaker>Angellica</speaker>
                  <l>Stay Sir, and e're you Affront me farther, let me know how you durst commit
                     this out-rage—to you I speak Sir, for you appear a Gentleman.</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>To me, Madam—Gentlemen your ServAntonio</l>
               </sp>

               <stage>
                  <hi rend="italic">Belville</hi> stays him.</stage>

               <sp>
                  <speaker>Belville</speaker>
                  <l>Is the Devil in thee? do'st know the danger of entring the house of an incens'd
                        <hi rend="italic">Courtizan?</hi>
                  </l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>I thank you for your care—but there are other matters in hand, there are, tho
                     we have no great Temptation—Death! let me go.</l>
               </sp>

               <sp>
                  <speaker>Frederick</speaker>
                  <l>Yes to your Lodging if you will, but not in here.</l>
                  <l>—Damn these Gay Harlots—by this hand I'll have as sound and handsome a Whore,
                     for a Patacoone,—death Man, she'll Murder thee.</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Oh! fear me not, shall I not venture where a Beauty calls? a lovely Charming
                     Beauty! for fear of danger! when by Heav'n there's none so great, as to long
                     for her, whil'st I want Mo to purchase her.</l>
               </sp>

               <sp>
                  <speaker>Pedro</speaker>
                  <l>Therefore 'tis loss of time unless you had the Thousand Crowns to pay.</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>It may be she may give a Favour, at least I shall have the pleasure of Saluting
                     her when I enter, and when I depart.</l>
               </sp>

               <sp>
                  <speaker>Belville</speaker>
                  <l>Pox, she'll as soon lye with thee, as kiss thee, and sooner stab than do
                     either—you shall not go.</l>
               </sp>

               <sp>
                  <speaker>Angellica</speaker>
                  <l>Fear not Sir, all I have to wound with is my Eyes.</l>
               </sp>

               <sp>
                  <speaker>Blunt</speaker>
                  <l>Let him go, 'Sheartlikins, I believe the Gentlewoman means well.</l>
               </sp>

               <sp>
                  <speaker>Belville</speaker>
                  <l>Well take thy Fortune, we'll expect you in the next Street—farewell
                     Fool—Farewell—</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>'Buy Colonel—</l>
               </sp>

               <stage>[Goes in.</stage>

               <sp>
                  <speaker>Frederick</speaker>
                  <l>The Rogue's stark mad for a Wench.</l>
               </sp>

               <stage>[Exeunt.</stage>
            </div>

            <div n="2" type="scene">
               <head>SCENE. A fine Chamber.</head>

               <stage>
                  <hi rend="italic">Enter</hi> Willmore, Angelica <hi rend="italic">and</hi>
                  Moretta.</stage>

               <sp>
                  <speaker>Angellica</speaker>
                  <l>Insolent Sir, how durst you pull down my Picture?</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Rather, how durst you set it up, to tempt poor Am'rous Mortals with so much
                     excellence? which I find you have but too well consulted by the unmerciful
                     price you set upon't.— <pb n="25" facs="pageImages/Rover-p25.jpg"/> Is all this
                     Heaven of Beauty shewn to move despair in those that cannot buy? and can you
                     think th' effects of that despair, shou'd be less extravagant than I have
                     shewn?</l>
               </sp>

               <sp>
                  <speaker>Angellica</speaker>
                  <l>I sent for you to ask my Pardon Sir, not to Aggravate your Crime—I thought I
                     shou'd have seen you at my Feet imploring it.</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>You are deceiv'd, I came to rail at you, and rail such truths too, as shall let
                     you see, the vanity of that Pride, which taught you how, to set such Price on
                     Sin. For such it is, whil'st that which is Loves due. is meanly barter'd
                     for.</l>
               </sp>

               <sp>
                  <speaker>Angellica</speaker>
                  <l>Ha! ha! ha! alas good Captain, what pitty 'tis your edifying Doctrine will do
                     no good upon me—<hi rend="italic">Moretta!</hi> fetch the Gentleman a Glass,
                     and let him surveigh himself. To see what Charms he has—and guess my
                     business.</l>
               </sp>

               <stage>[Aside, in a soft tone.</stage>

               <sp>
                  <speaker>Moretta</speaker>
                  <l>He knows himself of Old, I believe those Breeches and he have been acquainted
                     ever since he was beaten at <hi rend="italic">
                                <placeName type="tgn" key="7015155">Worcester</placeName>.</hi>
                  </l>
               </sp>

               <sp>
                  <speaker>Angellica</speaker>
                  <l>Nay do not abuse the poor Creature—</l>
               </sp>

               <sp>
                  <speaker>Moretta</speaker>
                  <l>Good Weather beaten Corporal, will you march off? we have no need of your
                     Doctrine, tho' you have of our Charity, but at present we have no scraps, we
                     can afford no kindness for God's sake; in fine Sirrah, the price is too high
                     'ith Mouth for you, therefore Troop I say.</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Here good Fore-Woman of the Shop serve me, and I'll be gone.</l>
               </sp>

               <sp>
                  <speaker>Moretta</speaker>
                  <l>Keep it to pay your Landress, your Linnen stinks of the Gun Room; for here's no
                     selling by Retail.</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Thou hast sold plenty of thy Stale. Ware at a Cheap rate.</l>
               </sp>

               <sp>
                  <speaker>Moretta</speaker>
                  <l>Ay the more Silly kind Heart I, but this is an Age wherein Beauty is at higher
                     rates—In fine you know the price of this.</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Igrant you 'tis here—set down a Thousand Crowns a Month—pray how much may come
                     to my Share for a Pistol. —Bawd take your black Lead and Sum it up, that I may
                     have a Pistols worth of this vain gay things, and I'll trouble you no more.</l>
               </sp>

               <sp>
                  <speaker>Moretta</speaker>
                  <l>Pox on him he'll fret me to death:—abominable Fellow, I tell thee, wee only
                     sell by the whole piece.</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>'Tis very hard, the whole Cargo or nothing—Faith <pb n="26" facs="pageImages/Rover-p26.jpg"/> Madam, my Stock will not reach it, I
                     cannot be your Chapman —Yet I have Country Men in Town, Merchants of Love like
                     me; I'll see if they'll put in for a share, we cannot lose much by it, and what
                     we have no use for, we'll sell upon the <hi rend="italic">Frydays</hi> Mart
                        at—<hi rend="italic">Who gives more?</hi> I am studying Madam how to
                     purchase you, tho' at present I am unprovided of Money.</l>
               </sp>

               <sp>
                  <speaker>Angellica</speaker>
                  <l>Sure this from any other Man would anger me—nor shall he know the Conquest he
                     has made—poor angry Man, how I despise this railing.</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Yes, I am poor—but I'm a Gentleman,</l>
                  <l>And one that Scornes this <ref target="baseness_" corresp="baseness">baseness</ref> which you practice;</l>
                  <l>Poor as I am, I wou'd not sell my self,</l>
                  <l>No not to gain your Charming high priz'd Person.</l>
                  <l>Tho' I admire you strangely for your Beauty,</l>
                  <l>Yet I contemn your mind.</l>
                  <l>—And yet I wou'd at any rate enjoy you,</l>
                  <l>At your own rate—but cannot—see here</l>
                  <l>The only Sum I can command on Earth;</l>
                  <l>I know not where to eat when this is gon.</l>
                  <l>Yet such a Slave I am to Love and Beauty</l>
                  <l>This last reserve I'll sacrifice to enjoy you.</l>
                  <l>—Nay do not frown, I know you're to be bought,</l>
                  <l>And wou'd be bought by me, by me,</l>
                  <l>For a mean triffling sum if I cou'd pay it down</l>
                  <l>Which happy knowledge I will still repeat,</l>
                  <l>And lay it to my Heart, it has a Virtue in't,</l>
                  <l>And soon will cure those Wounds your Eyes have made.</l>
                  <l>—And yet—there's something so Divinely powerful there—</l>
                  <l>Nay I will gaze—to let you see my strength.</l>
                  <stage>[Holds her, looks on her, and pawses and sighs.</stage>
                  <l>—By Heav'n bright Creature—I would not for the World</l>
                  <l>Thy Fame were half so fair, as is thy Face.</l>
               </sp>

               <stage>Turns her away from him.</stage>

               <sp>
                  <speaker>Angellica</speaker>
                  <l>His words go through me to the very Soul.</l>
                  <stage>[Aside.</stage>
                  <l>—If you have nothing else to say to me—</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Yes, you shall hear how Infamous you are—</l>
                  <l>For which I do not hate thee—</l>
                  <l>But that secures my heart, and all the Flames it feels</l>
                  <l>Are but so many Lusts—</l>
                  <l>I know it by their sudden bold Intrusion.</l>
                  <l>
                     <pb n="27" facs="pageImages/Rover-p27.jpg"/> The Fire's impatient and betrays,
                     'tis false—</l>
                  <l>For had it been the purer flame of Love,</l>
                  <l>I shou'd have pin'd and languisht at your feet,</l>
                  <l>E're found the impudence to have discover'd it.</l>
                  <l>I now dare stand your scorn, and your denyal.</l>
               </sp>

               <sp>
                  <speaker>Moretta</speaker>
                  <l>Sure she's bewitch, that she can stand thus tamely and hear his sawcy
                     railing—Sirrah, will you be gon?</l>
               </sp>

               <sp>
                  <speaker>Angellica</speaker>
                  <l>How dare you take this Liberty?—withdraw. <stage>[<hi rend="italic">To</hi>
                        Mor.</stage> —Pray tell me, Sir, are not you guilty of the same Mercenary
                     Crime,</l>
                  <l>When a Lady is propos'd to you for a Wife, you never ask, how fair—discreet—or
                     virtuous she is; but what's her Fortune— which if but small, you cry—she will
                     not do my business— and basely leave her, thou she languish for you—say, is not
                     this as poor?</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>It is Barbarous Custome, which I will scorn to defend in our Sex, and do
                     despise in yours.</l>
               </sp>

               <sp>
                  <speaker>Angellica</speaker>
                  <l>Thou'rt a brave Fellow! put up thy Gold, and know,</l>
                  <l>That were thy Fortune large as is thy Soul,</l>
                  <l>Thou shoud'st not buy my Love,</l>
                  <l>Coudst thou forget those mean effects of vanity</l>
                  <l>Which set me out to sale, and, as a Lover, prize my yielding joys.</l>
                  <l>Canst thou believe they'l be intirely thine,</l>
                  <l>Without considering they were Mercenary?</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>I cannot tell, I must bethink me first—ha—death I'm going to believe her.</l>
                  <stage>[Aside.</stage>
               </sp>

               <sp>
                  <speaker>Angellica</speaker>
                  <l>Prithee confirm that faith—or if thou canst not— flatter me a little, 'twill
                     please me from thy mouth.</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Curse on thy charming Tongue! dost thou return</l>
                  <l>My feign'd contempt with so much subtilty?</l>
                  <stage>[Aside.</stage>
                  <l>Thou'st found the easiest way into my heart,</l>
                  <l>Tho I yet know, that all thou say'st is false.</l>
               </sp>

               <stage>[Turning from her in Rage.</stage>

               <sp>
                  <speaker>Angellica</speaker>
                  <l>By all that's good 'tis real,</l>
                  <l>I never lov'd before, tho <ref target="oft_" corresp="oft">oft</ref> a
                     Mistress.</l>
                  <l>—Shall my first Vows be slighted?</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>What can she mean?</l>
                  <stage>[Aside.</stage>
               </sp>

               <sp>
                  <speaker>Angellica</speaker>
                  <l>I find you cannot credit me.—</l>
               </sp>

               <stage>[In an angry tone.</stage>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>I know you take me for an <ref target="errant_" corresp="errant">errant</ref>
                     Ass,</l>
                  <l>An Ass that may be sooth'd into belief,</l>
                  <l>
                     <pb n="28" facs="pageImages/Rover-p28.jpg"/> And then be us'd at pleasure;</l>
                  <l>—But, Madam, I have been so often cheated</l>
                  <l>By perjur'd soft deluding Hypocrites,</l>
                  <l>That I've no faith left for the <ref target="cozening_" corresp="cozening">couzening</ref> Sex;</l>
                  <l>Especially for Women of your Trade.</l>
               </sp>

               <sp>
                  <speaker>Angellica</speaker>
                  <l>The low esteem you have of me, perhaps</l>
                  <l>May bring my heart again:</l>
                  <l>For I have pride, that yet surmounts my Love.</l>
               </sp>

               <stage>[She turns: with pride he holds her.</stage>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Throw off this Pride, this Enemy to Bliss,</l>
                  <l>And shew the Pow'r of Love: 'tis with those Arms</l>
                  <l>I can be only vanquisht, made a Slave.</l>
               </sp>

               <sp>
                  <speaker>Angellica</speaker>
                  <l>Is all my mighty expectation vanisht?</l>
                  <l>—No, I will not hear thee talk—thou hast a Charm</l>
                  <l>In every word that draws my heart away.</l>
                  <l>And all the Thousand Trophies I design'd</l>
                  <l>Thou hast undone—Why art thou soft?</l>
                  <l>Thy looks are bravely rough, and meant for War.</l>
                  <l>Coud'st thou not storm on still?</l>
                  <l>I then perhaps had been as free as thou.</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Death, how she throws her Fire about my Soul!</l>
                  <stage>[Aside.</stage>
                  <l>—Take heed, fair Creature, how you raise my hopes,</l>
                  <l>Which once assum'd pretends to all dominion.</l>
                  <l>There's not a joy thou hast in store,</l>
                  <l>I shall not then Command.</l>
                  <l>—For which I'll pay thee back my Soul! my Life!</l>
                  <l>—Come, let's begin th' account this happy minute!</l>
               </sp>

               <sp>
                  <speaker>Angellica</speaker>
                  <l>And will you pay me then the price I ask?</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Oh why dost thou draw me from an awful Worship,</l>
                  <l>By shewing thou art no Divinity.</l>
                  <l>Conceal the Fiend, and shew me all the Angel!</l>
                  <l>Keep me but ignorant, and I'll be devout</l>
                  <l>And pay my Vows for ever at this shrine.</l>
               </sp>

               <stage>[Kneels and kisses her hand.</stage>

               <sp>
                  <speaker>Angellica</speaker>
                  <l>The pay, I mean, is but thy Love for mine.</l>
                  <l>—Can you give that?</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Intirely—come, let's withdraw! where I'll renew my Vows—and breath 'em with
                     such Ardour thou shalt not doubt my zeal.</l>
               </sp>

               <pb n="29" facs="pageImages/Rover-p29.jpg"/>

               <sp>
                  <speaker>Angellica</speaker>
                  <l>Thou hast a Pow'r too strong to be resisted.</l>
               </sp>

               <stage>[<hi rend="italic">Ex.</hi> Will. <hi rend="italic">and</hi>
                  Angellica.</stage>

               <sp>
                  <speaker>Moretta</speaker>
                  <l>Now my Curse go with you—is all our Project fallen to this? to love the only
                     Enemy to our Trade? nay, to love such a Shameroone, a very Beggar, nay a Pyrate
                     Beggar, whose business is to rifle, and be gone, a no Purchase, no Pay
                     Taterdemalion, and <hi rend="italic">English</hi>
                     <ref target="piccaroon_" corresp="piccaroon">Piccaroon</ref>.</l>
                  <l>A Rogue that fights for daily drink, and takes a Pride in being Loyally
                     Lousie—Oh I cou'd curse now, if I durst.—This is the Fate of most Whores.</l>
                  <lg>
                     <l>Trophies, which from believing Fops we win,</l>
                     <l>Are Spoils to those who couzen us agen.</l>
                  </lg>
               </sp>

               <trailer>The End of the Second ACT.</trailer>
            </div>
         </div>


         <div n="3" type="act">
            <head>ACT III.</head>

            <div n="1" type="scene">
               <head>Scene I. A Street.</head>

               <stage>
                  <hi rend="italic">Enter</hi> Florinda, Valeria, Hellena, <hi rend="italic">
                            <ref target="antick_" corresp="antick">in Antick</ref> different Dresses, from
                     what they were in before--antick has a specific sense too.</hi> Callis <hi rend="italic">attending.</hi>
               </stage>

               <sp>
                  <speaker>Florinda</speaker>
                  <l>I Wonder what shou'd make my Brother in so ill a humour? I hope he has not
                     found out our Ramble this Morning.</l>
               </sp>

               <sp>
                  <speaker>Hellena</speaker>
                  <l>No, if he had, we shou'd have heard on't at both Ears, and have been <ref target="mewed_" corresp="mewed">Mew'd</ref> up this Afternoon; which I wou'd
                     not for the World shou'd have hapned—hey ho, I'm as sad as a Lover's Lute.—</l>
               </sp>

               <sp>
                  <speaker>Valleria </speaker>
                  <l>Well, methinks we have learnt this Trade of Gipsies as readily, as if we had
                     been bred upon the Road to <hi rend="italic">Loretta:</hi> and yet I did so
                     fumble, when I told the stranger his Fortune, that I was <pb n="30" facs="pageImages/Rover-p30.jpg"/> afraid I should have told my own and yours
                     by mistake—but, methinks <hi rend="italic">Hellena</hi> has been very serious
                     ever since.</l>
               </sp>

               <sp>
                  <speaker>Florinda</speaker>
                  <l>I wou'd give my Garters she were in Love, to be reveng'd upon her, for abusing
                     me—how is't, <hi rend="italic">Hellena?</hi>
                  </l>
               </sp>

               <sp>
                  <speaker>Hellena</speaker>
                  <l>Ah—wou'd I had never seen my mad Monsieur—and yet for all your laughing, I am
                     not in Love—and yet this small acquaintance o' my Conscience will never out of
                     my head.</l>
               </sp>

               <sp>
                  <speaker>Valleria</speaker>
                  <l>Ha, ha, ha—I laugh to think how thou art fitted with a Lover, a fellow that I
                     warrant loves every new Face he sees.</l>
               </sp>

               <sp>
                  <speaker>Hellena</speaker>
                  <l>Hum—he has not kept his word with me here—and may be taken up—that thought is
                     not very pleasant to me— what the Deuce shou'd this be now, that I feel?</l>
               </sp>

               <sp>
                  <speaker>Valleria</speaker>
                  <l>What is't like?</l>
               </sp>

               <sp>
                  <speaker>Hellena</speaker>
                  <l>Nay, the Lord knows—but if I shou'd be hang'd, I cannot choose, but be angry
                     and afraid, when I think, that mad Fellow shou'd be in Love with any Body but
                     me—what to think of my self, I know not—wou'd I cou'd meet with some true
                     damn'd Gipsie, that I might know my Fortune.</l>
               </sp>

               <sp>
                  <speaker>Valleria</speaker>
                  <l>Know it! why there's nothing so easie, thou wilt love this wandring Inconstant,
                     till thou findst thy self hang'd about his Neck, and then be as mad to get free
                     again.</l>
               </sp>

               <sp>
                  <speaker>Florinda</speaker>
                  <l>Yes, <hi rend="italic">Valeria,</hi> we shall see her bestride his Baggage
                     Horse, and follow him to the Campaigne.</l>
               </sp>

               <sp>
                  <speaker>Hellena</speaker>
                  <l>So, so, now you are provided for, there's no care taken of poor me—but since
                     you have set my heart a wishing—I am resolv'd to know for what, I will not dye
                     of the Pip, so I will not.</l>
               </sp>

               <sp>
                  <speaker>Florinda</speaker>
                  <l>Art thou mad to talk so? who will like thee well enough to have thee, that,
                     hears what a mad Wench thou art?</l>
               </sp>

               <sp>
                  <speaker>Hellena</speaker>
                  <l>Like me! I don't intend every he that likes me shall have me, but he that I
                     like; I shou'd have staid in the Nunnery still, if I had lik'd my Lady <hi rend="italic">Abbesse</hi> as well as she lik'd me—no, I came thence not (as
                     my wise Brother imagines) to take an Eternal Farewel of the World, but to Love,
                     and to be belov'd, and I will be belov'd, or I'll get one of your Men, so I
                     Willmore</l>
               </sp>

               <sp>
                  <speaker>Valleria</speaker>
                  <l>Am I put into the number of Lovers?</l>
               </sp>

               <sp>
                  <speaker>Hellena</speaker>
                  <l>You? why Couz, I know thou'rt too good natur'd to leave us in any design: thou
                     wou't venture a Cast, tho thou comest off a loser, especially with such a
                     Gamester.—I observe your Man, and your willing Ear incline that way; and if you
                     are not <pb n="31" facs="pageImages/Rover-p31.jpg"/> a Lover, 'tis an Art soon
                     learnt—that I find.</l>
               </sp>

               <stage>[Sighs.</stage>

               <sp>
                  <speaker>Florinda</speaker>
                  <l>I wonder how you learnt to Love so easily, I had a 1000 Charms to meet my Eyes
                     and Ears, e're I cou'd yield, and 'twas the knowedge of <hi rend="italic">Belvile</hi>'s merit, not the surprizing Person took my Soul—thou art too
                     rash to give a heart at first sight.</l>
               </sp>

               <sp>
                  <speaker>Hellena</speaker>
                  <l>Hang your considering Lover; I never thought beyond the fancy that 'twas a very
                     pretty, idle, silly, kind of pleasure to pass ones time with, to write little
                     soft. Nonsensical Billiets, and with great difficulty and danger receive
                     Answers; in which I shall have my Beauty prais'd, my Wit admir'd, (tho little
                     or none) and have the vanity and pow'r to know I am desirable; then I have the
                     more inclination that way, because I am to be a Nun, and so shall not be
                     suspected to have any such Earthly thoughts about me—but when I walk thus—and
                     sigh thus— they'l think my mind's upon my Monastery, and cry how happy 'tis
                     she's so resolv'd.</l>
                  <l>—But not word of Man.</l>
               </sp>

               <sp>
                  <speaker>Florinda</speaker>
                  <l>What a mad Creature's this?</l>
               </sp>

               <sp>
                  <speaker>Hellena</speaker>
                  <l>I'll warrant, if my Brother hears either of you sigh, he cryes (gravely)—I fear
                     you have the indiscretion to be in Love, but take heed of the Honour of our
                     House, and your own unspotted Fame, and so he Conjures on till he has laid the
                     soft wing'd God in your Hearts, or broke the Birds Nest—but see here comes your
                     Lover, but where's my Inconstant? let's step aside, and wee may learn
                     something.</l>
               </sp>

               <stage>[Go aside.</stage>

               <stage>
                  <hi rend="italic">Enter</hi> Belvile Fred. <hi rend="italic">and</hi>
                  Blunt</stage>

               <sp>
                  <speaker>Belville</speaker>
                  <l>What means this! the Picture's taken in.</l>
               </sp>

               <sp>
                  <speaker>Blunt</speaker>
                  <l>It may be the Wench is good Natur'd, and will be kind Gratis. Your Friend's a
                     proper handsome Fellow.</l>
               </sp>

               <sp>
                  <speaker>Belville</speaker>
                  <l>I rather think she has cut his Throat and is fled: I am mad he shou'd throw
                     himself into dangers—pox on't I shall want him too at Night—let's knock and ask
                     for him.</l>
               </sp>

               <sp>
                  <speaker>Hellena</speaker>
                  <l>My Heart goes a pit, a pat, for fear 'tis my Man they talk off.</l>
               </sp>

               <stage>[Knock, <hi rend="italic">Moretta</hi> above.</stage>

               <sp>
                  <speaker>Moretta</speaker>
                  <l>What wou'd you have!</l>
               </sp>

               <sp>
                  <speaker>Belville</speaker>
                  <l>Tell the stranger that enter'd here about two hours agoe, that his Friends stay
                     here for him.</l>
               </sp>

               <sp>
                  <speaker>Moretta</speaker>
                  <l>A Curse upon him for <hi rend="italic">Moretta,</hi> wou'd he were at the
                     Devil—but he's coming to you.</l>
               </sp>

               <pb n="32" facs="pageImages/Rover-p32.jpg"/>

               <sp>
                  <speaker>Hellena</speaker>
                  <l>I, I, 'tis he! Oh how this vexes me.</l>
               </sp>

               <sp>
                  <speaker>Belville</speaker>
                  <l>And how and how dear Lad, has Fortune smil'd! are we to break her Windows! or
                     raise up Alters to her. hah!</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Does not my Fortune sit Triumphant on my Brow! dost not see the little <ref target="wanton_" corresp="wanton">wanton</ref> God there all gay and
                     smiling. Have I not an Air about my Face and Eyes, that distinguish me from the
                     Crow'd of common Lovers! By Heav'n <hi rend="italic">Cupids</hi> Quiver has not
                     half so many Darts as her Eyes!—Oh such a <ref target="bonaroba_" corresp="bonaroba">Bona Roba</ref>! to sleep in her Arms is lying in Fresco,
                     all perfum'd Air about me.</l>
               </sp>

               <sp>
                  <speaker>Hellena</speaker>
                  <l>Here's fine encouragement for me to fool on.</l>
                  <stage>[Aside.</stage>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Hark'ey where didst thou purchase that rich Canary we drank to day! tell me
                     that I may Adore the <ref target="spigot_" corresp="spigot">Spigot</ref>, and
                     Sacrifice to the Butt! the Juice was Divine! into which I must dip my Rosary,
                     and then bless all things that I would have bold or Fortunate.</l>
               </sp>

               <sp>
                  <speaker>Belville</speaker>
                  <l>Well Sir, let's go take a Bottle, and hear the story of your Success.</l>
               </sp>

               <sp>
                  <speaker>Frederick</speaker>
                  <l>Wou'd not <hi rend="italic">French</hi> Wine do better.</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Damn the hungry <ref target="balderdash_" corresp="balderdash">Balderdash</ref>, chearful <ref target="sack_" corresp="sack">Sack</ref> has a
                     generous Virtue in't inspiring a successful confidence, gives Eloquence to the
                     Tongne! and vigour to the Soul! and has in a few hours compleated all my hopes
                     and wishes! There's nothing left to raise a new desire in me—come let's be gay
                     and wanton—and Gentlemen study, study what you want, for here are Friends,—that
                     will supply Gentlemen,—heark! what a Charming sound they make—'tis he and the
                     Gold whil'st here, and shall beget new pleasures every Moment.</l>
               </sp>

               <sp>
                  <speaker>Blunt</speaker>
                  <l>But heark'ey Sir, you are not Marryed are you?</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>All the honey of Matrimony, but none of the sting Friend.</l>
               </sp>

               <sp>
                  <speaker>Blunt</speaker>
                  <l>'Sheartlikins thou'rt a Fortunate Rogue!</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>I am so Sir, let these—inform you!—ha how sweetly they Chime!—pox of Poverty it
                     makes a Man a slave, makes Wit and Honour sneak, my Soul grew lean and rusty
                     for want of credit.</l>
               </sp>

               <sp>
                  <speaker>Blunt</speaker>
                  <l>'Sheartlikins this I like well, it looks like my lucky Bargain! Oh how I long
                     for the approach of my Squire, that is to conduct me to her House again
                     whe—here's two provided for.</l>
               </sp>

               <sp>
                  <speaker>Frederick</speaker>
                  <l>By this light y' are happy Men.</l>
               </sp>

               <sp>
                  <speaker>Blunt</speaker>
                  <l>Fortune is pleas'd to smile on us Gentlemen—to smile on us.</l>
               </sp>

               <pb n="33" facs="pageImages/Rover-p33.jpg"/>

               <stage> Enter <hi rend="italic">Sancho</hi> and pulls down <hi rend="italic">Blunt</hi> by the sleeve.</stage>

               <sp>
                  <speaker>Sancho</speaker>
                  <l>Sir my Lady expects <stage>[They go aside.</stage> you—she has remov'd all that
                     might oppose your will and pleasure—and is impatient till you come.</l>
               </sp>

               <sp>
                  <speaker>Blunt</speaker>
                  <l>Sir I'll attend you—oh the happiest Rogue! I'll take no leave, least they
                     either dog me, or stay me.</l>
               </sp>

               <stage>[Ex. with <hi rend="italic">Sancho.</hi>
               </stage>

               <sp>
                  <speaker>Belville</speaker>
                  <l>But then the little Gipsie is forgot?</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>A mischief on thee for putting her into my thoughts I had quite forgot her
                     else, and this Nights debauch had drunk her quite down.</l>
               </sp>

               <sp>
                  <speaker>Hellena</speaker>
                  <l>Had it so good Captain!</l>
               </sp>

               <stage>[Claps him on the Back.</stage>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Hah! I hope she did not hear me.</l>
                  <stage>[Aside.</stage>
               </sp>

               <sp>
                  <speaker>Hellena</speaker>
                  <l>What afraid of such a Champion?</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Oh! you're a fine Lady of your word, are you not? to make a Man languish a
                     whole day— </l>
               </sp>

               <sp>
                  <speaker>Hellena</speaker>
                  <l>In tedious search of me.</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Egad Child thou'rt in the right, had'st thou seen what a Melancholy Dog I have
                     been ever since I was a Lover, how I have walkt the streets like a <ref target="capuchin_" corresp="capuchin">
                                <hi rend="italic">Capuchin</hi>
                            </ref>
                     with my Hands in my Sleeves—Faith sweet Heart thou would'st pitty me.</l>
               </sp>

               <sp>
                  <speaker>Hellena</speaker>
                  <l>Now if I shou'd be hang'd I can't be angry with him he dissembles so
                     Heartily—alas good Captain what pains you have taken—now were I ungrateful not
                     to reward so true a ServAntonio</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Poor Soul! that's kindly said, I see thou barest a Conscience —come then for a
                     beginning shew me thy dear Face.</l>
               </sp>

               <sp>
                  <speaker>Hellena</speaker>
                  <l>I'm afraid, my small acquaintance, you have been staying that swinging Stomach
                     you boasted of this Morning; I then remember my little <ref target="collation_" corresp="collation">Collation</ref> wou'd have gone down with you, without
                     the Sauce of a handsome Face—is your Stomach so queasiy now?</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Faith long fasting Child, spoils a Mans Appetite—yet if you durst treat, I
                     cou'd so lay about me still—</l>
               </sp>

               <sp>
                  <speaker>Hellena</speaker>
                  <l>And wou'd you fall to, before a Priest says Grace?</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Oh fie fie, what an Old out of fashion'd thing hast thou nam'd? thou cou'st
                     not dash me more out of Countenance shoud'st thou shew me an ugly Face.</l>
               </sp>

               <stage>[Whilst he is seemingly Courting <hi rend="italic">Hellena.</hi>
               </stage>

               <pb n="34" facs="pageImages/Rover-p34.jpg"/>

               <stage>
                  <hi rend="italic">Enter</hi> Angellica Moretta Biskey <hi rend="italic">and</hi>
                  Sebastian <hi rend="italic">all in Masquerade,</hi> Ang. <hi rend="italic">sees</hi> Will. <hi rend="italic">and stares.</hi>
               </stage>

               <sp>
                  <speaker>Angellica</speaker>
                  <l>Heavens 'ts he! and passionately fond to see another Woman.</l>
               </sp>

               <sp>
                  <speaker>Moretta</speaker>
                  <l>What cou'd you less expect from such a swaggerer?</l>
               </sp>

               <sp>
                  <speaker>Angellica</speaker>
                  <l>Expect! as much as I paid him, a Heart intire</l>
                  <l>Which I had Pride enough to think when 'ere I gave,</l>
                  <l>It would have rais'd the Man above the Vulgar</l>
                  <l>Made him all Soul! and that all soft and constAntonio</l>
               </sp>

               <sp>
                  <speaker>Hellena</speaker>
                  <l>You see Captain, how willing I am to be Friends with you, till time and ill
                     luck make us Lovers, and ask you the Question first, rather then put your
                     Modesty to the blush, by asking me (for alas!) I know you Captains are such
                     strict Men and such severe observers of your Vows to Chastity, that 'twill be
                     hard to prevail with your tender Conscience to Marry a young willing Maid.</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Do not abuse me, for fear I shou'd take thee at thy word, and Marry thee
                     indeed, which I'm sure will be revenge sufficient.</l>
               </sp>

               <sp>
                  <speaker>Hellena</speaker>
                  <l>O' my Conscience, that will be our Destiny, because we are both of one humour;
                     I am as inconstant as you, for I have consider'd, Captain, that a handsome
                     Woman has a great deal to do whilst her Face is good, for then is our
                     Harvest-time to gather Friends; and should I in these dayes of my Youth, catch
                     a fit of foolish Constancy, I were undone; 'tis loitering by day-light in our
                     great Journey: therefore I declare, I'll allow but one year for Love, one year
                     for indifference, and one year for hate— and then—go hang your self—for I
                     profess my self the gay, the kind, and the Inconstant—the Devil's in't if this
                     won't please you.</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Oh most damnably—I have a heart with a hole quite through it too, no Prison
                     mine to keep a Mistress in.</l>
               </sp>

               <sp>
                  <speaker>Angellica</speaker>
                  <l>
                            <ref target="perjured_" corresp="perjured">Perjur'd</ref> Man! how I believe
                     thee now.</l>
                  <stage>[aside.</stage>
               </sp>

               <sp>
                  <speaker>Hellena</speaker>
                  <l>Well, I see our business as well as humours are a like, yours to couzen as many
                     Maids as will trust you, and I as many Men as have Faith—see if I have not as
                     desperate a lying look, as you can have for the heart of you.</l>
                  <stage>[Pulls off her Vizard: he starts.</stage>
                  <l>—How do you like it Captain?</l>
               </sp>

               <pb n="35" facs="pageImages/Rover-p35.jpg"/>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Like it! by Heav'n, I never saw so much beauty! Oh the Charms of those
                     sprightly black Eyes! that strangely fair Face! full of smiles and dimples!
                     those soft round melting Cherry Lips! and small even white Teeth! not to be
                     exprest, but silently ador'd!—oh one look more! and strike me dumb, or I shall
                     repeat nothing else till I'm mad.</l>
               </sp>

               <stage>[He seems to Court her to pull off her <ref target="vizar_" corresp="vizar">Vizar</ref>: she refuses.</stage>

               <sp>
                  <speaker>Angellica</speaker>
                  <l>I can endure no more—nor is it fit to interrupt him, for if I do, my Jealousie
                     has so destroid my Reason,—I shall undo him —therefore I'l retire—and you, <hi rend="italic">Sebastian,</hi>
                     <stage>[To one of her <hi rend="italic">Bravo</hi>'s.</stage> follow that
                     Woman, and learn who 'tis; while you tell the Fugitive, I wou'd speak to him
                     instantly.</l>
               </sp>

               <stage>[To the other <hi rend="italic">Bravo.</hi>
               </stage>

               <stage>[Exit.</stage>

               <stage>This while <hi rend="italic">Florinda</hi> is talking to <hi rend="italic">Belvile,</hi> who stands sullenly. <hi rend="italic">Frederick</hi> courting
                     <hi rend="italic">Valeria.</hi>
               </stage>

               <sp>
                  <speaker>Valleria</speaker>
                  <l>Prithee, dear stranger, be not so sullen, for tho you have lost your Love, you
                     see my Friend franckly offers you hers to play with in the mean time.</l>
               </sp>

               <sp>
                  <speaker>Belville</speaker>
                  <l>Faith Madam, I am sorry I can't play at her Game.</l>
               </sp>

               <sp>
                  <speaker>Frederick</speaker>
                  <l>Pray leave your <ref target="intercession_" corresp="intercession">Intercession</ref>, and mind your own Affair, they'l better agree apart;
                     he's a modest <ref target="sigher_" corresp="sigher">sigher</ref> in Company,
                     but alone no Woman scapes him.</l>
               </sp>

               <sp>
                  <speaker>Florinda</speaker>
                  <l>Sure he does but rally—yet if it shou'd be true— I'll tempt him farther—believe
                     me, Noble Stranger, I'm no common Mistris—and for a little proof on't—wear this
                        <ref target="jewel_" corresp="jewel">Jewel</ref>—nay, take it, Sir, 'tis
                     right, and <ref target="bill_" corresp="bill">Bills of Exchange may sometimes
                        miscarry.</ref>
                  </l>
               </sp>

               <sp>
                  <speaker>Belville</speaker>
                  <l>Madam, why am I chose out of all Mankind to be the Object of your Bounty?</l>
               </sp>

               <sp>
                  <speaker>Valleria</speaker>
                  <l>There's another civil Question askt.</l>
               </sp>

               <sp>
                  <speaker>Frederick</speaker>
                  <l>Pox of's Modesty, it spoils his own Markets &amp; hinders mine.</l>
               </sp>

               <sp>
                  <speaker>Florinda</speaker>
                  <l>Sir, from my Window I have often seen you, and Women of my Quality have so few
                     opportunities for Love, that we ought to loose none.</l>
               </sp>

               <sp>
                  <speaker>Frederick</speaker>
                  <l>Ay, this is something! here's a Woman!—when shall I be blest with so much
                     kindness from your fair Mouth?—take the Jewel, Fool.</l>
               </sp>

               <stage>[aside to <hi rend="italic">Belville</hi>
               </stage>

               <sp>
                  <speaker>Belville</speaker>
                  <l>You tempt me strangely Madam every way—</l>
               </sp>

               <sp>
                  <speaker>Florinda</speaker>
                  <l>So, if I find him false, my whole <ref target="repose_" corresp="repose">Repose</ref>
                        </l>
                  <stage>[Aside.</stage>
               </sp>

               <sp>
                  <speaker>Belville</speaker>
                  <l>And but for a Vow I've made to a very Lady, this goodness had subdu'd me.</l>
               </sp>

               <pb n="36" facs="pageImages/Rover-p36.jpg"/>

               <sp>
                  <speaker>Frederick</speaker>
                  <l>Pox on't be kind, in pitty to me be kind, for I am to thrive here but as you
                     treat her Friend.</l>
               </sp>

               <sp>
                  <speaker>Hellena</speaker>
                  <l>Tell me what you did in yonder House, and I'll <ref target="unmask_" corresp="unmask">unmasque.</ref>
                        </l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Yonder House—oh—I went to—a—to—why there's a Friend of mine lives there.</l>
               </sp>

               <sp>
                  <speaker>Hellena</speaker>
                  <l>What <ref target="shehe_" corresp="shehe">a Shee, or a Hee Friend?</ref>
                        </l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>A Man upon Honour! a Man—a Shee Friend—no, no Madam <ref target="business_" corresp="business">you have done my business I thank you.</ref>
                        </l>
               </sp>

               <sp>
                  <speaker>Hellena</speaker>
                  <l>And wast your Man Friend, that had more Darts in's Eyes, than <hi rend="italic">Cupid</hi> carries in's whole <ref target="budget_" corresp="budget">Budget</ref> of Arrowes.</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>So—</l>
               </sp>

               <sp>
                  <speaker>Hellena</speaker>
                  <l>Ah such a <ref target="bonaroba2_" corresp="bonaroba2">
                                <hi rend="italic">Bona
                           Roba!</hi>
                            </ref> to be in her Arms is lying in <hi rend="italic">Fresco,</hi> all perfum'd Air about me—was this your Man Friend too?</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>So—</l>
               </sp>

               <sp>
                  <speaker>Hellena</speaker>
                  <l>That gave you the He, and the She Gold, that begets young pleasures?</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Well, well Madam, then you see there are Ladies in the World, that will not be
                     cruel—there are Madam there are—</l>
               </sp>

               <sp>
                  <speaker>Hellena</speaker>
                  <l>And there be Men too, as fine, wild Inconstant Fellowes as your self, there be
                     Captain there be, if you go to that now— therefore I'm resolv'd—</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Oh!—</l>
               </sp>

               <sp>
                  <speaker>Hellena</speaker>
                  <l>To see your Face no more—</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Oh!</l>
               </sp>

               <sp>
                  <speaker>Hellena</speaker>
                  <l>Till to morrow.</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Egad you frighted me.</l>
               </sp>

               <sp>
                  <speaker>Hellena</speaker>
                  <l>Nor then neither, unless you'll swear never to see that Lady more.</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>See her!—<ref target="whe_" corresp="whe">whe</ref> never to think of Woman
                     kind again.</l>
               </sp>

               <sp>
                  <speaker>Hellena</speaker>
                  <l>Kneel,—and swear—</l>
               </sp>

               <stage>[Kneels, she gives him her hand.</stage>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>I do never to think—to see—to Love—nor <ref target="lye_" corresp="lye">Lye—</ref> with any but thy self.</l>
               </sp>

               <sp>
                  <speaker>Hellena</speaker>
                  <l>Kiss the Book.</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Oh most <ref target="religiously_" corresp="religiously">Religiously.</ref>
                        </l>
               </sp>

               <stage>[Kisses her hand.</stage>

               <sp>
                  <speaker>Hellena</speaker>
                  <l>Now what a wicked Creature am I, to damn a proper Fellow.</l>
               </sp>

               <sp>
                  <speaker>Callis</speaker>
                  <l>Madam, I'll stay no longer, 'tis e'ne dark.</l>
               </sp>

               <stage>[<hi rend="italic">To</hi> Florinda</stage>

               <sp>
                  <speaker>Florinda</speaker>
                  <l>How ever Sir, I'll leave this with you—that when <pb n="37" facs="pageImages/Rover-p37.jpg"/> I'm gone, you may repent the opportunity
                     you have lost, by your Modesty.</l>
               </sp>

               <stage>Gives him the Jewel which is her Picture, and <hi rend="italic">Ex.</hi> he
                  gazes after her.</stage>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>'Twill be <ref target="age_" corresp="age">an Age</ref> till to Morrow,—and
                     till then I will most impatiently expect you—Adieu my Dear pretty <hi rend="italic">Angell.</hi>
                  </l>
               </sp>

               <stage>[Ex. all the Women.</stage>

               <sp>
                  <speaker>Belville</speaker>
                  <l>Ha! <hi rend="italic">Florinda's</hi> Picture—'twas she her self—what a <ref target="dull_" corresp="dull">dull</ref> Dog was I? I wou'd have given the
                     World for one minuts discourse with her—</l>
               </sp>

               <sp>
                  <speaker>Frederick</speaker>
                  <l>This comes of your modesty!—ah <ref target="pox_" corresp="pox">pox</ref> o'
                     your vow, 'twas ten to one, but we had lost the Jewel by't.</l>
               </sp>

               <sp>
                  <speaker>Belville</speaker>
                  <l>
                     <hi rend="italic">Willmore!</hi> the blessed'st opportunity lost! <hi rend="italic">Florinda!</hi> Friends! <hi rend="italic">Florinda!</hi>
                  </l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Ah Rogue! such black Eyes! such a Face! such a Mouth! such Teeth—and so much
                     Witt!—</l>
               </sp>

               <sp>
                  <speaker>Belville</speaker>
                  <l>All, all, and a Thousand Charmes besides.</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Why dost thou know her?</l>
               </sp>

               <sp>
                  <speaker>Belville</speaker>
                  <l>Know her! Ay, Ay, and a pox take me with all my Heart for being Modest.</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>But <ref target="hark_" corresp="hark">hearkey</ref> Friend of mine, are you my
                     Rival? and have I been only <ref target="beatbush_" corresp="beatbush">beating
                        the Bush</ref> all this while?</l>
               </sp>

               <sp>
                  <speaker>Belville</speaker>
                  <l>I understand thee not—I'm mad—see here—</l>
               </sp>

               <stage>[Shews the Picture.</stage>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Ha! whose Picture's this!—'tis a fine Wench!</l>
               </sp>

               <sp>
                  <speaker>Frederick</speaker>
                  <l>The Colonels Mrs. Sir.</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Oh oh here—I thought 'thad been another prize— come, come, a Bottle will set
                     thee right again.</l>
               </sp>

               <stage>[Gives the Picture back.</stage>

               <sp>
                  <speaker>Belville</speaker>
                  <l>I am content to try, and by that time 'twill be late enough for our design.</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Agreed.</l>
                  <l>Love does all day the Soules great Empire keep,</l>
                  <l>But <ref target="wine_" corresp="wine">Wine at night Lulls the soft God
                        asleep.</ref>
                        </l>
               </sp>

               <stage>Exeunt.</stage>
            </div>


            <div n="2" type="scene">
               <head>SCENE the II. Lucetta's House.</head>

               <stage>
                  <hi rend="italic">Enter</hi> Blunt<hi rend="italic">and</hi> Lucetta <hi rend="italic">with a Light.</hi>
               </stage>

               <sp>
                  <speaker>Lucetta</speaker>
                  <l>Now we are safe and free; no fears of the coming home of my Old Jealous
                     Husband, which made me a little thoughtful <pb n="38" facs="pageImages/Rover-p38.jpg"/> when you came in first—but now Love is all
                     the business of my Soul.</l>
               </sp>

               <sp>
                  <speaker>Blunt</speaker>
                  <l>I am transported!—pox on't, that I had but some fine things to say to her, such
                     as Lovers use,—I was a Fool not to learn of <hi rend="italic">Frederick</hi> a
                     little by heart before I came—something I must say— <stage>[Aside.</stage>
                     'Sheartlikins sweet Soul! I am not us'd to Complement, but I'm an honest
                     Gentleman, and thy humble ServAntonio</l>
               </sp>

               <sp>
                  <speaker>Lucetta</speaker>
                  <l>I have nothing to pay for so great a Favour, but such a Love as cannot but be
                     great, since at first sight of that sweet Face and Shape, it made me your
                     absolute Captive.</l>
               </sp>

               <sp>
                  <speaker>Blunt</speaker>
                  <l>Kind heart! how prettily she talks! Egad I'll shew her Husband a <hi rend="italic">Spanish</hi> trick; send him out of the World and Marry her:
                     she's damnably in Love with me, and will ne're mind Settlements, and so there's
                     that sav'd.</l>
                  <stage>[Aside.</stage>
               </sp>

               <sp>
                  <speaker>Lucetta</speaker>
                  <l>Well Sir, I'll go and undress me, and be with you instantly.</l>
               </sp>

               <sp>
                  <speaker>Blunt</speaker>
                  <l>Make hast then, for adshartilikins dear Soul thou canst not guess at the pain
                     of a longing Lover; when his joys are drawn within the <ref target="minute_" corresp="minute">compass of a few Minuts.</ref>
                        </l>
               </sp>

               <sp>
                  <speaker>Lucetta</speaker>
                  <l>You speak my sense, and I'l make hast to prove it.</l>
                  <stage>[Ex.</stage>
               </sp>

               <sp>
                  <speaker>Blunt</speaker>
                  <l>'Tis a rare Girl! and this one Nights enjoyment with her, will be worth all the
                     days I ever past in <hi rend="italic">
                                <placeName type="tgn" key="7008131">Essex</placeName>.</hi>—wou'd she wou'd go with me into <hi rend="italic">
                                <placeName type="tgn" key="7002445">England</placeName>;</hi>
                     tho' to say truth there's plenty of Whores already.—But a Pox on 'em they are
                     such Mercenary —Prodigal Whores, that they want such a one as this, that's Free
                     and Generous to give 'em good Examples—<ref target="whe_" corresp="whe">Whe</ref> what a house she has, how rich and fine!</l>
               </sp>

               <sp>
                  <speaker>Sancho</speaker>
                  <l>Sir, my Lady has sent me to conduct you to her Chamber.</l>
               </sp>

               <stage>[<hi rend="italic">Enter</hi> Sancho.</stage>

               <sp>
                  <speaker>Blunt</speaker>
                  <l>Sir, I shall be proud to follow—here's one of her Servants too! 'Sheartlikins
                     by this garb and gravity, he might be a <ref target="justice_" corresp="justice">Justice of Peace in <hi rend="italic">
                                    <placeName type="tgn" key="7008131">Essex</placeName>,</hi>
                            </ref> and is but a
                     Pimp here.</l>
               </sp>

               <stage>[Exeunt.</stage>

               <stage>The Scene Changes to a Chamber with an Alcove Bed in't, a Table, <hi rend="italic">&amp;c. Lucetta</hi> in Bed. Enter <hi rend="italic">Sancho</hi>
                  and <hi rend="italic">Blunt</hi> who takes the Candle of <hi rend="italic">Sancho</hi> at the Door.</stage>

               <sp>
                  <speaker>Sancho</speaker>
                  <l>Sir, my <ref target="commission_" corresp="commission">Commission</ref> reaches
                     no farther.</l>
               </sp>

               <sp>
                  <speaker>Blunt</speaker>
                  <l>Sir I'll excuse your Complement—what in Bed my sweet Mistress.</l>
               </sp>

               <pb n="39" facs="pageImages/Rover-p39.jpg"/>

               <sp>
                  <speaker>Lucetta</speaker>
                  <l>You see, I still outdo you in kindness.</l>
               </sp>

               <sp>
                  <speaker>Blunt</speaker>
                  <l>And thou shalt see what haste I'll make to quit scores —oh the luckiest
                     Rogue!</l>
               </sp>

               <stage>[He undresses himself.</stage>

               <sp>
                  <speaker>Lucetta</speaker>
                  <l>Shou'd you be false or cruel now!—</l>
               </sp>

               <sp>
                  <speaker>Blunt</speaker>
                  <l>False! 'Sheartlikins, what dost thou take me for? A <hi rend="italic">Jew?</hi>
                     an insensible heathen—a Pox of thy Old Jealous Husband, an he were dead, Egad,
                     sweet Soul, it shou'd be none of my fault, if I did not Marry thee.</l>
               </sp>

               <sp>
                  <speaker>Lucetta</speaker>
                  <l>It never shou'd be mine.</l>
               </sp>

               <sp>
                  <speaker>Blunt</speaker>
                  <l>Good Soul! I'm the <ref target="dog_" corresp="dog">fortunatest Dog!</ref>
                        </l>
               </sp>

               <sp>
                  <speaker>Lucetta</speaker>
                  <l>Are you not undrest yet?</l>
               </sp>

               <sp>
                  <speaker>Blunt</speaker>
                  <l>As much as my impatience will permit.</l>
               </sp>

               <stage>[Goes towards the Bed in his shirt, Drawers.</stage>

               <sp>
                  <speaker>Lucetta</speaker>
                  <l>Hold, Sir, put out the Light, <ref target="betray_" corresp="betray">it may
                        betray us else.</ref>
                        </l>
               </sp>

               <sp>
                  <speaker>Blunt</speaker>
                  <l>Any thing, I need no other Light, but that of thine Eyes!—'Sheartlikins, there
                     I think I had it. <stage>[Puts out the Candle, the Bed descends, he groaps
                        about to find it.</stage> —Whe—whe—where am I got? what not yet?—where are
                     you sweetest?—ah, the Rogue's silent now—a pretty Love trick this—how she'l
                     laugh at me <ref target="anon_" corresp="anon">anon!</ref>—you need not, my
                     dear Rogue! you need not!—I'm all on fire already—come, come, now call me in
                     pity.—Sure I'm Enchanted! I have been round the Chamber, and can find neither
                     Woman, nor Bed—I lockt the Door, I'm sure she cannot go that way— or if she
                     cou'd, the Bed cou'd not—Enough, enough, my pretty wanton, do not carry the
                        <ref target="jest_" corresp="jest">jest</ref> too far—ha, Betrayed! Dogs!
                     Rogues! Pimps!—help! help!</l>
               </sp>

               <stage>[Lights on a Trap, and is let down.</stage>

               <stage>Enter <hi rend="italic">Lucetta, Phillipo,</hi> and <hi rend="italic">Sancho</hi> with a Light.</stage>

               <sp>
                  <speaker>Phillipo</speaker>
                  <l>Ha, ha, ha, he's dispatch finely.</l>
               </sp>

               <sp>
                  <speaker>Lucetta</speaker>
                  <l>Now, Sir, had I been <ref target="coy_" corresp="coy">Coy</ref> we had mist of
                     this Booty.</l>
               </sp>

               <sp>
                  <speaker>Phillipo</speaker>
                  <l>Nay, when I saw 'twas a substantial Fool, I was <ref target="mollified_" corresp="mollified">mollified;</ref>. but when you dote upon a Serenading
                     Coxcomb, upon a Face, fine Cloaths, and a <ref target="lute_" corresp="lute">Lute</ref>, it makes me rage.</l>
               </sp>

               <sp>
                  <speaker>Lucetta</speaker>
                  <l>You know I was never guilty of that Folly, my dear <hi rend="italic">Phillippo;</hi> but with your self—but come, let's see what we have got by
                     this.</l>
               </sp>

               <sp>
                  <speaker>Phillipo</speaker>
                  <l>A rich Coat!—Sword and Hat—these <ref target="breeches_" corresp="breeches">Breeches</ref> too—are well lin'd—see here, a <ref target="watch_" corresp="watch">Gold Watch!—</ref>
                     <pb n="40" facs="pageImages/Rover-p40.jpg"/> a Purse—ha!—Gold!—at least Two
                     Hundred Pistols! —a bunch of Diamond Rings! and one with the Family Arms!—a
                     Gold Box!—with a Medal of his King! and his Lady Mother's Picture!—these were
                     Sacred Relics, believe me!—see, the Wasteband of his Breeches have a Mine of
                     Gold!—Old Queen <ref target="besse_" corresp="besse">
                                <hi rend="italic">Besse</hi>'s</ref>, we have a quarrel to her ever since <hi rend="italic">Eighty Eight,</hi> and may therefore justify the Theft, the
                     Inquisition might have committed it.</l>
               </sp>

               <sp>
                  <speaker>Lucetta</speaker>
                  <l>—See, a Bracelet of bowd Gold! these his Sisters tied about his Arm at
                     parting—but well—for all this, I fear his being a Stranger, may make a noise
                     and hinder our Trade with them hereafter.</l>
               </sp>

               <sp>
                  <speaker>Phillipo</speaker>
                  <l>That's our security; he is not only a Stranger to us, but to the Country
                     too—the Common <ref target="shoar_" corresp="shoar">Shoar</ref> into which he
                     is descended, thou knowst conducts him into another Street, which this Light
                     will hinder him from ever finding again—he knows neither your Name, nor that of
                     the Street where you House is, nay nor the way to his own Lodgings.</l>
               </sp>

               <sp>
                  <speaker>Lucetta</speaker>
                  <l>And art not thou an unmerciful Rogue! not to afford him one Night for all
                     this?—I shou'd not have been such a <hi rend="italic">Jew.</hi>
                  </l>
               </sp>

               <sp>
                  <speaker>Phillipo</speaker>
                  <l>Blame me not, <hi rend="italic">Lucetta,</hi> to keep as much of thee as I can
                     to my self—come, that thought makes me wanton!—let's to Bed!—<hi rend="italic">Sancho,</hi> lock up these.</l>
                  <lg>
                     <l>This is the Fleece which Fools do bear,</l>
                     <l>Design'd for witty Men to sheer.</l>
                  </lg>
               </sp>

               <stage>[Exeunt.</stage>

               <stage>The Scene changes, and discovers <hi rend="italic">Blunt</hi> creeping out of
                  a Common-Shoar, his Face, <hi rend="italic">&amp;c.</hi> all dirty.</stage>

               <sp>
                  <speaker>Blunt</speaker>
                  <l>Oh Lord! <stage>[Climbing up.</stage> I am got out at last, and (which is a
                     Miracle) without a Clue— and now to Damning and Cursing!—but if that wou'd ease
                     me, where shall I begin? with my Fortune, my self, or the Queen that couzen'd
                     me—what a Dog was I to believe in Woman? oh Coxcomb!—Ignorant conceited
                     Coxcomb! to fancy she could be enamoured with my Person! at first sight
                     enamoured! —oh, I'm a cursed Puppy! 'tis plain, Fool was writ upon my Forehead!
                     she perceiv'd it!—saw the <hi rend="italic">
                                <placeName type="tgn" key="7008131">Essex</placeName>
                            </hi>-Calf there— <pb n="41" facs="pageImages/Rover-p41.jpg"/> for what Allurements cou'd there be in
                     this Countenance? which I can indure, because I'm acquainted with it—oh, dull
                     silly Dog! to be thus sooth'd into a Couzening! had I been drunk, I might
                     fondly have credited the young Quean!—but as I was in my right Wits, to be thus
                     cheated, confirms it I am a dull believing <hi rend="italic">English</hi>
                     Country Fop—but my Camrades! death and the Devil! there's the worst of all—then
                     a Ballad will be Sung to Morrow on the <hi rend="italic">Prado,</hi> to a
                     Lousie Tune of the Enchanted 'Squire, and the Annihilated Damsel—but <hi rend="italic">Frederick</hi> that Rogue! and the Colonel, will abuse me
                     beyond all Christian patience— had she left me my Clothes, I have a Bill of
                     Exchange at home, would have saved my Credit—but now all hope is taken from
                     me—well, I'l home (if I can find the way) with this Consolation, that I am not
                     the first kind believing Coxcomb; but there are Gallants many such good Natures
                     amongst ye.</l>
                  <l>And tho you've better Arts to hide your Follies,</l>
                  <l>Adsheartlikins y' are all as errant Cullies.</l>
               </sp>
            </div>

            <div n="3" type="scene">
               <head>SCENE, the Garden in the Night.</head>

               <stage>Enter <hi rend="italic">Florinda</hi> in an undress, with a Key and a little
                  Box.</stage>

               <sp>
                  <speaker>Florinda</speaker>
                  <l>Well, thus far I'm in my way to happiness; I have got my self free from <hi rend="italic">Callis;</hi> my Brother too I find by yonder light is got into
                     his Cabinet, and thinks not of me; I have by good Fortune, got the Key of the
                     Garden back-door.—I'll open it to prevent <hi rend="italic">Belvile</hi>'s
                     knocking—a little noise will now Alarm my Brother. Now am I as fearful as a
                     young Thief. <stage>[Unlocks the door.</stage> —heark—what noise is that—oh,
                     'twas the Wind that played amongst the Boughs—<hi rend="italic">Belvile</hi>
                     stays long, methinks —it's time—stay—for fear of a surprise—I'll hide these
                     Jewels in yonder Jessamin.</l>
               </sp>

               <stage>[She goes to lay down the Box.</stage>

               <stage>Enter <hi rend="italic">Willmore</hi>, drunk.</stage>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>What the Devil is become of these fellows, <hi rend="italic">Belvile</hi> and
                        <hi rend="italic">Frederick,</hi> they promised to stay at the next Corner
                     for me, but who the Devil knows the Corner of a Full Moon—now—where-abouts am
                     I!—hah—what have we here a Garden!— a very convenient place to sleep
                     in—hah—what has God <pb n="42" facs="pageImages/Rover-p42.jpg"/> sent us
                     here!—a Female!—by this Light a Woman!— I'm a Dog if it be not a very
                     Wench!—</l>
               </sp>

               <sp>
                  <speaker>Florinda</speaker>
                  <l>He's come!—hah—who's there?</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Sweet Soul! let me salute thy Shoe-string.</l>
               </sp>

               <sp>
                  <speaker>Florinda</speaker>
                  <l>'Tis not my <hi rend="italic">Belvile.</hi>—good Heavens! I know him not —who
                     are you, and from whence come you?</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Prithee—prithee Child—not so many hard questions— let it suffice I am here
                     Child—come, come kiss me.</l>
               </sp>

               <sp>
                  <speaker>Florinda</speaker>
                  <l>Good Gods! what luck is mine?</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Only good luck Child, parlous good luck—come hither, —'tis a delicate shining
                     Wench—by this hand she's perfumed, and smells like any <ref target="nosegay_" corresp="nosegay">Nosegay</ref>—prithee dear Soul, let's not play the Fool,
                     and lose time—precious time—for as God shall save me I'm as honest a Fellow as
                     breathes, tho' I'm a little disguised at present—come I say—whe thou may'st be
                     free with me, I'll be very secret. I'll not boast who 'twas obliged me, not
                     I—for hang me if I know thy name.</l>
               </sp>

               <sp>
                  <speaker>Florinda</speaker>
                  <l>Heavens! what a filthy Beast is this?</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>I am so, and thou ought'st the sooner to lie with me for that reason—for look
                     you Child, there will be no sin in't, because 'twas neither designed nor
                     premeditated. 'Tis pure Accident on both sides—that's a certain thing
                     now—indeed should I make Love to you, and you vow fidelity—and swear and lie
                     till you believed and yielded—that were to make it wilful Fornication —the
                     crying Sin of the Nation—thou art therefore (as thou art a good Christian)
                     obliged in Conscience to deny me nothing. Now—come be kind without any more
                     idle prating.</l>
               </sp>

               <sp>
                  <speaker>Florinda</speaker>
                  <l>Oh I am ruined—Wicked Man unhand me.</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Wicked!—Egad Child a Judge were he young and vigorous, and saw those Eyes of
                     thine, would know 'twas they gave the first blow—the first provocation—come
                     prithee let's lose no time, I say—this is a fine convenient place.</l>
               </sp>

               <sp>
                  <speaker>Florinda</speaker>
                  <l>Sir, let me go, I conjure you, or I'll call out.</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Ay, Ay, you were best to call Witness to see how finely you treat me—do—</l>
               </sp>

               <sp>
                  <speaker>Florinda</speaker>
                  <l>I'll cry Murder! Rape! or anything! if you do not instantly let me go.</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>A Rape! Come, come, you lie you Baggage, you lie, what, I'll warrant you would
                     fain have the World believe now that you are not so forward as I. No, not
                     you—why at this time <pb n="43" facs="pageImages/Rover-p43.jpg"/> of Night was
                     your Cobweb Door set open dear Spider—but to catch Flies?—Hah—come—or I shall
                     be damnably angry. —Whe what a <ref target="coyl_" corresp="coyl">Coyl</ref> is
                     here—</l>
               </sp>

               <sp>
                  <speaker>Florinda</speaker>
                  <l>Sir, can you think—</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>That you would do't for nothing—oh, oh I find what you would be at—look here,
                     here's a Pistol for you—here's a work indeed—here—take it I say—</l>
               </sp>

               <sp>
                  <speaker>Florinda</speaker>
                  <l>For Heavens sake Sir, as you're a Gentleman—</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>So—now—now—she would be wheadling me for more —what, you will not take it
                     then—you are resolved you will not—come—come take it, or I'll put if up
                     again—for look ye, I never give more—whe how now Mistress, are you so high
                     i'th' Mouth a <hi rend="italic">Pistol</hi> won't down with you—hah—whe what a
                     works' here—in good time—come, no struggling to be gone—but an y'are good at a
                     dumb Wrestle I'm for ye—look ye—I'm for yee—</l>
               </sp>

               <stage>[She struggles with him.</stage>

               <stage>
                  <hi rend="italic">Enter</hi> Belvile <hi rend="italic">and</hi> Frederick.</stage>

               <sp>
                  <speaker>Belville</speaker>
                  <l>The Door is open, a pox of this mad Fellow, I'm angry that we've lost him, I
                     durst have sworn he had followed us.</l>
               </sp>

               <sp>
                  <speaker>Frederick</speaker>
                  <l>But you were so hasty Colonel to be gone.</l>
               </sp>

               <sp>
                  <speaker>Florinda</speaker>
                  <l>Help! help!—Murder!—help—oh I am ruined.</l>
               </sp>

               <sp>
                  <speaker>Belville</speaker>
                  <l>Ha! sure that's <hi rend="italic">Florindas</hi> voyce.</l>
                  <stage>[Comes up to them.</stage>
                  <l>—A Man! Villain let go that Lady.</l>
               </sp>

               <stage>[A Noise.</stage>

               <stage>[<hi rend="italic">Willmore</hi> turns and draws, <hi rend="italic">Frederick</hi> interposes.</stage>

               <sp>
                  <speaker>Florinda</speaker>
                  <l>
                     <hi rend="italic">Belvile!</hi> Heavens! my Brother too is coming, and 'twill
                     be impossible to escape—<hi rend="italic">Belvile</hi> I conjure you to walk
                     under my Chamber Window, from whence I'll give you some Instructions what to
                     do—this rude Man has undone us.</l>
                  <stage>[Exit.</stage>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Belvile!</l>
               </sp>

               <stage>Enter <hi rend="italic">Pedro, Stephano,</hi> and other Servants with
                  Lights.</stage>

               <sp>
                  <speaker>Pedro</speaker>
                  <l>I'm betrayed! run <hi rend="italic">Stephano</hi> and see if <hi rend="italic">Florinda</hi> be safe? <stage>[<hi rend="italic">Ex.</hi>
                     Steph.</stage>oSo, who e're they be, all is not well, I'll to <hi rend="italic">Florindas</hi> Chamber.</l>
               </sp>

               <stage>They Fight, and <hi rend="italic">Pedro</hi> Party beats 'em out.</stage>

               <stage>Going out, meets <hi rend="italic">Steph.</hi>
               </stage>

               <sp>
                  <speaker>Stephano</speaker>
                  <l>You need not Sir, the poor Lady's fast asleep and thinks no harm. I would not
                     awake her Sir, for fear of frighting her with your danger.</l>
               </sp>

               <pb n="44" facs="pageImages/Rover-p44.jpg"/>

               <sp>
                  <speaker>Pedro</speaker>
                  <l>I'm glad she's there—Rascals how came the Garden Door open?</l>
               </sp>

               <sp>
                  <speaker>Stephano</speaker>
                  <l>That Question comes too late Sir, some of my Fellow Servants Masquerading I'le
                     warrAntonio</l>
               </sp>

               <sp>
                  <speaker>Pedro</speaker>
                  <l>Masquerading! a lewd Custome to debauch our youth, —there's something more in
                     this then I imagine.</l>
               </sp>

               <stage>[Exeunt.</stage>

               <stage>Scene changes to the Street.</stage>

               <stage>Enter <hi rend="italic">Belvile</hi> in Rage. <hi rend="italic">Frederick</hi>
                  holding him, and <hi rend="italic">Wilmore</hi> Melancholy.</stage>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Whe how the Devil shou'd I know <hi rend="italic">Florinda?</hi>
                  </l>
               </sp>

               <sp>
                  <speaker>Belville</speaker>
                  <l>Ah plague of your Ignorance! if it had not been <hi rend="italic">Florinda,</hi> must you be a Beast?—a Brute? a Senseless Swine.</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Well Sir, you see I am <ref target="endued_" corresp="endued">endu'd</ref> with
                     patience—I can bear —tho Egad y'are very free with me, methinks.—I was in good
                     hopes the Quarrel wou'd have been on my side, for so uncivilly interrupting
                     me.</l>
               </sp>

               <sp>
                  <speaker>Belville</speaker>
                  <l>Peace Brute! whilst thou'rt safe—oh I'm distracted.</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Nay, nay, I'm an unlucky Dogg, that's certain.</l>
               </sp>

               <sp>
                  <speaker>Belville</speaker>
                  <l>Ah Curse upon the Star that Rul'd my Birth! or whatsoever other Influence that
                     makes me still so wretched.</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Thou break'st my Heart with these complaints; there is no Star in fault, no
                     Influence, but Sack, the cursed Sack I drunk.</l>
               </sp>

               <sp>
                  <speaker>Frederick</speaker>
                  <l>Whe how the Devil came you so drunk?</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Whe how the Devil came you so sober?</l>
               </sp>

               <sp>
                  <speaker>Belville</speaker>
                  <l>A Curse upon his <ref target="skull_" corresp="skull">thin Skull</ref>, he was
                     always before hand that way.</l>
               </sp>

               <sp>
                  <speaker>Frederick</speaker>
                  <l>Prithee Dear Colonel forgive him, he's sorry for his Fault.</l>
               </sp>

               <sp>
                  <speaker>Belville</speaker>
                  <l>He's always so after he has done a mischief—a plague on all such Brutes.</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>By this Light I took her for an Errant Harlot.</l>
               </sp>

               <sp>
                  <speaker>Belville</speaker>
                  <l>Damn your debaucht opinion! tell me Sot had'st thou so much sense and light
                     about thee to distinguish her Woman, and coud st not see something about her
                     Face and Person, to strike an awful Reverence into thy Soul?</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Faith no, I consider'd her as meer a Woman as I cou'd wish.</l>
               </sp>

               <pb n="45" facs="pageImages/Rover-p45.jpg"/>

               <sp>
                  <speaker>Belville</speaker>
                  <l>'Sdeath, I have no patience—draw, or I'll kill you.</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Let that alone till to Morrow, and if I set not all right again, use your
                     pleasure.</l>
               </sp>

               <sp>
                  <speaker>Belville</speaker>
                  <l>To Morrow! damn it</l>
                  <l>The Spightful Light will lead me to no happiness.</l>
                  <l>To Morrow is <hi rend="italic">Antonio's,</hi> and perhaps</l>
                  <l>Guides him to my undoing;—oh that I cou'd meet</l>
                  <l>This Rival! this pow'rfull Fortunate!</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>What then?</l>
               </sp>

               <sp>
                  <speaker>Belville</speaker>
                  <l>Let thy own Reason, or my Rage instruct thee.</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>I shall be finely inform'd then, no doubt, hear me Colonel —hear me—shew me the
                     Man and I'le do his Business.</l>
               </sp>

               <sp>
                  <speaker>Belville</speaker>
                  <l>I know him no more than thou, or if I did I shou'd not need thy Aid.</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>This you say is <hi rend="italic">Angellicas</hi> House, I promis'd the kind
                     Baggage to lye with her to Night.</l>
               </sp>

               <stage>Offers to go in.</stage>

               <stage>Enter <hi rend="italic">Antonio</hi> and his Page. <hi rend="italic">Ant.
                  </hi> knock on the Hilt of's Sword.</stage>

               <sp>
                  <speaker>Antonio</speaker>
                  <l>You paid the Thousand Crowns I directed?</l>
               </sp>

               <sp>
                  <speaker>Page</speaker>
                  <l>To the Ladies Old Woman, Sir I did.</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Who the Devil have we here!</l>
               </sp>

               <sp>
                  <speaker>Belville</speaker>
                  <l>I'll now plant my self under <hi rend="italic">Florinda</hi>'s Window, and if I
                     find no comfort there, I'll dye.</l>
               </sp>

               <stage>[<hi rend="italic">Ex.</hi> Belv. <hi rend="italic">and</hi> Frederick</stage>

               <stage>
                  <hi rend="italic">Enter</hi> Moretta.</stage>

               <sp>
                  <speaker>Moretta</speaker>
                  <l>Page!</l>
               </sp>

               <sp>
                  <speaker>Page</speaker>
                  <l>Here's my Lord.</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>How is this! a <ref target="picaroon_" corresp="picaroon">Pickroone</ref> going
                     to board my <ref target="frigate_" corresp="frigate">Fregate</ref>? here's one
                        <ref target="chasegun_" corresp="chasegun">Chase Gun</ref> for you.</l>
               </sp>

               <stage>Drawing his Sword, <ref target="a119" corresp="n119">justles</ref>
                        <note resp="editors.xml#UVAstudstaff" type="gloss" xml:id="n119" target="a119">jostles (Dictionary.com)</note>
                  <hi rend="italic">Antonio</hi> who turns and draws. They fight, <hi rend="italic">Antonio</hi> falls.</stage>

               <sp>
                  <speaker>Moretta</speaker>
                  <l>Oh bless us! we're all undone!</l>
               </sp>

               <stage>[Runs in and shuts the Door.</stage>

               <sp>
                  <speaker>Page</speaker>
                  <l>Help! Murder!</l>
               </sp>

               <stage>[<hi rend="italic">Belvile</hi> returns at the noise of fighting.</stage>

               <sp>
                  <speaker>Belville</speaker>
                  <l>Ha! the mad Rogue's engag'd in some unlucky Adventure again.</l>
               </sp>

               <pb n="46" facs="pageImages/Rover-p46.jpg"/>

               <stage> Enter two or three Masqueraders.</stage>

               <sp>
                  <speaker>Masquerader</speaker>
                  <l>Ha! a Man kill'd!</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>How! a Man kill'd! then I'l go home to sleep.</l>
               </sp>

               <stage>[Puts up and reels out, </stage>

               <stage>Exeunt Masqueraders<expan>
                     <am>
                        <g ref="char:abque"/>
                     </am>
                     <ex>que</ex>
                  </expan> another way.</stage>

               <sp>
                  <speaker>Belville</speaker>
                  <l>Who shou'd it be! pray Heaven the Rogue is safe for all my Quarrel to him.</l>
               </sp>

               <stage>[As <hi rend="italic">Belvile</hi> is groping about, Enter an Officer and six
                  Soldiers.</stage>

               <sp>
                  <speaker>Soldier</speaker>
                  <l>Who's there?</l>
               </sp>

               <sp>
                  <speaker>Officer</speaker>
                  <l>So, here's one dispatcht—secure the Murderer.</l>
               </sp>

               <sp>
                  <speaker>Belville</speaker>
                  <l>Do not mistake my Charity for Murder! I came to his Assistance.</l>
               </sp>

               <stage>[Soldiers seise on <hi rend="italic">Belvile.</hi>
               </stage>

               <sp>
                  <speaker>Officer</speaker>
                  <l>That shall be try'd, Sir—St. <hi rend="italic">Iago,</hi> Swords drawn in the
                     Carnival time!</l>
               </sp>

               <stage>[Goes to <hi rend="italic">Antonio.</hi>
               </stage>

               <sp>
                  <speaker>Antonio</speaker>
                  <l>Thy hand prithee.</l>
               </sp>

               <sp>
                  <speaker>Officer</speaker>
                  <l>Ha! <hi rend="italic">Don Antonio!</hi> look well to the Villain there.— How is
                     it, Sir?</l>
               </sp>

               <sp>
                  <speaker>Antonio</speaker>
                  <l>I'm hurt.</l>
               </sp>

               <sp>
                  <speaker>Belville</speaker>
                  <l>Has my humanity made me a Criminal?</l>
               </sp>

               <sp>
                  <speaker>Officer</speaker>
                  <l>Away with him.</l>
               </sp>

               <sp>
                  <speaker>Belville</speaker>
                  <l>What a curst chance is this?</l>
               </sp>

               <stage>[Exeunt Soldiers with <hi rend="italic">Belville</hi>
               </stage>

               <sp>
                  <speaker>Antonio</speaker>
                  <l>This is the Man, that has set upon me twice—carry him to my Appartment, till
                     you have farther Orders from me.</l>
               </sp>

               <stage>[To the Officer.</stage>

               <stage>Ex. <hi rend="italic">Antonio</hi> led.</stage>

               <trailer>The End of the Third ACT.</trailer>
            </div>
         </div>

         <div n="4" type="act">
            <head>ACT IV.</head>

            <div n="1" type="scene">
               <head>Scene I. A fine Room.</head>
               <stage>Discovers <hi rend="italic">Belvile</hi> as by dark alone.</stage>

               <sp>
                  <speaker>Belville</speaker>
                  <l>VVHen shall I be weary of railing on Fortune, who is resolv'd never to turn
                     with smiles upon me —Two such defeats in one Night—none but the Devil, and that
                     mad Rogue cou'd have contriv'd to have plagu'd me with <pb n="47" facs="pageImages/Rover-p47.jpg"/> —I am here a Prisoner—but where—Heav'n
                     knows —and if there be Murder done, I can soon decide the Fate of a Stranger in
                     a Nation without mercy—yet this is nothing to the Torture my Soul bows with,
                     when I think of losing my fair, my dear <hi rend="italic">Florinda</hi>—heark—my door opens—a Light— a Man—and seems of Quality—arm'd
                     too!—now shall I dye like a Dog without defence.</l>
               </sp>

               <stage>Enter <hi rend="italic">Antonio</hi> in a Night-Gown, with a Light; his Arm in
                  a Scarf, and a Sword under his Arm: he sets the Candle on the Table.</stage>

               <sp>
                  <speaker>Antonio</speaker>
                  <l>Sir, I come to know what Injuries I have done you, that cou'd provoke you to so
                     mean an Action, as to Attack me basely, without allowing time for my
                     defence?</l>
               </sp>

               <sp>
                  <speaker>Belville</speaker>
                  <l>Sir, for a Man in my circumstances to plead Innocence, wou'd look like fear—but
                     view me well, and you will find no marks of Coward on me; nor any thing that
                     betrays that Brutality you accuse me with.</l>
               </sp>

               <sp>
                  <speaker>Antonio</speaker>
                  <l>In vain, Sir, you impose upon my sense.</l>
                  <l>You are not only he who drew on me last Night,</l>
                  <l>But yesterday before the same house, that of <hi rend="italic">Angellica.</hi>
                  </l>
                  <l>Yet there is something in your Face and Meine</l>
                  <l>That makes me wish I were mistaken.</l>
               </sp>

               <sp>
                  <speaker>Belville</speaker>
                  <l>I own I fought to day in the defence of a Friend of mine, with whom you (if
                     you're the same) and your Party were first engag'd.</l>
                  <l>Perhaps you think this Crime enough to kill me,</l>
                  <l>But if you do; I cannot fear you'l do it basely.</l>
               </sp>

               <sp>
                  <speaker>Antonio</speaker>
                  <l>No, Sir, I'l make you fit for a defence with this.</l>
               </sp>

               <stage>[Gives him the Sword.</stage>

               <sp>
                  <speaker>Belville</speaker>
                  <l>This Gallantry surprizes me—nor know I how to use this Present, Sir, against a
                     Man so brave.</l>
               </sp>

               <sp>
                  <speaker>Antonio</speaker>
                  <l>You shall not need;</l>
                  <l>For know, I come to snatch you from a danger</l>
                  <l>That is decreed against you:</l>
                  <l>Perhaps your Life, or long Imprisonment;</l>
                  <l>And 'twas with so much Courage you offended,</l>
                  <l>I cannot see you punisht.</l>
               </sp>

               <sp>
                  <speaker>Belville</speaker>
                  <l>How shall I pay this Generosity?</l>
               </sp>

               <sp>
                  <speaker>Antonio</speaker>
                  <l>It had been safer to have kill'd another</l>

                  <pb n="48" facs="pageImages/Rover-p48.jpg"/>
                  <l>Than have attempted me:</l>
                  <l>To shew your danger, Sir, I'l let you know my Quality;</l>
                  <l>And 'tis the Vice-Roy's Son, whom you have wounded.</l>
               </sp>

               <sp>
                  <speaker>Belville</speaker>
                  <l>The Vice-Roy's Son!</l>
                  <l>Death and Confusion! was this Plague reserv'd</l>
                  <l>To compleat all the rest—oblig'd by him!</l>
                  <l>The Man of all the World I wou'd destroy.</l>
                  <stage>aside.</stage>
               </sp>

               <sp>
                  <speaker>Antonio</speaker>
                  <l>You seem disorder'd, Sir.</l>
               </sp>

               <sp>
                  <speaker>Belville</speaker>
                  <l>Yes, trust me, Sir, I am, and 'tis with pain</l>
                  <l>That Man receives such Bounties,</l>
                  <l>who wants the Pow'r to pay 'em back again. </l>
               </sp>

               <sp>
                  <speaker>Antonio</speaker>
                  <l>To gallant Spirits 'tis indeed uneasie;</l>
                  <l>—But you may quickly over pay me, Sir.</l>
               </sp>

               <sp>
                  <speaker>Belville</speaker>
                  <l>Then I am well—kind Heav'n! but set us even,</l>
                  <l>That I may fight with him and keep my Honour safe.</l>
                  <stage>[aside.</stage>
                  <l>—Oh, I'm impatient, Sir, to be discounting</l>
                  <l>The mighty Debt I owe you, Command me quickly—</l>
               </sp>

               <sp>
                  <speaker>Antonio</speaker>
                  <l>I have a Quarrel with a Rival, Sir,</l>
                  <l>About the Maid we love.</l>
               </sp>

               <sp>
                  <speaker>Belville</speaker>
                  <l>Death, 'tis <hi rend="italic">Florinda</hi> he means—</l>
                  <l>That thought destroys my Reason,</l>
                  <l>And I shall kill him—</l>
                  <stage>aside.</stage>
               </sp>

               <sp>
                  <speaker>Antonio</speaker>
                  <l>My Rival, Sir,</l>
                  <l>Is one has all the Virtues Man can boast of—</l>
               </sp>

               <sp>
                  <speaker>Belville</speaker>
                  <l>Death! who shou'd this be?</l>
                  <stage>[aside.</stage>
                  <l>He challeng'd me to meet him on the <hi rend="italic">
                                <placeName type="tgn" key="7034850">Molo</placeName>,</hi>
                  </l>
                  <l>As soon as day appear'd, but last Nights quarrel,</l>
                  <l>Has made my Arm unfit to guide a Sword.</l>
               </sp>

               <sp>
                  <speaker>Belville</speaker>
                  <l>I apprehend you, Sir, you'd have me kill the Man,</l>
                  <l>That lays a Claim to the Maid you speak of.</l>
                  <l>—I'l do't—I'l fly to do't!</l>
               </sp>

               <sp>
                  <speaker>Antonio</speaker>
                  <l>Sir, do you know her?</l>
               </sp>

               <sp>
                  <speaker>Belville</speaker>
                  <l>—No, Sir, but 'tis enough she is admir'd by you.</l>
               </sp>

               <sp>
                  <speaker>Antonio</speaker>
                  <l>Sir, I shall rob you of the Glory on't,</l>
                  <l>For you must fight under my Name and Dress.</l>
               </sp>

               <sp>
                  <speaker>Belville</speaker>
                  <l>That Opinion must be strangely obliging that makes</l>
                  <l>You think I can personate the brave <hi rend="italic">Antonio,</hi>
                  </l>
                  <l>Whom I can but strive to imitate.</l>
               </sp>

               <sp>
                  <speaker>Antonio</speaker>
                  <l>You say too much to my Advantage;</l>
                  <l>—Come, Sir, the day appears that calls you forth.</l>
                  <pb n="49" facs="pageImages/Rover-p49.jpg"/>

                  <l>—Within, Sir, is the habit.</l>
                  <stage>[<hi rend="italic">Exit</hi> Antonio.</stage>
               </sp>

               <sp>
                  <speaker>Belville</speaker>
                  <l>Fantastick Fortune, thou deceitful Light,</l>
                  <l>That Cheats the wearied Traveller by Night,</l>
                  <l>Tho on a Precipice each step you tread,</l>
                  <l>I am resolv'd to follow where you lead.</l>
                  <stage>[Exit.</stage>
               </sp>
            </div>

            <div n="2" type="scene">
               <head>SCENE, the Mole.</head>

               <stage>Enter <hi rend="italic">Florinda</hi> and <hi rend="italic">Callis</hi> in
                  Masques with <hi rend="italic">Stephano.</hi>
               </stage>

               <sp>
                  <speaker>Florinda</speaker>
                  <l>I'm dying with my fears, <hi rend="italic">Belvile</hi>'s not coming as I
                     expected under my Window,</l>
                  <l>Makes me believe that all those fears are true.</l>
                  <stage>aside.</stage>
                  <l>—Canst thou not tell with whom my Brother fights?</l>
               </sp>

               <sp>
                  <speaker>Stephano</speaker>
                  <l>No, Madam, they were both in Masquerade, I was by when they challeng'd one
                     another, and they had decided the Quarrel then, but were prevented by some
                     Cavaliers; which made 'em put it off till now—but I am sure 'tis about you they
                     fight.</l>
               </sp>

               <sp>
                  <speaker>Florinda</speaker>
                  <l>Nay, then 'tis with <hi rend="italic">Belvile,</hi> for what other Lover have I
                     that dares fight for me, except <hi rend="italic">Antonio?</hi> and he is too
                     much in favour with my Brother—if it be he, for whom shall I direct my Prayers
                     to Heav'n?</l>
                  <stage>aside.</stage>
               </sp>

               <sp>
                  <speaker>Stephano</speaker>
                  <l>Madam, I must leave you, for if my Master see me, I shall be hang'd for being
                     your Conductor—escapt narrowly for the excuse I made for you last Night i'th
                     Garden.</l>
               </sp>

               <sp>
                  <speaker>Florinda</speaker>
                  <l>And I'l reward thee for't—prithee no more.</l>
               </sp>

               <stage>[<hi rend="italic">Ex.</hi> Steph.</stage>

               <stage>Enter <hi rend="italic">Don Pedro</hi> in his Masquing Habit.</stage>

               <sp>
                  <speaker>Pedro</speaker>
                  <l>
                     <hi rend="italic">Antonio</hi>'s late to day, the place will fill, and we may
                     be prevented.</l>
               </sp>

               <stage>[Walks about.</stage>

               <sp>
                  <speaker>Florinda</speaker>
                  <l>
                     <hi rend="italic">Antonio</hi> sure I heard amiss.</l>
                  <stage>[aside.</stage>
               </sp>

               <sp>
                  <speaker>Pedro</speaker>
                  <l>But who will not excuse a happy Lover</l>
                  <l>When soft fair Arms confine the yielding Neck;</l>
                  <l>And the kind whisper languishingly breathes.</l>
                  <l>—Must you begone so soon?—</l>
                  <l>Sure I had dwelt for ever on her Bosome.</l>
                  <l>—But stay, he's here.</l>
               </sp>

               <pb n="50" facs="pageImages/Rover-p50.jpg"/>

               <stage> Enter <hi rend="italic">Belvile</hi> drest in <hi rend="italic">Antonio's</hi> Clothes.</stage>

               <sp>
                  <speaker>Florinda</speaker>
                  <l>'Tis not <hi rend="italic">Belvile,</hi> half my fears are vanisht.</l>
               </sp>

               <sp>
                  <speaker>Pedro</speaker>
                  <l>Antonio!</l>
               </sp>

               <sp>
                  <speaker>Belville</speaker>
                  <l>This must be he.</l>
                  <stage>[aside.</stage>
                  <l>You're early, Sir,—I do not use to be out-done this way.</l>
               </sp>

               <sp>
                  <speaker>Pedro</speaker>
                  <l>The wretched, Sir, are watchful, and 'tis enough</l>
                  <l>You've the advantage of me in <hi rend="italic">Angellica.</hi>
                  </l>
               </sp>

               <sp>
                  <speaker>Belville</speaker>
                  <l>
                     <hi rend="italic">Angellica!</hi> or I've mistook my Man! or else <hi rend="italic">Antonio.</hi>
                  </l>
                  <l>—Can he forget his Intrest in <hi rend="italic">Florinda,</hi>
                  </l>
                  <l>And fight for common Prize?</l>
                  <stage>aside.</stage>
               </sp>

               <sp>
                  <speaker>Pedro</speaker>
                  <l>Come, Sir, you know our terms—</l>
               </sp>

               <sp>
                  <speaker>Belville</speaker>
                  <l>By Heav'n not I.</l>
                  <stage>[aside.</stage>
                  <l>—No talking, I am ready, Sir.</l>
               </sp>

               <stage>[Offers to fight, <hi rend="italic">Florinda</hi> runs in.</stage>

               <sp>
                  <speaker>Florinda</speaker>
                  <l>Oh, hold! who e're you be, I do conjure you hold!</l>
                  <l>If you strike here—I dye—</l>
               </sp>

               <stage>[<hi rend="italic">To</hi> Belville</stage>

               <sp>
                  <speaker>Pedro</speaker>
                  <l>Florinda!</l>
               </sp>

               <sp>
                  <speaker>Belville</speaker>
                  <l>
                     <hi rend="italic">Florinda</hi> imploring for my RiValleria</l>
               </sp>

               <sp>
                  <speaker>Pedro</speaker>
                  <l>Away, this kindness is unseasonable.</l>
               </sp>

               <stage>[Puts her by, they fight; she runs in just as <hi rend="italic">Belville</hi>
                  disarms <hi rend="italic">Pedro.</hi>
               </stage>

               <sp>
                  <speaker>Florinda</speaker>
                  <l>Who are you, Sir, that dares deny my Prayers?</l>
               </sp>

               <sp>
                  <speaker>Belville</speaker>
                  <l>Thy Prayers destroy him, if thou would'st preserve him,</l>
                  <l>Do that thou'rt unacquainted with and Curse him.</l>
               </sp>

               <stage>[She holds him.</stage>

               <sp>
                  <speaker>Florinda</speaker>
                  <l>By all you hold most dear, by her you love,</l>
                  <l>I do conjure you, touch him not.</l>
               </sp>

               <sp>
                  <speaker>Belville</speaker>
                  <l>By her I love!</l>
                  <l>See—I obey—and at your feet resign</l>
                  <l>The useless Trophy of my Victory.</l>
               </sp>

               <stage>[Lays his Sword at her feet.</stage>

               <sp>
                  <speaker>Pedro</speaker>
                  <l>
                     <hi rend="italic">Antonio,</hi> you've done enough to prove you love <hi rend="italic">Florinda.</hi>
                  </l>
               </sp>

               <sp>
                  <speaker>Belville</speaker>
                  <l>Love <hi rend="italic">Florinda!</hi>
                  </l>
                  <l>Does Heav'n love Adoration! Pray'r! or Penitence! Love her! here, Sir,—your
                     Sword again. <stage>[Snatches up the Sword and gives it him.</stage> Upon this
                     truth I'l fight my life away.</l>
               </sp>

               <sp>
                  <speaker>Pedro</speaker>
                  <l>No, you've redeem'd my Sister, and my Friendship!</l>
               </sp>

               <sp>
                  <speaker>Belville</speaker>
                  <l>Don Pedro!</l>
               </sp>

               <stage>He gives him <hi rend="italic">Florinda</hi> and pulls off his Vizard to shew
                  his Face and puts it on again.</stage>

               <sp>
                  <speaker>Pedro</speaker>
                  <l>Can you resign your Claims to other Women,</l>
                  <l>And give your heart intirely to <hi rend="italic">Florinda?</hi>
                  </l>
               </sp>


               <pb n="51" facs="pageImages/Rover-p51.jpg"/>

               <sp>
                  <speaker>Belville</speaker>
                  <l>Intire! as dying Saints Confessions are!</l>
                  <l>I can delay my happiness no longer.</l>
                  <l>This Minute! let me make <hi rend="italic">Florinda</hi> mine.</l>
               </sp>

               <sp>
                  <speaker>Pedro</speaker>
                  <l>This Minute let it be—no time so proper,</l>
                  <l>This Night my Father will arrive from <hi rend="italic">Rome,</hi>
                  </l>
                  <l>And possibly may hinder what wee purpose!</l>
               </sp>

               <sp>
                  <speaker>Florinda</speaker>
                  <l>Oh Heavens! this Minute!</l>
               </sp>

               <stage>Enter Masqueraders and pass over.</stage>

               <sp>
                  <speaker>Belville</speaker>
                  <l>Oh, do not ruine me!</l>
               </sp>

               <sp>
                  <speaker>Pedro</speaker>
                  <l>The place begins to fill, and that we may not be observ'd, do you walk off to
                     St. <hi rend="italic">Peters</hi> Church, where I will meet you, and conclude
                     your happiness.</l>
               </sp>

               <sp>
                  <speaker>Belville</speaker>
                  <l>I'll meet you there.—If there be no more Saints Churches in <hi rend="italic">
                                <placeName type="tgn" key="7003012">Naples</placeName>.</hi>
                  </l>
                  <stage>[Aside.</stage>
               </sp>

               <sp>
                  <speaker>Florinda</speaker>
                  <l>Oh stay Sir, and recal your hasty doom!</l>
                  <l>alas I have not yet prepar'd my Heart</l>
                  <l>To entertain so strange a Guest.</l>
               </sp>

               <sp>
                  <speaker>Pedro</speaker>
                  <l>Away this silly modesty is Assum'd too late.</l>
               </sp>

               <sp>
                  <speaker>Belville</speaker>
                  <l>Heaven Madam! what do you do?</l>
               </sp>

               <sp>
                  <speaker>Florinda</speaker>
                  <l>Do! despise the Man that lays a Tyrant's Claim</l>
                  <l>To what he ought to Conquer by submission.</l>
               </sp>

               <sp>
                  <speaker>Belville</speaker>
                  <l>You do not know me—move a little this way.</l>
               </sp>

               <stage>[Draws her aside.</stage>

               <sp>
                  <speaker>Florinda</speaker>
                  <l>Yes, you may force me even to the Alter,</l>
                  <l>But not the holy Man that offers there</l>
                  <l>Shall force me to be thine.</l>
               </sp>

               <stage>[Pedro talks to <hi rend="italic">Callis</hi> this while.</stage>

               <sp>
                  <speaker>Belville</speaker>
                  <l>Oh do not loose so blest an opportunity!</l>
                  <l>—See—'tis your <hi rend="italic">Belvile</hi>—not <hi rend="italic">Antonio,</hi>
                  </l>
                  <l>Whom your mistaken Scorn &amp; Anger ruines.</l>
               </sp>

               <stage>[Pulls off his Vizard.</stage>

               <sp>
                  <speaker>Florinda</speaker>
                  <l>Belvile.</l>
                  <l>Where was my Soul it cou'd not meet thy Voyce!</l>
                  <l>And take this knowledge in.</l>
               </sp>

               <stage>As they are talking, Enter <hi rend="italic">Wilmore</hi> finely drest, and
                     <hi rend="italic">Frederick.</hi>
               </stage>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>No Intelligence! no News of <hi rend="italic">Belvile</hi> yet—well I am the
                     most unlucky Rascal in Nature—ha—am I deceiv'd —or is it he—look <hi rend="italic">Ferd.</hi>—'tis he—my dear <hi rend="italic">Belvile.</hi>
                  </l>
               </sp>

               <stage>Runs and Embraces him. <hi rend="italic">Belville</hi> Vizard falls out on's
                  Hand.</stage>

               <sp>
                  <speaker>Belville</speaker>
                  <l>Hell and confusion seize thee!</l>
               </sp>


               <pb n="52" facs="pageImages/Rover-p52.jpg"/>

               <sp>
                  <speaker>Pedro</speaker>
                  <l>Ha! <hi rend="italic">Belvile!</hi> I beg your Pardon Sir.</l>
               </sp>

               <stage>[Takes <hi rend="italic">Florinda</hi> from him.</stage>

               <sp>
                  <speaker>Belville</speaker>
                  <l>Nay touch her not, she's mine by Conquest Sir,</l>
                  <l>I won her by my Sword.</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Did'st thou so—and Egad Child wee'l keep her by the Sword.</l>
               </sp>

               <stage>[Draws on <hi rend="italic">Pedro. Belville</hi> goes between.</stage>

               <sp>
                  <speaker>Belville</speaker>
                  <l>Stand off</l>
                  <l>Thou'rt so profanely Lewd, so curst by Heaven,</l>
                  <l>All quarrels thou espousest must be Fatal.</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Nay an you be so hot, my Valour's Coy, and shall be Courted when you want it
                     next.</l>
               </sp>

               <stage>[Puts up his Sword.</stage>

               <sp>
                  <speaker>Belville</speaker>
                  <l>You know I ought to Claim a Victors right.</l>
                  <stage>[<hi rend="italic">To</hi> Pedro.</stage>
                  <l>But you're the Brother to Divine <hi rend="italic">Florinda,</hi>
                  </l>
                  <l>To whom I'm such a Slave—to purchase her,</l>
                  <l>I durst not hurt the Man she holds so dear.</l>
               </sp>

               <sp>
                  <speaker>Pedro</speaker>
                  <l>'Twas by <hi rend="italic">Antonio's,</hi> not by <hi rend="italic">Belvile's</hi> Sword</l>
                  <l>This question should have been decided Sir,</l>
                  <l>I must confess much to your Bravery's due,</l>
                  <l>Both now, and when I met you last in Arms.</l>
                  <l>But I am nicely punctual in my word,</l>
                  <l>As Men of Honour ought, and beg your Pardon.</l>
                  <l>—For this mistake another time shall clear.</l>
                  <l>—This was some Plot between you and <hi rend="italic">Belvile.</hi>
                  </l>
                  <l>But I'll prevent you.</l>
               </sp>

               <stage>Aside to <hi rend="italic">Florinda</hi> as they are going out <hi rend="italic">Belville</hi> looks after her and begins to walk up and down in
                  Rage.</stage>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Do not be Modest now and loose the Woman, but if wee shall fetch her back
                     so—</l>
               </sp>

               <sp>
                  <speaker>Belville</speaker>
                  <l>Do not speak to me—</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Not speak to you—Egad I'll speak to you, and will be answer'd too.</l>
               </sp>

               <sp>
                  <speaker>Belville</speaker>
                  <l>Will you Sir—</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>I know I've done some mischief, but I'm so dull a Puppey, that I'm the Son of a
                     Whore, if I know how, or where— prithee inform my understanding—</l>
               </sp>

               <sp>
                  <speaker>Belville</speaker>
                  <l>Leave me I say, and leave me instantly.</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>I will not leave you in this humour, nor till I know my Crime.</l>
               </sp>


               <pb n="53" facs="pageImages/Rover-p53.jpg"/>

               <sp>
                  <speaker>Belville</speaker>
                  <l>Death I'll tell you Sir—</l>
               </sp>

               <stage>Draws and runs at <hi rend="italic">Willmore</hi> he runs out, <hi rend="italic">Belville</hi> after him, <hi rend="italic">Frederick</hi>
                  interposes.</stage>

               <stage>
                  <hi rend="italic">Enter</hi> Angellica, Moretta <hi rend="italic">and</hi>
                  Sebastian.</stage>

               <sp>
                  <speaker>Angellica</speaker>
                  <l>Ha—<hi rend="italic">Sebastian</hi>—</l>
                  <l>Is not that <hi rend="italic">Willmore?</hi>—hast—hast and bring him back.</l>
               </sp>

               <sp>
                  <speaker>Frederick</speaker>
                  <l>The Colonel's mad—I never saw him thus before, I'l after 'em least he do some
                     mischief, for I am sure <hi rend="italic">Wilmore</hi> will not draw on
                     him.</l>
                  <stage>[Exit.</stage>
               </sp>

               <sp>
                  <speaker>Angellica</speaker>
                  <l>I am all Rage! my first desires defeated!</l>
                  <l>For one for ought he knows that has no</l>
                  <l>Other Merit than her Quality.</l>
                  <l>—Her being <hi rend="italic">Don Pedro's</hi> Sister—he loves her!</l>
                  <l>I know 'tis so—dull, dull, Insensible—</l>
                  <l>He will not see me now tho oft invited;</l>
                  <l>And broke his word last Night—false <ref target="perjured_" corresp="perjured">perjur'd</ref> Man!</l>
                  <l>—He that but Yesterday fought for my Favours,</l>
                  <l>And wou'd have made his Life a Sacrifice</l>
                  <l>To've gain'd one Night with me,</l>
                  <l>Must now be hir'd and Courted to my Arms.</l>
               </sp>

               <sp>
                  <speaker>Moretta</speaker>
                  <l>I told you what wou'd come ou't, but <hi rend="italic">Moretta</hi>'s an old
                     doating Fool—why did you give him five Hundred Crowns, but to set himself out
                     for other Lovers! you shou'd have kept him Poor, if you had meant to have had
                     any good from him.</l>
               </sp>

               <sp>
                  <speaker>Angellica</speaker>
                  <l>Oh, name not such mean trifles;—had I given him all</l>
                  <l>My Youth has earn'd from Sin,</l>
                  <l>I had not lost a thought, nor sigh upon't.</l>
                  <l>But I have given him my Eternal rest,</l>
                  <l>My whole repose, my future joys, my Heart!</l>
                  <l>My Virgin heart <hi rend="italic">Moretta!</hi> Oh 'tis gone!</l>
               </sp>

               <sp>
                  <speaker>Moretta</speaker>
                  <l>Curse on him here he comes;</l>
                  <l>How fine she has made him too.</l>
               </sp>

               <stage>Enter <hi rend="italic">Willmore</hi> and <hi rend="italic">Sebast.
                     Angellica</hi> turns and walks away.</stage>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>How now turn'd shaddow!</l>
                  <l>Fly when I pursue! and follow when I fly!</l>

                  <pb n="54" facs="pageImages/Rover-p54.jpg"/>
                  <stage>[Sings.]</stage>
                  <l>Stay gentle shadow of my Dove</l>
                  <l>And tell me e're I go,</l>
                  <l>Whether the substance may not prove</l>
                  <l>A Fleeting thing like you.</l>
                  <l>There's a soft kind look remaining yet.</l>
               </sp>

               <stage>As she turns she looks on him.</stage>

               <sp>
                  <speaker>Angellica</speaker>
                  <l>Well Sir, you may be gay, all happiness, all joyes pursue you still, Fortune's
                     your Slave, and gives you every hour choyce of new hearts and Beauties, till
                     you are <ref target="cloyd_" corresp="cloyd">cloy'd </ref> with the repeated
                     Bliss, which others vainly languish for.—</l>
                  <l>—But know false Man that I shall be reveng'd.</l>
               </sp>

               <stage>[Turns away in Rage.</stage>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>So gad there are of those faint hearted Lovers, whom such a sharp Lesson next
                     their hearts, wou'd make as Impotent as Fourscore—pox o' this whining.—My
                     bus'ness is to laugh and love—a pox on't, I hate your sullen Lover, a Man shall
                     lose as much time to put you in humour now, as wou'd serve to gain a new
                     Woman.</l>
               </sp>

               <sp>
                  <speaker>Angellica</speaker>
                  <l>I scorn to cool that Fire I cannot raise,</l>
                  <l>Or do the Drudgery of your virtuous Mistris.</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>A virtuous Mistress! death, what a thing thou hast found out for me! why what
                     the Devil, shou'd I do with a virtuous Woman? —a sort of ill-natur'd Creatures,
                     that take a Pride to torment a Lover, Virtue is but an infirmity in Woman; a
                     Disease that renders even the handsome ungrateful; whilst the ill-favour'd for
                     want of Solicitations and Address, only fancy themselves so.—I have layn with a
                     Woman of Quality, who has all the while been railing at Whores.</l>
               </sp>

               <sp>
                  <speaker>Angellica</speaker>
                  <l>I will not answer for your Mistres's Virtue,</l>
                  <l>Though she be Young enough to know no Guilt;</l>
                  <l>And I cou'd wish you wou'd perswade my heart</l>
                  <l>'Twas the Two hundred Thousand Crowns you Courted.</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Two Hundred Thousand Crowns! what Story's this? —what Trick?—what
                     Woman?—ha!</l>
               </sp>

               <sp>
                  <speaker>Angellica</speaker>
                  <l>How strange you make it, have you forgot the Creature you entertain'd on the
                        <hi rend="italic">Prazo</hi> last Night?</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Ha! my Gipsie worth Two Hundred Thousand Crowns! —oh how I long to be with
                     her—pox, I knew she was of Quality.</l>
                  <stage>[Aside.</stage>
               </sp>


               <pb n="55" facs="pageImages/Rover-p55.jpg"/>

               <sp>
                  <speaker>Angellica</speaker>
                  <l>False Man! I see my ruine in thy face.</l>
                  <l>How many Vows you breath'd upon my Bosome,</l>
                  <l>Never to be unjust—have you forgot so soon?</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Faith no, I was just coming to repeat 'em—but here's a humour indeed—wou'd make
                     a Man a Saint—wou'd she wou'd be angry enough to leave me, and Command me not
                     to wait on her.</l>
                  <stage>[Aside.</stage>
               </sp>

               <stage>Enter <hi rend="italic">Hellena</hi> drest in Man's Cloths.</stage>

               <sp>
                  <speaker>Hellena</speaker>
                  <l>This must be <hi rend="italic">Angellica!</hi> I know it by her <ref target="mumping_" corresp="mumping">mumping</ref> Matron here—Ay, ay, 'tis
                     she! my Mad Captain's with her too, for all his swearing—how this unconstant
                     humour makes me love him!—Pray good grave Gentle woman is not this <hi rend="italic">Angellica?</hi>
                  </l>
               </sp>

               <sp>
                  <speaker>Moretta</speaker>
                  <l>My too young Sir, it is—I hope 'tis one from <hi rend="italic">Don
                        Antonio.</hi>
                  </l>
               </sp>

               <stage>[Goes to <hi rend="italic">Angellica.</hi>
               </stage>

               <sp>
                  <speaker>Hellena</speaker>
                  <l>Well, something I'l do to vex him for this.</l>
                  <stage>[aside.</stage>
               </sp>

               <sp>
                  <speaker>Angellica</speaker>
                  <l>I will not speak with him; am I in humour to receive a Lover.</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Not speak with him! whe I'l begon—and wait your idler Minutes—can I shew less
                     obedience to the thing I love so fondly?</l>
               </sp>

               <stage>Offers to go.</stage>

               <sp>
                  <speaker>Angellica</speaker>
                  <l>A fine excuse, this!—stay—</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>And hinder your advantage! shou'd I repay your Bounties so ungratefully?</l>
               </sp>

               <sp>
                  <speaker>Angellica</speaker>
                  <l>Come hither, Boy—that I may let you see</l>
                  <l>How much adove the advanges you name</l>
                  <l>I prize one Minutes joy with you.</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Oh, you destroy me with this indearment. <stage>[Impatient to be gone.</stage>
                     —Death! how shall I get away—Madam, 'twill not be fit I shou'd be seen with
                     you—besides, it will not be convenient —and I've a Friend—that's dangerously
                     sick.</l>
               </sp>

               <sp>
                  <speaker>Angellica</speaker>
                  <l>I see you're impatient—yet you shall stay.</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>And miss my Assignation with my Gipsie.</l>
               </sp>

               <stage>[Aside, and walks about impatiently.</stage>

               <sp>
                  <speaker>Hellena</speaker>
                  <l>Madam,</l>
                  <stage>
                     <hi rend="italic">Moretta</hi> brings <hi rend="italic">Hellena,</hi> who
                     addresses her self to <hi rend="italic">Angellica.</hi>
                  </stage>
                  <l>You'l hardly pardon my Intrusion,</l>
                  <l>When you shall know my business!</l>

                  <pb n="56" facs="pageImages/Rover-p56.jpg"/>
                  <l> And I'm too young to tell my Tale with Art:</l>
                  <l>But there must be a wondrous store of goodness,</l>
                  <l>Where so much Beauty dwells.</l>
               </sp>

               <sp>
                  <speaker>Angellica</speaker>
                  <l>A pretty Advocate whoever sent thee.</l>
                  <l>—Prithee proceed—Nay, Sir, you shall not go.</l>
               </sp>

               <stage>[To <hi rend="italic">Willmore</hi> who is stealing off.</stage>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Then I shall lose my dear Gipsie for ever</l>
                  <l>—Pox on't, she stays me out of spight.</l>
                  <stage>aside.</stage>
               </sp>

               <sp>
                  <speaker>Angellica</speaker>
                  <l>I am related to a Lady, Madam,</l>
                  <l>Young, Rich, and nobly born, but has the Fate</l>
                  <l>To be in Love with a young <hi rend="italic">English</hi> Gentleman.</l>
                  <l>Strangely she loves him, at first sight she lov'd him,</l>
                  <l>But did Adore him when she heard him speak;</l>
                  <l>For he, she said, had Charms in every word,</l>
                  <l>That faild not to surprize, to Wound and Conquer.</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Ha! Egad I hope this concerns me.</l>
                  <stage>[aside.</stage>
               </sp>

               <sp>
                  <speaker>Angellica</speaker>
                  <l>'Tis my false man, he means—wou'd he were gone.</l>
                  <l>This Praise will raise his Pride, and ruin me—well</l>
                  <l>Since you are so impatient to be gon</l>
                  <l>I will release you, Sir.</l>
               </sp>

               <stage>[<hi rend="italic">To</hi> Willmore</stage>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Nay, then I'm sure 'twas me he spoke off, this cannot be the effects of
                     kindness in her.</l>
                  <stage>aside.</stage>
                  <l>—No, Madam, I've consider'd better on't,</l>
                  <l>And will not give you Cause of Jealousie.</l>
               </sp>

               <sp>
                  <speaker>Angellica</speaker>
                  <l>But, Sir, I've—bus'ness, that—</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>This shall not do, I know 'tis but to try me.</l>
               </sp>

               <sp>
                  <speaker>Angellica</speaker>
                  <l>Well, to your story, Boy,—tho 'twill undo me.</l>
                  <stage>[aside.</stage>
               </sp>

               <sp>
                  <speaker>Hellena</speaker>
                  <l>With this addition to his other Beauties,</l>
                  <l>He won her unresisting tender heart,</l>
                  <l>He vow'd, and sigh't, and swore he lov'd her dearly;</l>
                  <l>And she believ'd the cunning flatterer,</l>
                  <l>And thought her self the happiest Maid alive,</l>
                  <l>To day was the appointed time by both</l>
                  <l>To consummate their Bliss,</l>
                  <l>The Virgin, Altar, and the Priest were drest,</l>
                  <l>And whilst she languisht for th' expected Bridegroom,</l>
                  <l>She heard, he paid his broken Vows to you.</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>So, this is some dear Rogue that's in Love with me,</l>
                  <l>And this way lets me know it; or if it be not me, she means some one whose
                     place I may supply.</l>
               </sp>


               <pb n="57" facs="pageImages/Rover-p57.jpg"/>

               <sp>
                  <speaker>Angellica</speaker>
                  <l>Now I perceive</l>
                  <l>The cause of thy impatience to be gone,</l>
                  <l>And all the business of this Glorious Dress.</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Damn the young Prater, I know not what he means.</l>
               </sp>

               <sp>
                  <speaker>Hellena</speaker>
                  <l>Madam,</l>
                  <l>In your fair Eyes I read too much concern,</l>
                  <l>To tell my farther business.</l>
               </sp>

               <sp>
                  <speaker>Angellica</speaker>
                  <l>Prithee, sweet Youth, talk on, thou maist perhaps</l>
                  <l>Raise here a storm that may undo my passion,</l>
                  <l>And then I'l grant thee any thing.</l>
               </sp>

               <sp>
                  <speaker>Hellena</speaker>
                  <l>Madam, 'tis to intreat you, (oh unreasonable)</l>
                  <l>You wou'd not see this stranger;</l>
                  <l>For if you do, she Vows you are undone,</l>
                  <l>Tho Nature never made a Man so Excellent,</l>
                  <l>And sure he'ad been a God, but for inconstancy.</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Ah, Rogue, how finely he's instructed!</l>
                  <stage>[aside.</stage>
                  <l>—'Tis plain; some woman that has seen me e'n passAntonio</l>
               </sp>

               <sp>
                  <speaker>Angellica</speaker>
                  <l>Oh, I shall burst with Jealousie! do you know the Man you speak off?—</l>
               </sp>

               <sp>
                  <speaker>Hellena</speaker>
                  <l>Yes, Madam, he us'd to be in Buff and Scarlet.</l>
               </sp>

               <sp>
                  <speaker>Angellica</speaker>
                  <l>Thou, false as Hell, what canst thou say to this?</l>
               </sp>

               <stage>[<hi rend="italic">To</hi> Willmore</stage>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>By Heaven—</l>
               </sp>

               <sp>
                  <speaker>Angellica</speaker>
                  <l>Hold, do not Damn thy self—</l>
               </sp>

               <sp>
                  <speaker>Hellena</speaker>
                  <l>Nor hope to be believ'd.—</l>
               </sp>

               <stage>[He walks about, they follow.</stage>

               <sp>
                  <speaker>Angellica</speaker>
                  <l>Oh perjur'd Man!</l>
                  <l>Is't thus you pay my generous Passion back?</l>
               </sp>

               <sp>
                  <speaker>Hellena</speaker>
                  <l>Why wou'd you, Sir, abuse my Lady's Faith?—</l>
               </sp>

               <sp>
                  <speaker>Angellica</speaker>
                  <l>And use me so unhumanely.</l>
               </sp>

               <sp>
                  <speaker>Hellena</speaker>
                  <l>A Maid so young, so innocent—</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Ah, young Divel.</l>
               </sp>

               <sp>
                  <speaker>Angellica</speaker>
                  <l>Dost thou not know thy life is my pow'r?</l>
               </sp>

               <sp>
                  <speaker>Hellena</speaker>
                  <l>Or think my Lady cannot be reveng'd.</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>So, so, the storm comes finely on.</l>
                  <stage>[aside.</stage>
               </sp>

               <sp>
                  <speaker>Angellica</speaker>
                  <l>Now thou art silent, guilt has struck thee dumb.</l>
                  <l>Oh, hadst thou still been so, I'd liv'd in safety.</l>
               </sp>

               <stage>[She turns away and weeps.</stage>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Sweet heart, the Lady's Name and House,—quickly: I'm impatient to be with
                     her.—</l>
               </sp>

               <stage>Aside to <hi rend="italic">Hellena,</hi> looks towards <hi rend="italic">Angell.</hi> to watch her turning, and as she comes towards them he meets
                  her.</stage>


               <pb n="58" facs="pageImages/Rover-p58.jpg"/>

               <sp>
                  <speaker>Hellena</speaker>
                  <l>So, now is he for another Woman.</l>
                  <stage>[aside.</stage>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>The impudents young thing in nature,</l>
                  <l>I cannot perswade him out of his Error, Madam.</l>
               </sp>

               <sp>
                  <speaker>Angellica</speaker>
                  <l>I know he's in the right,—yet thou'st a tongue</l>
                  <l>That wou'd perswade him to deny his Faith.</l>
               </sp>

               <stage>[In rage walks away.</stage>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Her Name, her Name, dear Boy.—</l>
               </sp>

               <stage>[Said softly to <hi rend="italic">Hellena</hi>
               </stage>

               <sp>
                  <speaker>Hellena</speaker>
                  <l>Have you forgot it, Sir?</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Oh, I perceive he's not to know I am a stranger to his Lady.</l>
                  <stage>[aside.</stage>
                  <l>—Yes, yes I do know—but—I have forgot the—</l>
                  <stage>[Angell. <hi rend="italic">turns.</hi>
                  </stage>
                  <l>—By Heaven such early confidence I never saw.</l>
               </sp>

               <sp>
                  <speaker>Angellica</speaker>
                  <l>Did I not charge you with this Mistris, Sir?</l>
                  <l>Which you deny'd, tho' I beheld your, Perjury.</l>
                  <l>This little generosity of thine, has render'd back my heart.</l>
               </sp>

               <stage>[Walks away.</stage>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>So, you have made sweet work here, my little mischief;</l>
                  <l>Look your Lady be kind and good natur'd now, or</l>
                  <l>I shall have but a Cursed Bargain on't.</l>
                  <stage>[<hi rend="italic">Angellica</hi> turns towards them.</stage>
                  <l>—The Rogue's bred up to mischief,</l>
                  <l>Art thou so great a Fool to credit him?</l>
               </sp>

               <sp>
                  <speaker>Angellica</speaker>
                  <l>Yes, I do, and you in vain impose upon me.</l>
                  <l>—Come hither, Boy,—is not this he you spake of.</l>
               </sp>

               <sp>
                  <speaker>Hellena</speaker>
                  <l>I think—it is, I cannot swear, but I vow he has just such another lying Lovers
                     look.</l>
               </sp>

               <stage>[<hi rend="italic">Hellena</hi> looks in his face, he gazes on her.</stage>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Hah! do not I know that face—</l>
                  <l>By Heaven my little Gipsie, what a dull Dog was I,</l>
                  <l>Had I but lookt that way I'd known her.</l>
                  <l>Are all my hopes of a new Woman banisht?</l>
                  <stage>aside.</stage>
                  <l>—Egad if I do not fit thee for this, hang me.</l>
                  <l>—Madam, I have found out the Plot.</l>
               </sp>

               <sp>
                  <speaker>Hellena</speaker>
                  <l>Oh Lord, what does he say? am I discover'd now?</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Do you see this young Spark here?—</l>
               </sp>

               <sp>
                  <speaker>Hellena</speaker>
                  <l>He'l tell her who I am.</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>—Who do you think this is?</l>
               </sp>

               <sp>
                  <speaker>Hellena</speaker>
                  <l>Ay, ay, he does know me—Nay, dear Captain! I am undone if you discover me.</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Nay, nay, no eogging, she shall know what a pretious Mistris I have.</l>
               </sp>

               <sp>
                  <speaker>Hellena</speaker>
                  <l>Will you be such a Devil?</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Nay, nay, I'l teach you to spoil sport you will not make. <pb n="59" facs="pageImages/Rover-p59.jpg"/> — this small Ambassador comes not from a
                     Person of Quality as you Imagine, and he says: but from a very Errant Gipsie,
                     the talking'st, prating'st, canting'st little Animal thou ever saw'st.</l>
               </sp>

               <sp>
                  <speaker>Angellica</speaker>
                  <l>What news you tell me, that's the thing I mean.</l>
               </sp>

               <sp>
                  <speaker>Hellena</speaker>
                  <l>Wou'd I were well off the place, if ever I go a Captain, Hunting again—
                        <stage>Aside</stage>
                  </l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Mean that thing? that Gipsie thing, thou may'st as well be Jealous of thy
                     Monkey or Parrot, as of her, a <hi rend="italic">German</hi> Motion were worth
                     a duzen of her, and a Dream were a better enjoyment, a Creature of a
                     Constitution fitter for Heaven then Man.</l>
               </sp>

               <sp>
                  <speaker>Hellena</speaker>
                  <l>Tho I'm sure he lyes, yet this vexes me. <stage>Aside.</stage>
                  </l>
               </sp>

               <sp>
                  <speaker>Angellica</speaker>
                  <l>You are mistaken, she's a Spanish Woman Made up of no such dull Materials.</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Materials, Egad an shee be made of any that will either dispence or admit of
                     Love, I'le be bound to continence.</l>
               </sp>

               <sp>
                  <speaker>Hellena</speaker>
                  <l>Unreasonable Man, do you think so? <stage>Aside to him.</stage> — you may
                     return my little Brazen Head, and tell your Lady, that till she be handsom
                     enough to be belov'd, or I dull enough to be Religious, there will be small
                     hopes of me.</l>
               </sp>

               <sp>
                  <speaker>Angellica</speaker>
                  <l>Did you not promise then to marry her?</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Not I by heaven.</l>
               </sp>

               <sp>
                  <speaker>Angellica</speaker>
                  <l>You cannot undeceive my fears and torments, till you have vow'd you will not
                     marry her.</l>
               </sp>

               <sp>
                  <speaker>Hellena</speaker>
                  <l>If he Swears, that he'le be reveng'd on me indeed for all my Rogueries.
                        <stage>Aside.</stage>
                  </l>
               </sp>

               <sp>
                  <speaker>Angellica</speaker>
                  <l>I know what Arguments you'll bring against me, Fortune, and Honour.—</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Honour, I tell you, I hate it in your Sex, and those that fancy themselves
                     possest of that Foppery, are the most impertinently troublesome of all Woman
                     kind, and will transgress Nine Commandments to keep one, and to satisfie your
                     Jealousie I swear.</l>
               </sp>

               <sp>
                  <speaker>Hellena</speaker>
                  <l>Oh, no swearing dear Captain. <stage>Aside to him.</stage>
                  </l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>If it were possible, I should ever be inclin'd to marry, it shou'd be some kind
                     young Sinner, one that has generosity, enough to give a favour hansomely to one
                     that can ask it discreetly, one that has Witt enough to Manage an intrigue of
                     Love—oh, how civil such a Wench is, to a Man that does her the Honour to marry
                     her.</l>
               </sp>

               <sp>
                  <speaker>Angellica</speaker>
                  <l>By Heaven there's no Faith in any thing he says.</l>
               </sp>


               <pb n="60" facs="pageImages/Rover-p60.jpg"/>

               <stage> Enter <hi rend="italic">Sebastian.</hi>
               </stage>

               <sp>
                  <speaker>Sebastion</speaker>
                  <l>
                     <hi rend="italic">Madam,</hi> Don Antonio—</l>
               </sp>

               <sp>
                  <speaker>Angellica</speaker>
                  <l>Come hither.</l>
               </sp>

               <sp>
                  <speaker>Hellena</speaker>
                  <l>Ha! <hi rend="italic">Antonio,</hi> he may be coming hither and he'l certainly
                     discover me, I'le therefore retire without a Ceremony.</l>
                  <stage>[<hi rend="italic">Exit</hi> Hellena.</stage>
               </sp>

               <sp>
                  <speaker>Angellica</speaker>
                  <l>I'le see him, get my Coach ready.</l>
               </sp>

               <sp>
                  <speaker>Sebastion</speaker>
                  <l>It waits you Madam,</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>This is luckey: what Madam, now I may be gone and leave you to the injoyment of
                     my RiValleria</l>
               </sp>

               <sp>
                  <speaker>Angellica</speaker>
                  <l>Dull man, that can'st not see how Ill, how poor,</l>
                  <l>That false dissimulation looks—begon</l>
                  <l>And never let me see thy Couzening Face again,</l>
                  <l>Least I relaps and kill thee.</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Yes, you can spare me now,—farewel, till you're in better Humour—I'm glad of
                     this release—</l>
                  <l>Now for my Gipsie:</l>
                  <l>For tho' to worse we change, yet still we find</l>
                  <l>New Joys, new Charms, in a New Miss that's kind.</l>
                  <stage>[<hi rend="italic">Ex.</hi> Wilmore.</stage>
               </sp>

               <sp>
                  <speaker>Angellica</speaker>
                  <l>He's gone, and in this Ague of my Soul</l>
                  <l>The Shivering fit returns;</l>
                  <l>Oh with what willing haste, he took his leave,</l>
                  <l>As if the long'd-for Minute, were arriv'd</l>
                  <l>Of some blest assignation.</l>
                  <l>In vain <hi rend="italic">I</hi> have Consulted all my Charms,</l>
                  <l>In vain this Beauty priz'd, in vain believ'd,</l>
                  <l>My Eyes cou'd kindle any lasting fires;</l>
                  <l>I had forgot my Name, my Infamie,</l>
                  <l>And the reproach that Honour lays on those</l>
                  <l>That dare pretend a sober passion here.</l>
                  <l>Nice reputation, tho' it leave behind</l>
                  <l>More Vertues than inhabit where that dwells;</l>
                  <l>Yet that once gone, those Vertues shine no more.</l>
                  <l>—Then since I am not fit to be belov'd,</l>
                  <l>I am resolv'd to think on a revenge</l>
                  <l>On him that sooth'd me thus to my undoing.</l>
               </sp>

               <stage>[Exeunt.</stage>
            </div>

            <div n="3" type="scene">
               <pb n="61" facs="pageImages/Rover-p61.jpg"/>
               <head>SCENE the Third. A Street.</head>


               <stage>Enter <hi rend="italic">Florinda</hi> and <hi rend="italic">Valeria</hi> in
                  Habits different from what they have been seen in.</stage>

               <sp>
                  <speaker>Florinda</speaker>
                  <l>We're happily Escap't, and yet I tremble still.</l>
               </sp>

               <sp>
                  <speaker>Valleria</speaker>
                  <l>A Lover and fear! whe I am but half an one, and yet I have Courage for any
                     attempt, wou'd <hi rend="italic">Hellena</hi> were here , I wou'd fain have had
                     her as deep in this Mischief as we, she'le fare but in else I doubt.</l>
               </sp>

               <sp>
                  <speaker>Florinda</speaker>
                  <l>She pretended a Visit to the <hi rend="italic">Augustine</hi> Nuns, but I
                     believe some other design carried her out, pray Heaven we light on her.—Prithee
                     what did'st do with <hi rend="italic">Callis</hi>?</l>
               </sp>

               <sp>
                  <speaker>Valleria</speaker>
                  <l>When I saw no reason wou'd do good on her, I follow'd her into the Wardrobe,
                     and as she was looking for something in a great Chest, I topled her in by the
                     heels, snatch't the Key of the Appartment where you were confin'd, lock't her
                     in, and left her bawling for help.</l>
               </sp>

               <sp>
                  <speaker>Florinda</speaker>
                  <l>'Tis well you resolve to follow my Fortunes, for thou darest never appear at
                     home again after such an action.</l>
               </sp>

               <sp>
                  <speaker>Valleria</speaker>
                  <l>That's according as the young Stranger and I shall agree. —but to our
                     bus'ness—I deliver'd your Letter, your Note to <hi rend="italic">Belvile,</hi>
                     when I got out under pretence of going to Mass, I found him at his Lodging, and
                     believe me it came seasonably; for never was Man in so desperate a Condition, I
                     told him of your resolution of making your Escape to day, if your Brother would
                     be absent long enough to permit you; if not,to die rather than be <hi rend="italic">Antonio's.</hi>
                  </l>
               </sp>

               <sp>
                  <speaker>Florinda</speaker>
                  <l>Thou should'st have told him I was confin'd to my Chamber upon my Brothers
                     suspition, that the bus'ness on the <hi rend="italic">
                                <placeName type="tgn" key="7034850">Molo</placeName>
                            </hi> was a Plott laid between him and
                     I.</l>
               </sp>

               <sp>
                  <speaker>Valleria</speaker>
                  <l>I said all this, and told him your Brother was now gone to his Devotion, and he
                     resolves to visit every Church till he find him; and not only undeceive him in
                     that, but carress him so as shall delay his return home.</l>
               </sp>

               <sp>
                  <speaker>Florinda</speaker>
                  <l>Oh Heavens! he's here, and <hi rend="italic">Belvile</hi> with him too.</l>
                  <stage>They put on their Vizards.</stage>
               </sp>

               <stage>
                        <hi rend="italic">Enter</hi> Don Pedro, Belvile, Willmore. Bel.<hi rend="italic">and</hi> Don Pedro <hi rend="italic">seeming in serious
                     discourse.</hi>
                    </stage>

               <sp>
                  <speaker>Valleria</speaker>
                  <l>Walk boldly by them, and I'le come at distance, least he suspect us.</l>
                  <stage>She walks by them, and looks back on them.</stage>
               </sp>

               <pb n="62" facs="pageImages/Rover-p62.jpg"/>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Hah! a Woman, and of an Excellent Mien.</l>
               </sp>

               <sp>
                  <speaker>Pedro</speaker>
                  <l>She throws a kind look back on you.</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Death, tis a likely Wench, and that kind look shall not be cast away—I'le
                     follow her.</l>
               </sp>

               <sp>
                  <speaker>Belville</speaker>
                  <l>Prithee do not.</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Do not, by Heavens to the Antipodies, with such an invitation.</l>
               </sp>

               <stage>[She goes out, and <hi rend="italic">Willmore</hi> follows her.</stage>

               <sp>
                  <speaker>Belville</speaker>
                  <l>'Tis a mad Fellow for a Wench.</l>
               </sp>

               <stage>
                  <hi rend="italic">Enter</hi> Frederick</stage>

               <sp>
                  <speaker>Frederick</speaker>
                  <l>Oh Col. such News!</l>
               </sp>

               <sp>
                  <speaker>Belville</speaker>
                  <l>Prithee what?</l>
               </sp>

               <sp>
                  <speaker>Frederick</speaker>
                  <l>News that will make you laugh in spight of Fortune.</l>
               </sp>

               <sp>
                  <speaker>Belville</speaker>
                  <l>What, <hi rend="italic">Blunt</hi> has had some Damn'd Trick put upon him,
                     Cheated, Bang'd or Clapt.</l>
               </sp>

               <sp>
                  <speaker>Frederick</speaker>
                  <l>Cheated Sir, rarely Cheated of all but his Shirt &amp;Drawers, the
                     unconscionable Whore too turn'd him out before Consummation, so that traversing
                     the Streets at Midnight, the Watch found him in this <hi rend="italic">Fresco,</hi> and conducted him home: By Heaven 'tis such a sight, and yet I
                     durst as well been hang'd as laught at him, or pity him; he beats all that do
                     but ask him a question, and is in such an Humour.</l>
               </sp>

               <sp>
                  <speaker>Pedro</speaker>
                  <l>Who is't has met with this Ill usage, Sir?</l>
               </sp>

               <sp>
                  <speaker>Belville</speaker>
                  <l>A Friend of ours whom you must see for mirths sake. I'le imploy him to give <hi rend="italic">Florinda</hi> time for an escape.</l>
                  <stage>[Aside.</stage>
               </sp>

               <sp>
                  <speaker>Pedro</speaker>
                  <l>What is he?</l>
               </sp>

               <sp>
                  <speaker>Belville</speaker>
                  <l>A Young Countryman of ours, one that has been Educated at so plentiful a rate,
                     he yet ne're knew the want of Money, and 'twill be a great Jeast to see how
                     simply he'le look without it, for my part I'le lend him none, and the Rogue
                     know not how to put on a Borrowing face, and ask first, I'le let him see how
                     good 'tis to play our parts whilst I play his—prithee <hi rend="italic">Frederick</hi> do you go home and keep him in that posture till we
                     come.</l>
                  <stage>[Exeunt.</stage>
               </sp>

               <stage>
                        <hi rend="italic">Enter</hi> Florinda <hi rend="italic">from the farther end
                     of the</hi> Scene,<hi rend="italic"> looking behind ber.</hi>
                    </stage>

               <sp>
                  <speaker>Florinda</speaker>
                  <l>I am follow'd still—hah.—my Brother too advancing this way, good Heavens defend
                     me from being seen by him.</l>
               </sp>

               <stage>[She goes off.</stage>

               <pb n="63" facs="pageImages/Rover-p63.jpg"/>

               <stage> Enter <hi rend="italic">Willmore,</hi> and after him <hi rend="italic">Valeria,</hi> at a little distance.</stage>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Ah! There she sailes, she looks back as she were willing to be boarded, I'le
                     warrant her Prize.</l>
               </sp>

               <stage>[He goes out, <hi rend="italic">Valeria</hi> following.</stage>

               <stage>Enter <hi rend="italic">Hellena,</hi> just as he goes out, with a
                  Page:</stage>

               <sp>
                  <speaker>Hellena</speaker>
                  <l>Hah, is not that my Captain that has a Woman in chase? —'tis not <hi rend="italic">Angellica;</hi> Boy, follow those people at a distance, and
                     bring me an account where they go in,—I'le find his haunts, and plague him
                     every where,—ha—my Brother—</l>
               </sp>

               <stage>[Ex. Page.</stage>

               <stage>[Bel. <hi rend="italic">Wil. Pedro</hi> cross the Stage: <hi rend="italic">Hellena</hi> runs off.</stage>

               <stage>
                  <hi rend="italic">Scene</hi> changes to another Street. Enter <hi rend="italic">Florinda.</hi>
               </stage>

               <sp>
                  <speaker>Florinda</speaker>
                  <l>What shall I do, my Brother now pursues me,</l>
                  <l>Will no kind Pow'r protect me from his tyranny? —hah, here's a door open, I'le
                     venture in, since nothing can be worse then to fall into his hands, my life and
                     honour are at stake, and my Necessity has no choyce.</l>
               </sp>

               <stage>[She goes in.</stage>

               <stage>Enter <hi rend="italic">Valeria</hi> and <hi rend="italic">Hellena's</hi> Page
                  peeping after <hi rend="italic">Florinda.</hi>
               </stage>

               <sp>
                  <speaker>Page</speaker>
                  <l>Here she went in, I shall remember this house.</l>
               </sp>

               <stage>[Ex. Boy.</stage>

               <sp>
                  <speaker>Valleria</speaker>
                  <l>This is <hi rend="italic">Belvil</hi>'s Lodging; she's gone in as readily as if
                     she knew it,—hah—here's that Mad Fellow again, I dare not venture in,—I'le
                     watch my opportunity.</l>
               </sp>

               <stage>[Goes aside.</stage>

               <stage>Enter <hi rend="italic">Willmore,</hi> gazing about him.</stage>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>I have lost her hereabouts—Pox on't, she must not scape me so.</l>
               </sp>

               <stage>[Goes out.</stage>

               <stage>Scene changes to <hi rend="italic">Blunt</hi> Chamber, discovers him sitting
                  on a Couch in his Shirt and Drawers, reading.</stage>

               <sp>
                  <speaker>Blunt</speaker>
                  <l>So, now my mind's a little at peace, since I have resolv'd revenge—a Pox on
                     this Tayler tho, for not bringing home the Clothes I bespoke; and a Pox of all
                     poor Cavaliers, a Man can never keep a spare Suit for 'em; and I shall have
                     these Rogues come in and find me naked, and then I'm undone; but I'm resolv'd
                     to arm my self—the Rascals shall not insult over me too much. <stage>[Puts on
                        an old rusty Sword, and Buff Belt.</stage> —Now, how like a Morrice-Dancer I
                     am Equipt—a fine <pb n="64" facs="pageImages/Rover-p64.jpg"/> Lady like Whore
                     to Cheat me thus, without affording me a kindness for my Money, a Pox light on
                     her, I shall never be reconcil'd to the Sex more, she has made me as faithless
                     as a Phisitian, as uncharitable as a Church-man, and as ill natur'd as a Poet.
                     Oh how I'l use all woman-kind hereafter! what wou'd I give to have one of 'em
                     within my reach now! any Mortal thing in Petticoats, kind Fortune, send me! and
                     I'l forgive thy last nights Malice—here's a Cursed Book too, (a warning to all
                     young Travellers) that can instruct me how to prevent such Mischiefs now 'tis
                     too late, well 'tis a rare convenient thing to read a little now and then, as
                     well as Hawk and Hunt.</l>
               </sp>

               <stage>[Sits down again and Reads.</stage>

               <stage>Enter to him <hi rend="italic">Florinda.</hi>
               </stage>

               <sp>
                  <speaker>Florinda</speaker>
                  <l>This House is haunted sure, 'tis well furnisht and no living thing inhabits
                     it—hah—a Man, Heavens how he's attir'd! sure 'tis some Rope-dancer, or
                     Fencing-master; I tremble now for fear, and yet I must venture now to speak to
                     him—Sir, if I may not interrupt your Meditations—</l>
               </sp>

               <stage>[She starts up and gazes.</stage>

               <sp>
                  <speaker>Blunt</speaker>
                  <l>Hah—what's here! are my wishes granted? and is not that a she Creature? ads
                     heartlikins 'tis! what wretched thing art thou—hah!</l>
               </sp>

               <sp>
                  <speaker>Florinda</speaker>
                  <l>Charitable Sir, you've told your self already what I am; a very wretched Maid,
                     forc't by a strange unlucky accident, to seek a safety here,</l>
                  <l>And must be ruin'd, if you do not grant it.</l>
               </sp>

               <sp>
                  <speaker>Blunt</speaker>
                  <l>Ruin'd! is there any ruin so inevitable as that which now threatens thee? dost
                     thou know, miserable Woman! into what Den of Mischiefs thou art fall'n? what
                     abiss of Confusion— hah!—dost not see something in my looks that frights thy
                     guilty Soul, and makes thee wish to change that shape of Woman for any humble
                     Animal, or Devil? for those were safer for thee, and less mischievous.</l>
               </sp>

               <sp>
                  <speaker>Florinda</speaker>
                  <l>Alas, what mean you, Sir? I must confess, your looks have something in 'em,
                     makes me fear, but I beseech you, as you seem a Gentleman, pity a harmless
                     Virgin, that takes your house for Sanctuary.</l>
               </sp>

               <sp>
                  <speaker>Blunt</speaker>
                  <l>Talk on, talk on, and weep too, till my Faith-return Do, flatter me out of my
                     Senses again—a harmless Virgin <pb n="65" facs="pageImages/Rover-p65.jpg"/>
                     with a Pox, as much one as 'tother, adsheartlikins. Whe what the Devil can I
                     not be safe in my House for you, not in my Chamber, nay, even being naked too
                     cannot secure me: this is an Impudence greater than has invaded me yet—Come, no
                     resistance.</l>
               </sp>

               <stage>[Pulls her rudely.</stage>

               <sp>
                  <speaker>Florinda</speaker>
                  <l>Dare you be so cruel?</l>
               </sp>

               <sp>
                  <speaker>Blunt</speaker>
                  <l>Cruel, adsheartlikins as a Galley slave, or a <hi rend="italic">Spanish </hi>
                     Whore: Cruel, yes I will kiss and beat thee all over; kiss, and see thee all
                     over; thou shalt lye with me too, not that I care for the injoyment, but to let
                     thee see I have tain deliberated Malice to thee, and will be reveng'd on one
                     Whore for the sins of another; I will smile and deceive thee, flatter thee, and
                     beat thee, kiss and swear, and lye to thee, imbrace thee and rob thee, as she
                     did me, fawn on thee, and strip thee stark naked; then hang thee out at my
                     window by the heels, with a Paper of scurvy Verses fasten'd to thy breast, in
                     praise of damnable women—Come come along.</l>
               </sp>

               <sp>
                  <speaker>Florinda</speaker>
                  <l>Alas, Sir, must I be sacrific'd for the Crimes of the most infamous of my Sex,
                     I never understood the fins you name.</l>
               </sp>

               <sp>
                  <speaker>Blunt</speaker>
                  <l>Do, perswade the Fool you Love him, or that one of you can be just or honest,
                     tell me I was not an easie Coxcomb, or any strange impossible tale: it will be
                     believ'd sooner than thy false Showres or Protestations. A generation of damn'd
                     Hypocrites to flatter my very Clothes from my Back! dissembling Witches! are
                     these the returns you make an honest Gentleman, that trusts, believes, and
                     loves you—but if I be not even with you—Come along—or I shall—</l>
               </sp>

               <stage>[Pulls her again.</stage>

               <stage>
                  <hi rend="italic">Enter</hi> Fredrick.</stage>

               <sp>
                  <speaker>Frederick</speaker>
                  <l>Hah! what's here to do?</l>
               </sp>

               <sp>
                  <speaker>Blunt</speaker>
                  <l>Adsheartlikins, <hi rend="italic">Frederick</hi> I am glad thou art come, to be
                     a witness of my dire revenge.</l>
               </sp>

               <sp>
                  <speaker>Frederick</speaker>
                  <l>What's this, a Person of Quality too, who is upon the ramble to supply the
                     defects of some grave impotent Husband?</l>
               </sp>

               <sp>
                  <speaker>Blunt</speaker>
                  <l>No, this has another pretence, some very unfortunate accident, brought her
                     hither, to save a life pursu'd by I know not who, or why, and forc't to take
                     sanctuary here at Fools Haven. Adsheartlikins to me of all Mankind for
                     protection? is the Ass to be Cajold again, think ye? No, young one, no Prayers
                     or Tears shall mitigate my rage; therefore prepare for both my <pb n="66" facs="pageImages/Rover-p66.jpg"/> pleasures of injoyment and revenge, for I
                     am resolv'd to make up my loss here on thy body, I'l take it out in kindness
                     and in beating.</l>
               </sp>

               <sp>
                  <speaker>Frederick</speaker>
                  <l>Now Mistress of mine, what do you think of this?</l>
               </sp>

               <sp>
                  <speaker>Florinda</speaker>
                  <l>I think he will not—dares not be so barbarous.</l>
               </sp>

               <sp>
                  <speaker>Frederick</speaker>
                  <l>Have a care, <hi rend="italic">Blunt</hi> she fetch't a deep sigh, she is
                     inamour'd with thy Shirt and Drawers, she'l strip thee even of that, there are
                     of her calling such unconscionable Baggages, and such dexterous Thieves, they'l
                     flea a man and he shall ne're miss his skin, till he feels the cold. There was
                     a Country-man of ours Rob'd of a Row of Teeth whilst he was a sleeping, which
                     the Jilt made him buy again when he wak't—you see Lady how little reason we
                     have to trust you.</l>
               </sp>

               <sp>
                  <speaker>Blunt</speaker>
                  <l>'Dsheartlikins, whe this is most abominable.</l>
               </sp>

               <sp>
                  <speaker>Florinda</speaker>
                  <l>Some such Devils there may be, but by all that's Holy, I am none such, I
                     enter'd here to save a Life in danger.</l>
               </sp>

               <sp>
                  <speaker>Blunt</speaker>
                  <l>For no goodness, I'l warrant her.</l>
               </sp>

               <sp>
                  <speaker>Frederick</speaker>
                  <l>Faith, Damsel, you had e'en confest the plain truth, for we are fellows not to
                     be caught twice in the same Trap: look on that Wreck, a tite Vessel when he set
                     out of Haven, well Trim'd and Laden, and see how a Female Piccaroon of this
                     Island of Rogues has shatter'd him, and canst thou hope for any Mercy?</l>
               </sp>

               <sp>
                  <speaker>Blunt</speaker>
                  <l>No, no, Gentlewoman, come along, adsheartlikins we must be better
                     acquainted—we'l both lye with her, and then let me alone to bang her.</l>
               </sp>

               <sp>
                  <speaker>Frederick</speaker>
                  <l>I'm ready to serve you in matters of Revenge that has a double pleasure
                     in't.</l>
               </sp>

               <sp>
                  <speaker>Blunt</speaker>
                  <l>Well said. You hear, little one, how you are condemn'd by publick Vote to the
                     Bed within, there's no resisting your Destiny, sweet heart.</l>
               </sp>

               <stage>[Pulls her.</stage>

               <sp>
                  <speaker>Florinda</speaker>
                  <l>Stay, Sir, I have seen you with <hi rend="italic">Belvile,</hi> an <hi rend="italic">English</hi> Cavalier, for his sake use me kindly; you know
                     him, Sir.</l>
               </sp>

               <sp>
                  <speaker>Blunt</speaker>
                  <l>
                     <hi rend="italic">Belvile,</hi> whe yes, sweeting, we do know <hi rend="italic">Belvile,</hi> and wish he were with us now, he's a Cormorant at Whore and
                     Bacon, he'd have a Limb or two of thee my Virgin Pullet, but 'tis no matter,
                     we'l leave him the bones to pick.</l>
               </sp>

               <sp>
                  <speaker>Florinda</speaker>
                  <l>Sir, if you have any Esteem for that <hi rend="italic">Belvile,</hi> I conjure
                     you to treat me with more gentleness; he'l thank you for the justice.</l>
               </sp>

               <pb n="67" facs="pageImages/Rover-p67.jpg"/>

               <sp>
                  <speaker>Frederick</speaker>
                  <l>Harkey, <hi rend="italic">Blunt</hi> I doubt we are mistaken in this
                     Matter.</l>
               </sp>

               <sp>
                  <speaker>Florinda</speaker>
                  <l>Sir, if you find me not worth <hi rend="italic">Belvile</hi>'s care, use me as
                     you please, and that you may think I merit better treatment than you
                     threaten—pray take this present—</l>
               </sp>

               <stage>[Gives him a Ring: he loods on it.</stage>

               <sp>
                  <speaker>Blunt</speaker>
                  <l>Hum—a Diamond! whe 'tis a wonderful Virtue now that lies in this Ring, a
                     mollifying Virtue; adsheartlikins there's more perswasive Rhetorick in't, than
                     all her Sex can utter.</l>
               </sp>

               <sp>
                  <speaker>Frederick</speaker>
                  <l>I begin to suspect something; and 'twould anger us vilely to be trust up for a
                     rape upon a Maid of quality, when we only believe we ruffle a Harlot.</l>
               </sp>

               <sp>
                  <speaker>Blunt</speaker>
                  <l>Thou art a credulous Fellow, but adsheartlikins I have no Faith yet, whe my
                     Saint prattled as parlously as this does, she gave me a Bracelet too, a Devil
                     on her, but I sent my Man to fell it to day for Necessaries, and it prov'd as
                     counterfeit as her Vows of Love.</l>
               </sp>

               <sp>
                  <speaker>Frederick</speaker>
                  <l>However let it reprieve her till we see <hi rend="italic">Belvile.</hi>
                  </l>
               </sp>

               <sp>
                  <speaker>Blunt</speaker>
                  <l>That's hard, yet I will grant it.</l>
               </sp>

               <stage>Enter a Servant</stage>

               <sp>
                  <speaker>Servant</speaker>
                  <l>Oh, Sir, the Colonel is just come in with his new Friend and a <hi rend="italic">Spaniard</hi> of Quality, and talks of having you to Dinner
                     with 'em.</l>
               </sp>

               <sp>
                  <speaker>Blunt</speaker>
                  <l>'Dsheartlikins, I'm undone—I would not see 'em for the World. Harkey, <hi rend="italic">Frederick</hi> lock up the Wench in your Chamber.</l>
               </sp>

               <sp>
                  <speaker>Frederick</speaker>
                  <l>Fear nothing, Madam, what e're he threatens, you are safe whilst in my
                     hands.</l>
               </sp>

               <stage>[<hi rend="italic">Ex.</hi> Fred. <hi rend="italic">and</hi> Florinda</stage>

               <sp>
                  <speaker>Blunt</speaker>
                  <l>And, Sirrah—upon your life, say—I am not at home,—or that I am asleep—or—or any
                     thing—away— I'l prevent their coming this way.</l>
               </sp>

               <stage>[Locks the Door, and Exeunt.</stage>

               <trailer>The End of the Fourth ACT.</trailer>
            </div>
         </div>


         <div n="5" type="act">
            <pb n="68" facs="pageImages/Rover-p68.jpg"/>
            <head>ACT V.</head>

            <div n="1" type="scene">
               <head>Scene I. Blunt's Chamber.</head>

               <stage>After a great knocking as at his Chamber Door, Enter <hi rend="italic">Blunt</hi> softly crossing the Stage, in his Shirt and Drawers as
                  before.</stage>
               <l>Ned, Ned Blunt, Ned Blunt</l>

               <stage>[call within.</stage>

               <sp>
                  <speaker>Blunt</speaker>
                  <l>The Rogues are up in Arms, 'Sheartlikins this Villainous <hi rend="italic">Frederick</hi> has betray'd me, they have heard of my blessed Fortune,</l>
                  <l>Ned <hi rend="italic">Blunt</hi> Ned, Ned—</l>
               </sp>

               <stage>[and knocking within.</stage>

               <sp>
                  <speaker>Belville</speaker>
                  <l>Whe he's dead Sir, without dispute dead, he has not been seen to day, let's
                     break open the door—here—Boy—</l>
               </sp>

               <sp>
                  <speaker>Blunt</speaker>
                  <l>Ha, break open the door. d'sheartlikins that mad Fellow will be as good as his
                     word.</l>
               </sp>

               <sp>
                  <speaker>Belville</speaker>
                  <l>Boy bring something to force the door,</l>
               </sp>

               <stage>[a great noise within, at the door again.</stage>

               <sp>
                  <speaker>Blunt</speaker>
                  <l>So, now must I speak, in my own defence, I'l try what Rhetorick will
                     do—hold—hold what do you mean Gentlemen, what do you mean?</l>
               </sp>

               <sp>
                  <speaker>Belville</speaker>
                  <l>Oh Rogue art a live, prithee open the door and convince us.</l>
               </sp>

               <stage>[within.</stage>

               <sp>
                  <speaker>Blunt</speaker>
                  <l>Yes, I am alive Gentlemen,—but at present a little busie.</l>
               </sp>

               <sp>
                  <speaker>Belville</speaker>
                  <l>How, <hi rend="italic">Blunt</hi> grown a Man of business, come, come, open and
                     let's see this Miracle.</l>
               </sp>

               <stage>[within.</stage>

               <sp>
                  <speaker>Blunt</speaker>
                  <l>No, no, no, no, Gentlemen 'tis no great business—but —I am—at—my
                     Devotion—d'sheartlikins will you not alow a Man time to Pray.</l>
               </sp>

               <sp>
                  <speaker>Belville</speaker>
                  <l>Turn'd Religious! a greater wonder then the first, therefore open quickly, or
                     we shall unhinge, we shall.</l>
               </sp>

               <stage>[within.</stage>

               <sp>
                  <speaker>Blunt</speaker>
                  <l>This won't do—whe hearkey Col. to tell you the plain truth, I am about a
                     necessary affair of life—I have a wench with me—you apprehend me? the Devils
                     in't if they be so uncivil as to disturb me now,</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>How a Wench! Nay then we must enter and partake no resistance—unless it be your
                     Lady of Quality, and then we'l keep our distance,</l>
               </sp>

               <pb n="69" facs="pageImages/Rover-p69.jpg"/>

               <sp>
                  <speaker>Blunt</speaker>
                  <l>So, the bus'ness is out.</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Come, come lends more hands to the Door—now heave altogether—so well done my
                     Boyes—</l>
               </sp>

               <stage>[breaks open the Door.</stage>

               <stage>Enter <hi rend="italic">Belvile, Willmore, Frederick</hi> and <hi rend="italic">Pedro. Blunt</hi> looks simply, they all laugh at him, he lays
                  his hand on his Sword, and comes up to <hi rend="italic">Wilmore.</hi>
               </stage>

               <sp>
                  <speaker>Blunt</speaker>
                  <l>Hearkey Sir, laugh out your laugh quickly, de ye hear, and begone. I shall
                     spoil your sport else, 'adsheartlikins Sir, I shall the jeast has been carryed
                     on too long—a plague upon my Tayler.—</l>
                  <stage>[aside.</stage>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>'Sdeath, how the Whore has drest him, Faith Sir I'm sorry.</l>
               </sp>

               <sp>
                  <speaker>Blunt</speaker>
                  <l>Are you so Sir, keep't to your self then Sir, I advise you, de'ye hear, for I
                     can as little endure your pitty as his Mirth.</l>
               </sp>

               <stage>[lays his hand on's Sword.</stage>

               <sp>
                  <speaker>Belville</speaker>
                  <l>Indeed <hi rend="italic">Willmore,</hi> thou wer't a little too rough with <hi rend="italic">Ned Blunt</hi> Mistress, call a Person of Quality whore? and
                     one so young, so sandsome, and so Eloquent—ha, ha, he.—</l>
               </sp>

               <sp>
                  <speaker>Blunt</speaker>
                  <l>Harkey Sir, you know me, and know I can be angry, have a care—for
                     adsheartlikins I can fight too—I can Sir,—do you mark me—no more—</l>
               </sp>

               <sp>
                  <speaker>Belville</speaker>
                  <l>Why so peevish good <hi rend="italic">Ned,</hi> some disappointments I'le
                     warrant—what? did the Jealous Count her Husband return just in the nick?</l>
               </sp>

               <sp>
                  <speaker>Blunt</speaker>
                  <l>Or the Devil Sir—de'ye laugh— <stage>[they laugh.</stage> Look ye settle me a
                     good sober countenance, and that quickly too, or you shall know <hi rend="italic">Ned Blunt</hi> is not—</l>
               </sp>

               <sp>
                  <speaker>Belville</speaker>
                  <l>Not every Body, we know that.</l>
               </sp>

               <sp>
                  <speaker>Blunt</speaker>
                  <l>Not an Ass to be laught at Sir,</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Unconscionable sinner, to bring a Lover so neer his happiness, a vigorous
                     passionate Lover, and then not only cheat him of his moveables, but his very
                     desires to.</l>
               </sp>

               <sp>
                  <speaker>Belville</speaker>
                  <l>Ah! Sir a Mistress, is a trifle with Blunt. he'l have a duzen the next time he
                     looks abroad, his Eyes have Charms, not to be resisted, there needs no more
                     then to expose that taking Person, to the view of the Fair, and he leads 'em
                     all in Triumph.</l>
               </sp>

               <sp>
                  <speaker>Pedro</speaker>
                  <l>Sir, tho 'I'me a stranger to you, I am asham'd at the rudeness of my Nation;
                     and cou'd you learn who did it, wou'd assist you to make an Example of 'em.</l>
               </sp>

               <pb n="70" facs="pageImages/Rover-p70.jpg"/>

               <sp>
                  <speaker>Blunt</speaker>
                  <l>Whe aye, there's one speaks Sense now, and han'somly; and let me tell you
                     Gentlemen, I shou'd not have shew'd my self like a Jack Puding, thus to have
                     made you Mirth, but that I have revenge within my power, for know, I have got
                     into my possession a Femal, who had better have fallen under any Curse, then
                     the ruine I design her: 'adsheartlikins she assaulted me here in my own
                     Lodgings, and had doubtless committed a Rape upon me, had not this Sword
                     defended me.</l>
               </sp>

               <sp>
                  <speaker>Frederick</speaker>
                  <l>I know not that, but O my conscience thou had Ravisht her, had shee not
                     redeem'd her self with a Ring—let's see't <hi rend="italic">Blunt</hi>
                  </l>
               </sp>

               <stage>[<hi rend="italic">Blunt</hi> shews the Ring.</stage>

               <sp>
                  <speaker>Belville</speaker>
                  <l>Hah!—the Ring I gave <hi rend="italic">Florinda,</hi> when we Exchange our
                     Vows—harkey <hi rend="italic">Blunt</hi>—</l>
               </sp>

               <stage>[Goes to whisper to him.</stage>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>No whispering good Col. there's a Woman in the case, no whispering.</l>
               </sp>

               <sp>
                  <speaker>Belville</speaker>
                  <l>Harkey Fool, be advis'd, and conceal both the Ring and the story for your
                     Reputations sake, do not let people know what despis'd Cullies we <hi rend="italic">English</hi> are, to be cheated and abus'd by one Whore, and
                     another rather bribe thee than be kind to thee is an Infamy to our Nation.</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Come, come where's the Wench, we'l see her, let her be what she will, wee'l see
                     her.</l>
               </sp>

               <sp>
                  <speaker>Pedro</speaker>
                  <l>Ay, ay, let us see her, I can soon discover whether she be of quality, or for
                     your diversion.</l>
               </sp>

               <sp>
                  <speaker>Blunt</speaker>
                  <l>She's in <hi rend="italic">Frederick</hi> Custody.</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Come, come the Key,</l>
               </sp>

               <stage>[To <hi rend="italic">Frederick</hi> who gives him the Key, they are
                  going.</stage>

               <sp>
                  <speaker>Belville</speaker>
                  <l>Death, what shall I do—</l>
                  <l>Stay Gentlemen—yet if I hinder 'em I shall discover all,—hold —lets go one at
                     once—give me the Key.</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Nay hold there Col. I'le go first.</l>
               </sp>

               <sp>
                  <speaker>Frederick</speaker>
                  <l>Nay no dispute, <hi rend="italic">Ned</hi> and I have the gropriety of her.</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Damn propriety—then we'l draw cuts, —nay no corruption good Col. come the
                     longest Sword carries her—</l>
               </sp>

               <stage>
                  <hi rend="italic">Belville</hi> goes to whisper <hi rend="italic">Willmore</hi>
               </stage>

               <stage>They all draw forgetting <hi rend="italic">Don Pedro</hi> being as a Spaniard
                  had the longest.</stage>

               <sp>
                  <speaker>Blunt</speaker>
                  <l>I yield up my int'rest to you Gentlemen, and that will be; revenge
                     sufficient.</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>The Wench is yours— <stage>[<hi rend="italic">to</hi> Pedro.]</stage> Pox of
                     his <hi rend="italic">Tolledo,</hi> I had forgot that.</l>
               </sp>

               <pb n="71" facs="pageImages/Rover-p71.jpg"/>

               <sp>
                  <speaker>Frederick</speaker>
                  <l>Come Sir, I'le Conduct you to the Lady</l>
               </sp>

               <stage>[<hi rend="italic">Ex.</hi> Fred. <hi rend="italic">&amp;</hi> Pedro</stage>

               <sp>
                  <speaker>Belville</speaker>
                  <l>To hinder him will certainly discover her—</l>
                  <stage>[Aside.</stage>
                  <l>Do'st know Dull beast what mischief thou hast done?</l>
               </sp>

               <stage>
                  <hi rend="italic">Willmore</hi> walking up and down out of Humour.</stage>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Aye, Aye, to trust our Fortune to Lotts, a Devil on't, 'twas madness that's the
                     truth on't.</l>
               </sp>

               <sp>
                  <speaker>Belville</speaker>
                  <l>Oh intollerable Sott—</l>
               </sp>

               <stage>Enter <hi rend="italic">Florinda</hi> running mask't, <hi rend="italic">Pedro</hi> after her: <hi rend="italic">Willmore</hi> gazing round
                  her.</stage>

               <sp>
                  <speaker>Florinda</speaker>
                  <l>Good Heaven defend me from discovery.</l>
                  <stage>[aside.</stage>
               </sp>

               <sp>
                  <speaker>Pedro</speaker>
                  <l>'Tis but in vain to fly me, you're fallen to my Lot.</l>
               </sp>

               <sp>
                  <speaker>Belville</speaker>
                  <l>Sure she's undiscovered yet, but now I fear there is no way to bring her
                     off:</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Whe what a Pox is not this my woman, the same I follow'd but now?</l>
               </sp>

               <stage>[<hi rend="italic">Pedro</hi> talking to <hi rend="italic">Florinda,</hi> who
                  walks up and down.</stage>

               <sp>
                  <speaker>Pedro</speaker>
                  <l>As if I did not know yee, and your business here.</l>
               </sp>

               <sp>
                  <speaker>Florinda</speaker>
                  <l>Good Heaven, I fear he does indeed—</l>
                  <stage>[aside.</stage>
               </sp>

               <sp>
                  <speaker>Pedro</speaker>
                  <l>Come, pray be kind, I know you meant to be so when you enter'd here, for these
                     are proper Gentlemen.</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>But Sir—perhaps the Lady will not be impos'd upon, She'l chuse her Man.</l>
               </sp>

               <sp>
                  <speaker>Pedro</speaker>
                  <l>I am better bred, then not to leave her choice free.</l>
               </sp>

               <stage>Enter <hi rend="italic">Valeria,</hi> and is surpriz'd at sight of <hi rend="italic">Don Pedro.</hi>
               </stage>

               <sp>
                  <speaker>Valleria</speaker>
                  <l>
                     <hi rend="italic">Don Pedro</hi> here! there's no avoiding him.</l>
                  <stage>[aside.</stage>
               </sp>

               <sp>
                  <speaker>Florinda</speaker>
                  <l>
                     <hi rend="italic">Valeria!</hi> then I'm undone,—</l>
                  <stage>[aside,</stage>
               </sp>

               <sp>
                  <speaker>Valleria</speaker>
                  <l>Oh! have I found you Sir— <stage>[To <hi rend="italic">Pedro</hi> running to
                        him.</stage> —the strangest accident—if I had breath—to tell it.</l>
               </sp>

               <sp>
                  <speaker>Pedro</speaker>
                  <l>Speak—is <hi rend="italic">Florinda</hi> safe? <hi rend="italic">Hellena</hi>
                     well?</l>
               </sp>

               <sp>
                  <speaker>Valleria</speaker>
                  <l>Ay, Ay Sir—<hi rend="italic">Florinda</hi>—is safe—from any fears of you.</l>
               </sp>

               <sp>
                  <speaker>Pedro</speaker>
                  <l>Why where's <hi rend="italic">Florinda?</hi>—speak—</l>
               </sp>

               <sp>
                  <speaker>Valleria</speaker>
                  <l>Aye, where indeed Sir, I wish I cou'd inform you, —but to hold you no longer in
                     doubt—</l>
               </sp>

               <sp>
                  <speaker>Florinda</speaker>
                  <l>Oh what will she say—</l>
                  <stage>[Aside.</stage>
               </sp>

               <sp>
                  <speaker>Valleria</speaker>
                  <l>—She's fled away in the habit—of one of her Pages Sir— but <hi rend="italic">Callis</hi> thinks you may retrieve her yet, if you make haste away, she'l
                     tell you, Sir, the rest—if you can find her out.</l>
                  <stage>[Aside.</stage>
               </sp>

               <sp>
                  <speaker>Pedro</speaker>
                  <l>Dishonourable Girle, she has undone my Aime—Sir—you see my necessity of leaving
                     you, and hope you'l Pardon it; my <pb n="72" facs="pageImages/Rover-p72.jpg"/>
                     Sister I know will make her flight to you; and if she do, I shall Expect she
                     shou'd be render'd back.</l>
               </sp>

               <sp>
                  <speaker>Belville</speaker>
                  <l>I shall consult my Love and Honour Sir.</l>
               </sp>

               <stage>[<hi rend="italic">Ex.</hi> Pedro</stage>

               <sp>
                  <speaker>Florinda</speaker>
                  <l>My dear Preserver, let me imbrace thee.</l>
               </sp>

               <stage>[<hi rend="italic">To</hi> Valleria</stage>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>What the Devil's all this?</l>
               </sp>

               <sp>
                  <speaker>Blunt</speaker>
                  <l>Mysterie by this light.</l>
               </sp>

               <sp>
                  <speaker>Valleria</speaker>
                  <l>Come, come, make haste and get your selves married quickly, for your Brother
                     will return again.</l>
               </sp>

               <sp>
                  <speaker>Belville</speaker>
                  <l>I'm so surpriz'd with fears and joyes, so amaz'd to find you here in safety, I
                     can scarce perswade my heart into a faith of what I see—</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Harkey Colonel, is this that Mistress who has cost you so many sighs, and me so
                     many quarrels with you?</l>
               </sp>

               <sp>
                  <speaker>Belville</speaker>
                  <l>It is—pray give him the honour of your hand.</l>
               </sp>

               <stage>[<hi rend="italic">To</hi> Florinda</stage>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Thus it must be receiv'd then <stage>[Kneels and kisses her hand.</stage> And
                     with it give your Pardon too.</l>
               </sp>

               <sp>
                  <speaker>Florinda</speaker>
                  <l>The Friend to <hi rend="italic">Belvile</hi> may command me any thing.</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Death, wou'd I might, 'tis a surprizing Beauty.</l>
                  <stage>[Aside.</stage>
               </sp>

               <sp>
                  <speaker>Belville</speaker>
                  <l>Boy, run and fetch a Father instantly.</l>
               </sp>

               <stage>[Ex. Boy.</stage>

               <sp>
                  <speaker>Frederick</speaker>
                  <l>So, now do I stand like a Dog, and have not a syllable to plead my own Cause
                     with: by this hand, Madam, I was never throughly confounded before, nor shall I
                     ever more dare look up with confidence, till you are pleas'd to Pardon me.</l>
               </sp>

               <sp>
                  <speaker>Florinda</speaker>
                  <l>Sir, I'le be reconcil'd to you on one condition, that you'l follow the Example
                     of your Friend, in Marrying a Maid that does not hate you, and whose fortune (I
                     believe) will not be unwelcome to you.</l>
               </sp>

               <sp>
                  <speaker>Frederick</speaker>
                  <l>Madam, had I no Inclinations that way, I shou'd obey your kind Commands.</l>
               </sp>

               <sp>
                  <speaker>Belville</speaker>
                  <l>Who <hi rend="italic">Frederick</hi> marry, he has so few inclinations for
                     Woman kind, that had he been possest of Paradice, he might have continu'd there
                     to this day, if no Crime but Love cou'd have dis-inherited him.</l>
               </sp>

               <sp>
                  <speaker>Frederick</speaker>
                  <l>Oh, I do not use to boast of my intregues.</l>
               </sp>

               <sp>
                  <speaker>Belville</speaker>
                  <l>Boast, when thou dost nothing but boast; and I dare swear, wer't thou as
                     Innocent from the sin of the Grape, as thou art from the Apple, thou might'st
                     yet claim that right in <hi rend="italic">Eden</hi> which our first Parents
                     lost by too much Loving.</l>
               </sp>

               <sp>
                  <speaker>Frederick</speaker>
                  <l>I wish this Lady would think me so modest a man.</l>
               </sp>

               <sp>
                  <speaker>Valleria</speaker>
                  <l>She wou'd be sorry then, and not like you half so well, and <pb n="73" facs="pageImages/Rover-p73.jpg"/> I should be loath to break my word with
                     you, which was, That if your Friend and mine agreed, it shou'd be a Match
                     between you and I.</l>
               </sp>

               <stage>[She gives him her hand.</stage>

               <sp>
                  <speaker>Frederick</speaker>
                  <l>Bear witness, Colonel, 'tis a Bargain.</l>
               </sp>

               <stage>[Kisses her hand.</stage>

               <sp>
                  <speaker>Blunt</speaker>
                  <l>I have a Pardon to beg too, but adsheartlikins I am so out of Countenance, that
                     I'm a Dog if I can say any thing to Purpose.</l>
               </sp>

               <stage>[<hi rend="italic">To</hi> Florinda.</stage>

               <sp>
                  <speaker>Florinda</speaker>
                  <l>Sir, I heartily forgive you all.</l>
               </sp>

               <sp>
                  <speaker>Blunt</speaker>
                  <l>That's nobly said, sweet Lady,—<hi rend="italic">Belvile,</hi> prithee present
                     her her Ring again; for I find I have not Courage to approach her my self.</l>
               </sp>

               <stage>[Gives him the Ring he gives to <hi rend="italic">Florinda.</hi>
               </stage>

               <stage>Enter Boy.</stage>

               <sp>
                  <speaker>Boy</speaker>
                  <l>Sir, I have brought the Father that you sent for.</l>
               </sp>

               <sp>
                  <speaker>Belville</speaker>
                  <l>'Tis well, and now my dear <hi rend="italic">Florinda,</hi> let's fly to
                     compleat that mighty joy we have so long wish't and sigh'd for: —Come <hi rend="italic">Frederick</hi>—you'l follow?</l>
               </sp>

               <sp>
                  <speaker>Frederick</speaker>
                  <l>Your Example Sir, 'twas ever my ambition in War, and must be so in Love.</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>And must not I see this juggling knot ty'd?</l>
               </sp>

               <sp>
                  <speaker>Belville</speaker>
                  <l>No, thou shalt do us better service, and be our guard, least <hi rend="italic">Don Pedro</hi>'s suddain return interrupt the Ceremony.</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Content—I'll secure this pass.</l>
               </sp>

               <stage>[<hi rend="italic">Ex.</hi> Bel. Flor. Fred. <hi rend="italic">and</hi>
                  Vall.</stage>

               <stage>Enter Boy.</stage>

               <sp>
                  <speaker>Boy</speaker>
                  <l>Sir, there's a Lady without wou'd speak to you.</l>
               </sp>

               <stage>[<hi rend="italic">To</hi> Willmore</stage>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Conduct her in, I dare not quit my Post.</l>
               </sp>

               <sp>
                  <speaker>Boy</speaker>
                  <l>And Sir, your Taylor waits you in your Chamber.</l>
               </sp>

               <sp>
                  <speaker>Blunt</speaker>
                  <l>Some comfort yet, I shall not dance naked at the Wedding.</l>
               </sp>

               <stage>[Ex. <hi rend="italic">Blunt</hi> and Boy.</stage>

               <stage>Enter again the Boy, conducting in <hi rend="italic">Angellica</hi> in a
                  Masquing Habit and a Vizard. <hi rend="italic">Willmore</hi> runs to her.</stage>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>This can be none but my pretty Gipsie—Oh, I see you can follow as well as
                     fly—Come, confess thy self the most malicious Devil in Nature, you think you
                     have done my bus'ness with <hi rend="italic">Angellica.</hi>—</l>
               </sp>

               <sp>
                  <speaker>Angellica</speaker>
                  <l>Stand off, base Villain—</l>
               </sp>

               <stage>[She draws a Pistol, and holds to his Brest.</stage>

               <pb n="74" facs="pageImages/Rover-p74.jpg"/>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Hah, 'tis not she, who art thou? and what's thy business?</l>
               </sp>

               <sp>
                  <speaker>Angellica</speaker>
                  <l>One thou hast injur'd, and who comes to kill thee for't.</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>What the Devil canst thou mean?</l>
               </sp>

               <sp>
                  <speaker>Angellica</speaker>
                  <l>By all my hopes to kill thee—</l>
               </sp>

               <stage>[Holds still the Pistol to his Brest, he going back, she following
                  still.</stage>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Prithee on, what acquaintance? for I know thee not.</l>
               </sp>

               <sp>
                  <speaker>Angellica</speaker>
                  <l>Behold this face!—so lost to thy remembrance,</l>
                  <l>And then call all thy sins about thy Soul,</l>
                  <stage>[Pulls off her Vizard.</stage>
                  <l>And let 'em dye with thee.</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Angellica!</l>
               </sp>

               <sp>
                  <speaker>Angellica</speaker>
                  <l>Yes, Taylor,</l>
                  <l>Does not thy guilty blood run shivering through thy Veins?</l>
                  <l>Hast thou no horrour at this sight, that tells thee,</l>
                  <l>Thou hast not long to boast thy shameful Conquest?</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Faith, no Child, my blood keeps its old Ebbs and Flows still, and that usual
                     heat too, that cou'd oblige thee with a kindness, had I but opportunity.</l>
               </sp>

               <sp>
                  <speaker>Angellica</speaker>
                  <l>Devil! dost <ref target="wanton2_" corresp="wanton2">wanton</ref> with my
                     pain—have at thy heart.</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Hold, dear <ref target="virago_" corresp="virago">Virago</ref>! hold thy hand a
                     little,</l>
                  <l>I am not now at leasure to be kill'd—hold and hear me—</l>
                  <l>—Death, I think she's in earnest.</l>
                  <stage>[aside.</stage>
               </sp>

               <sp>
                  <speaker>Angellica</speaker>
                  <l>Oh if I take not heed,</l>
                  <l>My coward heart will leave me to his mercy.</l>
                  <stage>[Aside, turning from him.</stage>
                  <l>—What have you, Sir, to say?—but shou'd I hear thee,</l>
                  <l>Thoud'st talk away all that is brave about me:</l>
                  <stage>[Follows him with the Pistol to his Brest.</stage>
                  <l>And I have vow'd thy death, by all that's Sacred.</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Whe then there's an end of a proper handsome Fellow,</l>
                  <l>That might a liv'd to have done good service yet;</l>
                  <l>—That's all I can say to't.</l>
               </sp>

               <sp>
                  <speaker>Angellica</speaker>
                  <l>yet—I wou'd give thee—time for—penitence.</l>
               </sp>

               <stage>[Pausingly.</stage>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Faith Child, I thank God, I have ever took</l>
                  <l>Care to lead a good sober, hopeful Life, and am of a Religion</l>
                  <l>That teaches me to believe, I shall depart in peace.</l>
               </sp>

               <sp>
                  <speaker>Angellica</speaker>
                  <l>So will the Devil! tell me,</l>
                  <l>How many poor believing Fools thou hast undone?</l>
                  <l>How many hearts thou hast betray'd to ruin?</l>
                  <l>—Yet these are little mischiefs to the Ills</l>
                  <pb n="75" facs="pageImages/Rover-p75.jpg"/>
                  <l>Thoust taught mine to commit: thoust taught it Love?</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Egad 'twas shrewdly hurt the while.</l>
               </sp>

               <sp>
                  <speaker>Angellica</speaker>
                  <l>—Love, that has rob'd it of its unconcern</l>
                  <l>Of all that Pride that taught me how to value it.</l>
                  <l>And in its room</l>
                  <l>A mean submissive Passion was convey'd,</l>
                  <l>That made me humbly bow, which I nere did</l>
                  <l>To any thing but Heaven.</l>
                  <l>—Thou, Perjur'd Man, didst this, and with thy Oaths,</l>
                  <l>Which on thy Knees, thou didst devoutly make,</l>
                  <l>Soften'd my yielding heart—And then, I was a slave—</l>
                  <l>—Yet still had been content to've worn my Chains:</l>
                  <l>Worn 'em with vanity and joy for ever,</l>
                  <l>Hadst thou not broke those Vows that put them on.</l>
                  <l>—'Twas then I was undone.</l>
               </sp>

               <stage>[All this while follows him with the Pistol to his Breast.</stage>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Broke my Vows! whe where hast thou liv'd?</l>
                  <l>Amongst the Gods? for I never heard of mortal Man,</l>
                  <l>That has not broke a thousand Vows.</l>
               </sp>

               <sp>
                  <speaker>Angellica</speaker>
                  <l>Oh Impudence!</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>
                     <hi rend="italic">Angellica!</hi> that Beauty has been too long tempting,</l>
                  <l>Not to have made a thousand Lovers languish,</l>
                  <l>Who in the Amorous Favour, no doubt have sworn</l>
                  <l>Like me: did they all dye in that Faith? still Adoring?</l>
                  <l>I do not think they did.</l>
               </sp>

               <sp>
                  <speaker>Angellica</speaker>
                  <l>No, faithless Man: had I repaid their Vows, as I did thine, I wou'd have kill'd
                     the ingrateful that had abandon'd me.</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>This Old General has quite spoil'd thee, nothing makes a Woman so vain, as
                     being flatter'd; your old Lover ever supplies the defects of Age, with
                     intollerable Dotage, vast Charge, and that which you call Constancy; and
                     attributing all this to your own Merits, you domineer, and throw your Favours
                     in's Teeth, upbraiding him still with the defects of Age, and Cuckold him as
                     often as he deceives your Expectations. But the Gay, Young, Brisk Lover, that
                     brings his equal Fires, and can give you dart for dart, you'l will be as nice
                     as you sometimes.</l>
               </sp>

               <sp>
                  <speaker>Angellica</speaker>
                  <l>All this thou'st made me know, for which I hate thee.</l>
                  <l>Had I remain'd in innocent security,</l>
                  <l>I shou'd have thought all men were born my slaves,</l>
                  <pb n="76" facs="pageImages/Rover-p76.jpg"/>
                  <l>And worn my pow'r like lightening in my Eyes,</l>
                  <l>To have destroy'd at pleasure when offended:</l>
                  <l>—But when Love held the Mirror, the undeceiving Glass</l>
                  <l>Reflected all the weakness of my Soul, and made me know</l>
                  <l>My richest treasure being lost, my Honour,</l>
                  <l>All the remaining spoil cou'd not be worth</l>
                  <l>The Conqueror's Care or Value.</l>
                  <l>—Oh how I fell like a long worship't Idol</l>
                  <l>Discovering all the Cheat.</l>
                  <l>Wou'd not the Insence and rich Sacrifice,</l>
                  <l>Which blind Devotion offer'd at my Alters,</l>
                  <l>Have fall'n to thee?</l>
                  <l>Why wou'dst thou then destroy my fancy'd pow'r.</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>By Heaven thou'rt brave, and I admire thee strangely</l>
                  <l>I wish I were that dull, that constant thing</l>
                  <l>Which thou wou'dst have, and Nature never meant me:</l>
                  <l>I must, like cheerful Birds, sing in all Groves,</l>
                  <l>And perch on every Bough,</l>
                  <l>Billing the next kind she that flies to meet me;</l>
                  <l>Yet after all cou'd build my Nest with thee,</l>
                  <l>Thither repairing when I'd lov'd my round,</l>
                  <l>And still reserve a tributary Flame.</l>
                  <l>—To gain your credit, I'l pay you back your Charity,</l>
                  <l>And be oblig'd for nothing but for Love.</l>
               </sp>

               <stage>[Offers her a Purse of Gold.</stage>

               <sp>
                  <speaker>Angellica</speaker>
                  <l>Oh that thou wert in earnest!</l>
                  <l>So mean a thought of me,</l>
                  <l>Wou'd turn my rage to scorn, and I shou'd pity thee,</l>
                  <l>And give thee leave to live;</l>
                  <l>Which for the publick safety of our Sex,</l>
                  <l>And my own private Injuries, I dare not do, </l>
                  <l>Prepare</l>
                  <stage>[Follows still, as before.</stage>
                  <l>—I will no more be tempted with replies.</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Sure—</l>
               </sp>

               <sp>
                  <speaker>Angellica</speaker>
                  <l>Another word will damn thee! I've heard thee talk too long.</l>
               </sp>

               <sp>
                  <speaker>Antonio</speaker>
                  <l>Hah! <hi rend="italic">Angellica!</hi>
                  </l>
               </sp>

               <stage>[She follows him with the Pistol ready to shoot; he retires still amaz'd.
                  Enter <hi rend="italic">Don Antonio,</hi> his Arm in a Scarf, and layes hold on
                  the Pistol.</stage>


               <pb n="77" facs="pageImages/Rover-p77.jpg"/>

               <sp>
                  <speaker>Angellica</speaker>
                  <l>
                     <hi rend="italic">Antonio!</hi> what Devil brought thee hither?</l>
               </sp>

               <sp>
                  <speaker>Antonio</speaker>
                  <l>Love and Curiosity, seeing your Coach at door.</l>
                  <l>Let me disarm you of this unbecoming instrument of death—amongst the Number of
                     your slaves, was there not one, worthy the Honour to have fought your
                     quarrel?</l>
                  <stage>Takes away the Pistol.</stage>
                  <l>—Who are you Sir, that are so very wretched</l>
                  <l>To merit death from her?</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>One Sir, that cou'd have made a better End of an Amorous quarrel without you,
                     than with you.</l>
               </sp>

               <sp>
                  <speaker>Antonio</speaker>
                  <l>Sure 'tis some Rival,—hah—the very Man took down her Picture yesterday—the very
                     same that set on me last night —blest opportunity—</l>
               </sp>

               <stage>[Offers to shoot him.</stage>

               <sp>
                  <speaker>Angellica</speaker>
                  <l>Hold, you're mistaken Sir.</l>
               </sp>

               <sp>
                  <speaker>Antonio</speaker>
                  <l>By Heaven the very same!</l>
                  <l>—Sir, what pretensions have you to this Lady?</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Sir, I do not use to be Examin'd, and am Ill at all disputes but this—</l>
               </sp>

               <stage>[Draws: <hi rend="italic">Anton.</hi> offers to shoot.</stage>

               <sp>
                  <speaker>Angellica</speaker>
                  <l>Oh hold! you see he's Arm'd with certain death;</l>
                  <stage>[<hi rend="italic">To</hi> Willmore</stage>
                  <l>—And you <hi rend="italic">Antonio,</hi> I command you hold,</l>
                  <l>By all the Passion you've so lately vow'd me.</l>
               </sp>

               <stage>Enter <hi rend="italic">Don Pedro,</hi> sees <hi rend="italic">Antonio,</hi>
                  and stays.</stage>

               <sp>
                  <speaker>Pedro</speaker>
                  <l>Hah, <hi rend="italic">Antonio!</hi> and <hi rend="italic">Angellica!</hi>
                  </l>
                  <stage>[Aside.</stage>
               </sp>

               <sp>
                  <speaker>Antonio</speaker>
                  <l>When I refuse obedience to your Willmore</l>
                  <l>May you destroy me with your Mortal hate.</l>
                  <l>By all that's Holy I Adore you so,</l>
                  <l>That even my Rival, who has Charms enough</l>
                  <l>To make him fall a Victim to my jealousie</l>
                  <l>Shall live, nay and have leave to love on still.</l>
               </sp>

               <sp>
                  <speaker>Pedro</speaker>
                  <l>What's this I hear?</l>
                  <stage>[aside.</stage>
               </sp>

               <sp>
                  <speaker>Angellica</speaker>
                  <l>Ah thus! twas thus! he talkt, and I believ'd.</l>
                  <stage>[Pointing to <hi rend="italic">Willmore</hi>
                  </stage>
                  <l>—(<hi rend="italic">Antonio,</hi>) yesterday,</l>
                  <l>I'd not have sold my Intrest in his heart,</l>
                  <l>For all the Sword has won and lost in Battail.</l>
                  <l>—But now to show my utmost of contempt,</l>
                  <l>I give thee Life—which if thou wou'dst preserve,</l>
                  <l>Live where my Eyes may never see thee more,</l>
                  <l>Live to undo some one, whose Soul may prove,</l>
                  <pb n="78" facs="pageImages/Rover-p78.jpg"/>
                  <l>So bravely constant to revenge my Love.</l>
               </sp>

               <stage>[Goes out, <hi rend="italic">Antonio</hi> follows, but <hi rend="italic">Pedro</hi> pulls him back.</stage>

               <sp>
                  <speaker>Pedro</speaker>
                  <l>
                     <hi rend="italic">Antonio</hi>—stay.</l>
               </sp>

               <sp>
                  <speaker>Antonio</speaker>
                  <l>Don Pedro—</l>
               </sp>

               <sp>
                  <speaker>Pedro</speaker>
                  <l>What Coward fear was that prevented thee</l>
                  <l>From meeting me this morning on the <hi rend="italic">
                                <placeName type="tgn" key="7034850">Molo</placeName>?</hi>
                  </l>
               </sp>

               <sp>
                  <speaker>Antonio</speaker>
                  <l>Meet thee?</l>
               </sp>

               <sp>
                  <speaker>Pedro</speaker>
                  <l>Yes me; I was the Man that dar'd thee to't.</l>
               </sp>

               <sp>
                  <speaker>Antonio</speaker>
                  <l>Hast thou so often seen me fight in War,</l>
                  <l>To find no better Cause to excuse my absence?</l>
                  <l>—I sent my Sword and one to do thee right,</l>
                  <l>Finding my self uncapable to use a Sword.</l>
               </sp>

               <sp>
                  <speaker>Pedro</speaker>
                  <l>But 'twas <hi rend="italic">Florinda</hi>'s Quarrel that we fought,</l>
                  <l>And you to shew how little you esteem'd her,</l>
                  <l>Sent me your Rival, giving him your Intrest.</l>
                  <l>—But I have found the cause of this affront,</l>
                  <l>And when I meet you fit for the dispute,</l>
                  <l>—I'l tell you my resentment.</l>
               </sp>

               <sp>
                  <speaker>Antonio</speaker>
                  <l>I shall be ready, Sir, e're long to do you reason.</l>
                  <stage>
                     <hi rend="italic">[Ex.</hi> Anto.</stage>
               </sp>

               <sp>
                  <speaker>Pedro</speaker>
                  <l>If I cou'd find <hi rend="italic">Florinda,</hi> now whilst my angers high,</l>
                  <l>I think I shou'd be kind, and give her to <hi rend="italic">Belvile</hi> in
                     revenge.</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Faith, Sir, I know not what you wou'd do, but I believe the Priest within has
                     been so kind.</l>
               </sp>

               <sp>
                  <speaker>Pedro</speaker>
                  <l>How! my Sister Married?</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>I hope by this time he is, and bedded too, or he has not</l>
                  <l>My longings about him.</l>
               </sp>

               <sp>
                  <speaker>Pedro</speaker>
                  <l>Dares he do this! does he not fear my Pow'r?</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Faith not at all, if you will 'go in, and thank him for the favour he has done
                     your Sister, so, if not, Sir, my Pow'rs greater in this house than yours, I
                     have a damn'd surly Crew here, that will keep you till the next Tide, and then
                     clap you on bord for Prise; my Ship lies but a League off the <hi rend="italic">
                                <placeName type="tgn" key="7034850">Molo</placeName>,</hi> and we shall
                     show your Donship a damn'd <ref target="tramontana_" corresp="tramontana">
                                <hi rend="italic">Tramontana</hi>
                            </ref> Rovers Trick.</l>
               </sp>

               <stage>
                  <hi rend="italic">Enter</hi> Belvile.</stage>

               <sp>
                  <speaker>Belville</speaker>
                  <l>This Rogue's in some new Mischief—hah <hi rend="italic">Pedro</hi>
                     return'd!</l>
                  <lb/>
               </sp>

               <sp>
                  <speaker>Pedro</speaker>
                  <l>Colonel <hi rend="italic">Belvile,</hi> I hear you have Married my Sister?</l>
               </sp>

               <sp>
                  <speaker>Belville</speaker>
                  <l>You have heard truth then, Sir.</l>
               </sp>

               <sp>
                  <speaker>Pedro</speaker>
                  <l>Have I so; then, Sir, I wish you Joy.</l>
               </sp>

               <sp>
                  <speaker>Belville</speaker>
                  <l>How!</l>
               </sp>

               <pb n="79" facs="pageImages/Rover-p79.jpg"/>

               <sp>
                  <speaker>Pedro</speaker>
                  <l>By this imbrace I do, and I am glad on't.</l>
               </sp>

               <sp>
                  <speaker>Belville</speaker>
                  <l>Are you in earnest?</l>
               </sp>

               <sp>
                  <speaker>Pedro</speaker>
                  <l>By our long Friendship and my obligations to thee, I am,</l>
                  <l>The sudain change, I'le give you reasons for anon,</l>
                  <l>Come lead me to my Sister,</l>
                  <l>That she may know, I now approve her choice.</l>
               </sp>

               <stage>
                  <hi rend="italic">[Ex.</hi> Bel. <hi rend="italic">with</hi> Pedro</stage>

               <stage>
                  <hi rend="italic">Willmore</hi> goes to follow them. Enter <hi rend="italic">Hellena</hi> as before in Boys Clothes, and pulls him back.</stage>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Ha! my Gipsie:—now a thousand blessings on thee for this kindness, Egad Child I
                     was e'en in dispair of ever seeing thee again; my Friends are all provided for
                     within, each Man his kind Woman.</l>
               </sp>

               <sp>
                  <speaker>Hellena</speaker>
                  <l>Hah! I thought they had serv'd me some such trick!</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>And I was e'en resolv'd to go aboard, and condemn my self to my lone Cabin, and
                     the thoughts of thee.</l>
               </sp>

               <sp>
                  <speaker>Hellena</speaker>
                  <l>And cou'd you have left me behind, wou'd you have been so ill natur'd?</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Whe twou'd have broke my Heart Child:—but since we are met again, I defie foul
                     weather to part us.</l>
               </sp>

               <sp>
                  <speaker>Hellena</speaker>
                  <l>And wou'd you be a Faithful Friend, now if a Maid shou'd trust you?</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>For a Friend I cannot promise, thou art of a form so Excellent a Face and
                     Humour, too good for cold dull Friendship; I am <ref target="parlous_" corresp="parlous">parlously</ref> afraid of being in Love Child, and you
                     have not forgot how severely you have us'd me?</l>
               </sp>

               <sp>
                  <speaker>Hellena</speaker>
                  <l>That's all one, such usage you must still look for, to find out all your
                     Haunts, to raile at you to all that Love you, till I have made you love only me
                     in your own defence, because no body else will love.</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>But hast thou no better quality, to recommend thy self by.</l>
               </sp>

               <sp>
                  <speaker>Hellena</speaker>
                  <l>Faith none Captain:—whe 'twill be the greater Charity to take me for thy
                     Mistress. I am alone Child, a kind of Orphan Lover, and why I shou'd dye a
                     Maid, and in a Captains hands too, I do not understand,</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Egad, I was never claw'd away with Broad-sides from any Female before, thou
                     hast one Vertue I Adore, good Nature; I hate a Coy demure Mistress, she's as
                     troublesome as a Colt, I'l break none; no give me a mad Mistress when Mew'd,
                     and in <pb n="80" facs="pageImages/Rover-p80.jpg"/> flying on I dare trust upon
                     the wing, that whil'st she's kind will come to the Lure.</l>
               </sp>

               <sp>
                  <speaker>Hellena</speaker>
                  <l>Nay as kind as you will good Capt. whil'st it lasts, but let's lose no
                     time,</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>My time's as precious to me, as thine can be, therefore dear creature, since we
                     are so well agreed, let's retire to my Chamber, and if ever thou wert treated
                     with such Savory Love!— come—my beds prepar'd for such a guest all clean and
                     Sweet as thy fair self, I love to steal a Dish and a Bottle with a Friend, and
                     hate long Graces—come let's retire and fall too.</l>
               </sp>

               <sp>
                  <speaker>Hellena</speaker>
                  <l>'Tis but getting my consent, and the bus'ness is soon done, let but old <ref target="gaffer_" corresp="gaffer">Gaffer</ref>
                     <hi rend="italic">Himen</hi> and his Priest, say amen to't, and I dare lay my
                     Mothers daughter by as proper a Fellow as your Father's Son, without fear or
                     blushing,</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Hold, hold, no <ref target="bugg_" corresp="bugg">Bugg</ref> words Child,
                     Priest and <hi rend="italic">Hymen,</hi> prithee add a Hang-man to 'em to make
                     up the consort,—no, no, we'l have no Vows but Love, Child, nor witness but the
                     Lover, the kind Deity injoyn naught but Love! and injoy! <hi rend="italic">Himen</hi> and Priest wait still upon Portion, and Joynture; Love and
                     Beauty have their own Ceremonies; Marriage is as certain a bane to Love, as
                     lending Money is to Friendship: I'l neither ask nor give a Vow,—tho' I cou'd be
                     content to turn Gipsie, and become a left-handed bride-groom, to have the
                     pleasure of working that great Miracle of making a Maid a Mother, if you durst
                     venture; 'tis upse Gipsie that, and if I miss, I'l lose my Labour.</l>
               </sp>

               <sp>
                  <speaker>Hellena</speaker>
                  <l>And if you do not lose, what shall I get? a cradle full of noise and mischief,
                     with a pack of repentance at my back? can you teach me to weave <ref target="incle_" corresp="incle">Incle</ref> to pass my time with? 'tis upse
                     Gipsie that too.</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>I can teach thee to Weave a true loves knot better.</l>
               </sp>

               <sp>
                  <speaker>Hellena</speaker>
                  <l>So can my dog.</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Well, I see we are both upon our Guards, and I see there's no way to conquer
                     good Nature, but by yielding,—here— give me thy hand—one kiss and I am
                     thine—</l>
               </sp>

               <sp>
                  <speaker>Hellena</speaker>
                  <l>One kiss! how like my Page he speaks; I am resolv'd you shall have none, for
                     asking such a sneaking sum,—he that will be satisfied with one kiss, will never
                     dye of that longing; good Friend, single kiss, is all your talking come to
                     this?—a kiss, a caudle! farewel Captain, single kiss.</l>
                  <stage>[Going out he stays her.</stage>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Nay if we part so, let me dye like a bird upon a bough, <pb n="81" facs="pageImages/Rover-p81.jpg"/> at the Sheriffs charge, by Heaven both the
                        <hi rend="italic">Indies,</hi> shall not buy thee from me. I adore thy
                     Humour and will marry thee, and we are so of one Humour, it must be a
                     bargain—give me thy hand.— <stage>[Kisses her Hand.</stage> And now let the
                     blind ones (Love and Fortune) do their worst.</l>
               </sp>

               <sp>
                  <speaker>Hellena</speaker>
                  <l>Whe God-a-mercy Captain!</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>But harkey—the bargain is now made; but is it not fit we shou'd know each
                     others Names? that when we have reason to curse one another hereafter (and
                     People ask me who 'tis I give to the Devil) I may at least be able to tell,
                     what Family you came of.</l>
               </sp>

               <sp>
                  <speaker>Hellena</speaker>
                  <l>Good reason, Captain; and where I have cause, (as I doubt not but I shall have
                     plentiful) that I may know at whom to throw my—blessings—I beseech ye your
                     Name.</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>I am call'd <hi rend="italic">Robert the ConstAntonio</hi>
                  </l>
               </sp>

               <sp>
                  <speaker>Hellena</speaker>
                  <l>A very fine name; pray was it your Faulkner or Butler that Chisten'd you? do
                     they not use to Whistle when they call you?</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>I hope you have a better, that a man may name without crossing himself, you are
                     so merry with mine.</l>
               </sp>

               <sp>
                  <speaker>Hellena</speaker>
                  <l>I am call'd <hi rend="italic">Hellena the InconstAntonio</hi>
                  </l>
               </sp>

               <stage>
                  <hi rend="italic">Enter</hi> Pedro, Belvile, Florinda, Fred. Valleria.</stage>

               <sp>
                  <speaker>Pedro</speaker>
                  <l>Hah! <hi rend="italic">Hellena!</hi>
                  </l>
               </sp>

               <sp>
                  <speaker>Florinda</speaker>
                  <l>Hellenah!</l>
               </sp>

               <sp>
                  <speaker>Hellena</speaker>
                  <l>The very same—hah my Brother! now Captain shew your Love and Courage; stand to
                     your Arms, and defend me bravely, or I am lost for Ever.</l>
               </sp>

               <sp>
                  <speaker>Pedro</speaker>
                  <l>What's this I hear! false Girle, how came you hither, and what's your bus'ness?
                     Speak.</l>
                  <stage>[Goes roughly to her.</stage>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Hold off Sir, you have leave to parly only.</l>
                  <stage>Puts himself between.</stage>
               </sp>

               <sp>
                  <speaker>Hellena</speaker>
                  <l>I had e'en as good tell it, as you guess it; Faith Brother my bus'ness, is the
                     same with all living Creatures of my Age, to love, and be beloved, and here's
                     the Man.</l>
               </sp>

               <sp>
                  <speaker>Pedro</speaker>
                  <l>Perfidious Maid, hast thou deceiv'd me too, deceiv'd thy self and Heaven;</l>
               </sp>

               <sp>
                  <speaker>Hellena</speaker>
                  <l>'Tis time enough to make my peace with that,</l>
                  <l>Be you but kind let me alone with Heaven,</l>
               </sp>

               <sp>
                  <speaker>Pedro</speaker>
                  <l>
                     <hi rend="italic">Belvile,</hi> I did not expect this false play from you;
                     was't <pb n="82" facs="pageImages/Rover-p82.jpg"/> not enough you'd gain <hi rend="italic">Florinda</hi> (which I pardon'd) but your lewd Friends too
                     must be inricht with the spoyls of a Noble Family?</l>
               </sp>

               <sp>
                  <speaker>Belville</speaker>
                  <l>Faith Sir, I am as much surpriz'd at this as you can be: Yet Sir, my Friends
                     are Gentlemen, and ought to be Esteem'd for their Misfortunes, since they have
                     the Glory to suffer with the best of Men and Kings; 'tis true, he's a Rover of
                     Fortune, Yet a Prince, aboard his little wooden World.</l>
               </sp>

               <sp>
                  <speaker>Pedro</speaker>
                  <l>What's this to the maintenance of a Woman of her Birth and Quality.</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Faith Sir, I can boast of nothing but a Sword which does me right where e're I
                     come, and has defended a worse Cause then a Womans; and since I lov'd her
                     before I either knew her Birth or Name, I must pursue my resolution, and marry
                     her.</l>
               </sp>

               <sp>
                  <speaker>Pedro</speaker>
                  <l>And is all your holy intent of becoming a Nun, debauch't into a desire of
                     Man?</l>
               </sp>

               <sp>
                  <speaker>Hellena</speaker>
                  <l>Whe—I have consider'd the matter Brother, and find, the Three hundred thousand
                     Crowns my Uncle left me (and you cannot keep from me) will be better laid out
                     in Love than in Religion, and turn to as good an account,—let most voyces carry
                     it, for Heaven or the Captain?</l>
                  <l>
                     <hi rend="italic">All cry,</hi> a Captain? a Captain?</l>
               </sp>

               <sp>
                  <speaker>Hellena</speaker>
                  <l>Look yee Sir, 'tis a clear case.</l>
               </sp>

               <sp>
                  <speaker>Pedro</speaker>
                  <l>Oh I am mad—if I refuse, my lifes in danger— <stage>[aside.</stage>
                     —Come—there's one motive induces me—take her— I shall now be free from fears of
                     her Honour, guard it you now, if you can, I have been a slave to't long
                     enough,</l>
                  <stage>[gives her to him.</stage>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Faith Sir, I am of a Nation, that are of opinion a womans Honour is not worth
                     guarding when she has a mind to part with it.</l>
               </sp>

               <sp>
                  <speaker>Hellena</speaker>
                  <l>Well said Captain.</l>
               </sp>

               <sp>
                  <speaker>Pedro</speaker>
                  <l>This was your Plot Mistress, but I hope you have married one that will revenge
                     my quarrel to you—</l>
               </sp>

               <stage>[<hi rend="italic">To</hi> Valleria.</stage>

               <sp>
                  <speaker>Valleria</speaker>
                  <l>There's no altering Destinie, Sir.</l>
               </sp>

               <sp>
                  <speaker>Pedro</speaker>
                  <l>Sooner than a Womans Will, therefore I forgive you all—and wish you may get my
                     Father's Pardon as Easily; which I fear.</l>
               </sp>

               <stage>Enter <hi rend="italic">Blunt</hi> drest in a <hi rend="italic">Spanish</hi>
                  Habit, looking very ridiculously; his Man a justing his Band.</stage>

               <sp>
                  <speaker>Man</speaker>
                  <l>'Tis very well Sir—</l>
               </sp>

               <sp>
                  <speaker>Blunt</speaker>
                  <l>Well Sir, 'dshearlikins I tell you 'tis damnable Ill Sir, —a <hi rend="italic">Spanish</hi> habit good Lord! Cou'd the Devil and my Taylor <pb n="83" facs="pageImages/Rover-p83.jpg"/> devise no other punishment for me, but the
                     Mode of a Nation I abominate?</l>
               </sp>

               <sp>
                  <speaker>Belville</speaker>
                  <l>What's the matter <hi rend="italic">Ned?</hi>
                  </l>
               </sp>

               <sp>
                  <speaker>Blunt</speaker>
                  <l>Pray view me round, and judge,—</l>
               </sp>

               <stage>[Turns round.</stage>

               <sp>
                  <speaker>Belville</speaker>
                  <l>I must confess thou art a kind of an odd Figure.</l>
               </sp>

               <sp>
                  <speaker>Blunt</speaker>
                  <l>In a <hi rend="italic">Spanish</hi> habit with a Vengeance! I had rather be in
                     the Inquisition for Judaisme, than in this Doublet and Breeches, a Pillory were
                     an easie Coller, to this three handfuls high; and these Shoes too, are worse,
                     then the stocks with the sole an Inch shorter than my Foot: In fine, Gentlemen,
                     methinks I look altogether like a Bag of <ref target="bayes_" corresp="bayes">Bayes</ref> stufft full of Fooles flesh.</l>
               </sp>

               <sp>
                  <speaker>Belville</speaker>
                  <l>Methinks 'tis well, and makes thee look e'n Cavalier: Come Sir, settle your
                     face, and salute our Friends, Lady—</l>
               </sp>

               <sp>
                  <speaker>Blunt</speaker>
                  <l>Hah!—say'st thou so my Little Rover— <stage>
                        <hi rend="italic">[To</hi> Hellena</stage> Lady—(if you be one) give me
                     leave to kiss your hand, and tell you adshearlikins for all I look so, I am
                     your humble Servant,— a Pox of my <hi rend="italic">Spanish</hi> habit.</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Hark—what's this?</l>
                  <stage>[Musick is heard to play.</stage>
               </sp>

               <stage>
                  <hi rend="italic">Enter</hi> Boy.</stage>

               <sp>
                  <speaker>Boy</speaker>
                  <l>Sir, as the Custome is, the gay people in Masquerade who make every mans House
                     their own, are coming up:</l>
               </sp>

               <stage>Enter several Men and Women in Masquing Habits with Musick, they put
                  themselves in order and Dance.</stage>

               <sp>
                  <speaker>Blunt</speaker>
                  <l>Adsheartlikins, wou'd twere lawful to pull off their false faces, That I might
                     see if my Doxie were not amongst e'm.</l>
               </sp>

               <sp>
                  <speaker>Belville</speaker>
                  <l>Ladies and Gentlemen, since you are come so <hi rend="italic">apropo,</hi> you
                     must take a small Collation with us.</l>
                  <stage>[To the Masquero's.</stage>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Whilst we'le to the Good Man within, who stayes to give us a <ref target="cast_" corresp="cast">Cast</ref> of his Office. <stage>
                        <hi rend="italic">[To</hi> Hellena</stage> —Have you no trembling at the
                     near approach?</l>
               </sp>

               <sp>
                  <speaker>Hellena</speaker>
                  <l>No more than you have in an Engagement or a Tempest.</l>
               </sp>

               <sp>
                  <speaker>Willmore</speaker>
                  <l>Egad thou'rt a brave Girle, and I admire thy Love and Courage.</l>
                  <l>Lead on, no other Dangers they can dread,</l>
                  <l>Who Venture in the Storms o'th' Marriage Bed.</l>
               </sp>

               <stage>[Exeunt.</stage>

               <trailer>THE END.</trailer>
            </div>

         </div>

         <div type="epilogue">
            <pb/>
            <pb n="VI" facs="pageImages/Rover-pVI.jpg"/>
            <head>EPILOGUE.</head>

            <l>THe Banisht Cavaliers! a Roving Blade!</l>
            <l>A Popish Carnival! a Masquerade!</l>
            <l>The Devel's in't if this will please the Nation,</l>
            <l>In these our blessed times of Reformation,</l>
            <l>When <ref target="Conventickling_" corresp="Conventickling">Conventickling</ref> is
               so much in fashon.</l>
            <l>And yet—</l>
            <l>That Mutinous Tribe less Factions do beget,</l>
            <l>Than your continual differing in Wit;</l>
            <l>Your Judgment's (as your Passion's) a disease:</l>
            <l>Nor Muse nor Miss your Appetite can please;</l>
            <l>Your grown as Nice as queasie Consciences,</l>
            <l>Who's each Convulsion, when the Spirit moves,</l>
            <l>Damns every thing, that Maggot disapproves.</l>
            <l>With <ref target="canting_" corresp="canting">Canting</ref> Rule you wou'd the Stage
               refine,</l>
            <l>And to Dull Method all our Sense confine.</l>
            <l>With th' Insolence of Common Wealths you rule,</l>
            <l>Where each gay Fop, and Politick grave Fool</l>
            <l>On Monarch Wit impose, without controul.</l>
            <l>As for the last, who seldom sees a Play,</l>
            <l>Unless it be the old <ref target="blackfriars_" corresp="blackfriars">Black
                  Fryers</ref> way,</l>
            <l>Shaking his empty <ref target="noddle_" corresp="noddle">Noddle</ref> o're <hi rend="italic">Bamboo,</hi>
            </l>
            <l>He Crys,—Good Faith, these Playes will never do.</l>
            <l>—Ah, Sir, in my young days, what lofty Wit,</l>
            <l>What high strain'd Scenes of Fighting there were Writ:</l>
            <l>These are slight airy Toys. But tell me, pray,</l>
            <l>What has the <hi rend="italic">House of Commons</hi> done to day?</l>
            <l>Then shews his Politicks, to let you see,</l>
            <l>Of State Affairs he'l judge as notably,</l>
            <l>As he can do of Wit and Poetry.</l>
            <l>The younger <ref target="sparks_" corresp="sparks">Sparks,</ref> who hither do
               resort,</l>
            <l>Cry,—</l>
            <l>Pox o' your gentile things, give us more Sport;</l>
            <l>—Damn me, I'm sure 'twill never please the Court.</l>
            <l>Such Fops are never pleas'd unless the Play</l>
            <l>Be stufft with Fools, as brisk and dull as they:</l>
            <pb n="VII" facs="pageImages/Rover-pVII.jpg"/>
            <l>Such might the Half-Crown spare, and in a Glass</l>
            <l>At home, behold a more Accomplisht Ass,</l>
            <l>Where they may set their Cravats, Wigs and Faces,</l>
            <l>And Practice all their Buffonry Grimasses:</l>
            <l>See how this—Huff becomes,—this Damny,—stare,—</l>
            <l>Which they at home may act, because they dare,</l>
            <l>But—must with prudent caution do elsewhere.</l>
            <l>Oh that our <ref target="nokes_" corresp="nokes">
                        <hi rend="italic">Nokes,</hi> or <hi rend="italic">Tony Lee</hi>
                    </ref> cou'd show</l>
            <l>A Fop but half so much to th' life as you.</l>
         </div>

         <div type="postscript">
            <head>Post-script.</head>
            <l>This Play had been sooner in Print, but for a Report about the Town (made by some
               either very Malitious or very Ignorant) that 'twas <ref target="thomaso_" corresp="thomaso">
                        <hi rend="italic">Thomaso</hi>
                    </ref> alter'd; which made the
               Book-sellers fear some trouble from the Proprietor of that Admirable Play, which
               indeed has Wit enough to stock a Poet, and is not to be peec't or mended by any but
               the Excellent Author himself; That I have stoln some hints from it, may be a proof,
               that I valu'd it more than to pretend to alter it; had I had the Dexterity of some
               Poets, who are not more Expert in stealing than in the Art of Concealing, and who
               even that way out-do the <hi rend="italic">Spartan</hi>-Boyes. I might have
               appropriated all to my self, but I, vainly proud of my Iudgment, hang out the Sign of
                  <hi rend="italic">Angellica,</hi> (the only stoln Object) to give Notice where a
               great part of the Wit dwelt; tho if the Play of the <hi rend="italic">Novella</hi>
               were as well worth remembring as <hi rend="italic">Thomaso,</hi> they might (bating
               the Name) have as well said, I took it from thence: I will only say the Plot and
               Bus'ness (not to boast on't) is my own: as for the Words and Characters, I leave the
               Reader to judge and compare 'em with <hi rend="italic">Thomaso,</hi> to whom I
               recommend the great Entertainment of reading it, tho had this succeeded ill, I shou'd
               have had no need of imploring that Justice from the Criticks, who are naturally so
               kind to any that pretend to usurp their Dominion, they wou'd doubtless have given me
               the whole Honour on't. Therefore I will only say in <hi rend="italic">English</hi>
               what the famous <hi rend="italic">Virgil</hi> does in <hi rend="italic">Latin; I make
                  Verses, and others have the Fame.</hi>
            </l>

            <trailer>FINIS.</trailer>
         </div>
      </body>
      <back>
         <div>
            <note resp="editors.xml#UVAstudstaff" type="editorial" xml:id="lestrange" target="lestrange_">
                    <p>Roger L'Estrange had the title of "Licensor of the Press" in
                  England at this time; he was in effect the official government censor for all
                  printed material. He had the right to inspect printing presses and to intercept
                  any printed matter that he suspected of being seditious, libellous, or
                  blasphemous. The presence of his name here on the title page indicates that he had
                  read through the play and found nothing objectionable in it. It's interesting to
                  note that while L'Estrange's name is here in the place where we might expect to
                  find the name of the author, Behn's is not. It was actually typical of printed
                  playtexts in this period that they did not identify the author of the play; the
                  success of a play was seen to lie much more in the skill of the performers and the
                  theater company than of the author (much as in modern Hollywood movies, where the
                  names of stars are well known, but the screenwriters are usually obscure.)
                  L'Estrange was not the "author" of this play in a modern sense, but the prominence
                  of his name here "authorizes" its publication in another sense, as a play approved
                  by the state authorities. Moreover, this play was, as the title page also
                  announces, staged in one of the two official state-licensed theaters, in this case
                  the one sponsored by the Duke of York, the brother of King Charles, who was the
                  sponsor of the other state-licensed theater in London.</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="editorial" xml:id="rabels" target="rabels_">
                    <p>A brand of patent medicine.</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="gloss" xml:id="cabal" target="cabal_">
                    <p>A
                  cabal is a secret or private group similar to a political junto or faction. The
                  word was often used in this period as an acronym of the first letters in the names
                  for the King's five privy counselors: Chudleigh, Arlington, Buckingham, Ashley,
                  and Lauderdale. Source: Oxford English Dictionary.</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="gloss" xml:id="censure" target="censure_">
                    <p>To judge or give an opinion. Source: Oxford English Dictionary.</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="gloss" xml:id="coract" target="coract_">
                    <p>That is, correct.</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="gloss" xml:id="lampoon" target="lampoon_">
                    <p>Satire upon another individual. Source: Oxford English Dictionary.</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="gloss" xml:id="deboche" target="deboche_">
                    <p>Indulgence or excess of pleasure. Source: Oxford English
               Dictionary.</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="gloss" xml:id="citt" target="citt_">
                    <p>May
                  Day is a traditional spring festival, and a "Citt" is a citizen of London, which
                  was a position associated with middle-class tradesmen and merchants. So the idea
                  here is that new plays are currently stuffed with wits and debauched people like
                  cits, who would sweatily crowd themselves into coaches that were designed to
                  accommodate richer people.</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="editorial" xml:id="ads" target="ads_">
                    <p>It
                  was common in this period for books to include advertisements for other titles
                  sold by the same bookseller. We have preserved this in our edition to give the
                  fullest flavor of what a reader of 1677 would have seen when they picked up the
                  text.</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="editorial" xml:id="stdunstans" target="stdunstans_">
                    <p>St Dunstan is a famous Church located on Fleet Street in
                  London, then as now at the center of the publishing industry in London.
                  Booksellers in London often set up shop adjacent to churches, as is the case
                  here.</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="editorial" xml:id="kingsuit" target="kingsuit_">
                    <p>The "King's Suit" would be an indictment by the
               government.</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="gloss" xml:id="rover" target="rover_">
                    <p>A
                  pirate or a ship captain who spends must of his time wandering and roaming.
                  Source: Oxford English Dictionary.</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="editorial" xml:id="naples" target="naples_">
                    <p>One of Behn's first significant changes to her source play by Thomas Killigrew
                  is moving the action from Madrid to Naples, rendering the action perhaps even more
                  exotic than in the original. At this time, Naples was ruled by Spain, which
                  explains why so many characters in the play have been traveling back and forth
                  between Naples and places like Madrid and Pamplona. Image: Claude Vernet, View of
                  the Bay of Naples, 1747 (Wikimedia Commons). <graphic url="notes/Naples-vernet.jpg"/>
                    </p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="gloss" xml:id="intro" target="intro_">
                    <p>A
                  rover is a pirate, or a person who aimlessly wanders and roams. The Cavaliers were
                  the supporters of the Stuart King Charles I in the English Civil War between him
                  and the Parliament, and after that, supporters of his son, Charles II, who went
                  into exile when the Stuarts lost the Civil War in 1659. This reference thus sets
                  the play some time in the 1650s, when the monarchy's supporters were scattered
                  across Europe, as these men are, trying to make their fortunes and/or biding their
                  time in the hopes of returning to England some day. First staged in 1677, <hi rend="italic">The Rover</hi> is thus a kind of historical play, looking back on
                  an era a couple of decades earlier. It was based on an earlier play, Thomas
                  Killigrew's <ref target="https://books.google.com/books/about/Thomaso_or_the_wanderer.html?id=OF1RAAAAcAAJ">
                            <hi rend="italic">Thomaso, or the Wanderer</hi>
                        </ref>, which was written
                  around 1654 while Killigrew was living in Madrid. Killigrew's play seems to have
                  been autobiographical, reflecting his life as a Royalist exile, a supporter of the
                  Stuart monarchy who was living on the European continent in the 1650s while
                  England was ruled by Oliver Cromwell and the Commonwealth government. Upon the
                  return of the Stuart monarchy in 1660, Killigrew received a patent to open a
                  theater in London as a reward for his loyalty to Charles II. He published <hi rend="italic">Tomaso</hi> in 1664, but never staged it, perhaps recognizing
                  that it was far too long and disjointed to work on stage. We do not know how Behn
                  come to rework the play for performance, but it seems entirely possible that this
                  was at the request of Killigrew, who was the patent-holder of the Duke's Theater.
                  There are places where Behn follows Killigrew's play closely, but she made many
                  changes, compressing the original, and shifting the scene from Madrid to Naples.
                  Perhaps most notably, she beefs up the female roles of Angelica Bianca and
                  Hellena. Hellena is such an interesting and dynamic character in Behn's version of
                  the story that the audience is left wondering in the end who the real rover of the
                  play is: Willmore or Hellena? Behn's play has been popular with audiences ever
                  since it was first staged in 1677, and is now probably the
                  most-frequently-performed of her works.</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="gloss" xml:id="prithee" target="prithee_">
                    <p>A contraction of "I pray thee," similar to "I beg of you." Source: Oxford
                  English Dictionary.</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="gloss" xml:id="fain" target="fain_">
                    <p>Be
                  delighted or glad to. Source: Oxford English Dictionary.</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="gloss" xml:id="viceroy" target="viceroy_">
                    <p>The ruler or governor of a province. Source: Oxford English
               Dictionary.</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="gloss" xml:id="anglese" target="anglese_">
                    <p>Spanish for an English person.</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="gloss" xml:id="gay" target="gay_">
                    <p>Fine or
                  noble. Source: Oxford English Dictionary.</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="gloss" xml:id="design" target="design_">
                    <p>Intended or designated. Source: Oxford English Dictionary.</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="gloss" xml:id="carnival" target="carnival_">
                    <p>The season before Lent, filled with celebration and festivity. A modern
                  equivalent would be Mardi Gras in New Orleans or Carnivale in Rio de Janeiro.
                  Hellena is going to take advantage of the opportunity provided by this brief
                  season of festivity before heading to a convent rather than marry a man she
                  loathes.</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="gloss" xml:id="cleanlimbd" target="cleanlimbd_">
                    <p>Well proportioned. Source: Oxford English
               Dictionary.</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="editorial" xml:id="pamplona" target="pamplona_">
                    <p>Pamplona is a city in the north of Spain, but it's not clear
                  what military action is being referred to here. There was a siege of Pamplona in
                  1521, but that was more than a century before the events depicted in the play.
                  More generally, however, it was true that during the 1650s, the time during which
                  the action of the play takes place, many English cavaliers were hiring themselves
                  out as mercenary soldiers to armies in contintental Europe, including Spain, so
                  placing military action at Pamplona is quite plausible. This is a detail that Behn
                  is lifting from Killigrew's play, so she probably has nothing particularly
                  significant in mind with the reference.</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="gloss" xml:id="horse" target="horse_">
                    <p>French cavalry. Source: Oxford English Dictionary.</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="gloss" xml:id="habit" target="habit_">
                    <p>Carnival disguise.</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="editorial" xml:id="slave" target="slave_">
                    <p>It was customary in prominent families for the father to exert control over
                  whom the daughter marries. This was true in England, but setting the play in Italy
                  enables Behn to stage the conflict between the young women's wishes and their
                  father's control without openly criticizing her own culture.</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="gloss" xml:id="ranckt" target="ranckt_">
                    <p>Ranked. Source: Oxford English Dictionary.</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="gloss" xml:id="jointure" target="jointure_">
                    <p>Or "jointure." The property or money given to the wife in marriage. Source:
                  Oxford English Dictionary. The amount of a jointure would have been negotiated
                  before the marriage by the two families involved.</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="gloss" xml:id="indies" target="indies_">
                    <p>The West Indies or, more generally, the Americas. Source: Oxford English
                  Dictionary.</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="gloss" xml:id="baggs" target="baggs_">
                    <p>Riches, or money-bags. Source: Oxford English Dictionary.</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="gloss" xml:id="impotent" target="impotent_">
                    <p>That is, he is probably impotent.</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="gloss" xml:id="dogdays" target="dogdays_">
                    <p>Hottest part of the summer. Source: Oxford English Dictionary.</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="editorial" xml:id="sancho" target="sancho_">
                    <p>King of Pamplona during the 10th Century. Hellena's joke is that Don
                  Vincentio's furniture is going to be very old and outdated--like
               himself.</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="gloss" xml:id="coxcomb" target="coxcomb_">
                    <p>Fool. Source: Oxford English Dictionary.</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="gloss" xml:id="valet" target="valet_">
                    <p>Personal attendant. Source: Oxford English Dictionary.</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="gloss" xml:id="threescore" target="threescore_">
                    <p>Score denotes twenty, thus threescore indicates
               sixty.</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="gloss" xml:id="hostel" target="hostel_">
                    <p>Hostel de Dieu is French for Hostel or Hospital of God. The Hostel de Dieu was
                  a hospital that served the poor operating under a religious order. Source:
                  Wikipedia.</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="gloss" xml:id="lazer" target="lazer_">
                    <p>A
                  poor or diseased person. Source: Oxford English Dictionary.</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="editorial" xml:id="gambia" target="gambia_">
                    <p>Gambia, a region on the west coast of Africa where Europeans were active in
                  the slave trade from this period well into the 19th century.</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="gloss" xml:id="jester" target="jester_">
                    <p>Referring to the costume of court jesters, who wore bells on their heads and
                  carried bawbles. Source: Oxford English Dictionary.</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="gloss" xml:id="lent" target="lent_">
                    <p>The
                  period immediately after the carnival in the spring; a time of fasting and
                  penance. Source: Oxford English Dictionary.</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="editorial" xml:id="grate" target="grate_">
                    <p>A cloistered nun would only be allowed to greet visitors from the world
                  outside the convent through a grate.</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="gloss" xml:id="colonel" target="colonel_">
                    <p>Colonel.</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="editorial" xml:id="melancholy" target="melancholy_">
                    <p>Fredrick is implying that those who partake in Lent are
                  melencholy and unsatisfied, the traits that Belville is already displaying,
                  several days before Lent has officially started.</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="gloss" xml:id="interest" target="interest_">
                    <p>Interest.</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="gloss" xml:id="court" target="court_">
                    <p>Pursue courtship.</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="gloss" xml:id="hogoes" target="hogoes_">
                    <p>"A notable strong flavor or smell" Source: Oxford English
               Dictionary.</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="gloss" xml:id="sauce" target="sauce_">
                    <p>Sauce.</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="gloss" xml:id="ore" target="ore_">
                    <p>Over.</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="gloss" xml:id="coathole" target="coathole_">
                    <p>"To find fault with one; to fix on some small offense as censurable"
                  (Dictionary of Phrase and Fable).</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="editorial" xml:id="charles" target="charles_">
                    <p>This would be Prince Charles, who would become King Charles II
                  at the Restoration of the Stuart monarchy in 1660.</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="gloss" xml:id="chapmen" target="chapmen_">
                    <p>Pedlers (Oxford English Dictionary).</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="editorial" xml:id="roses" target="roses_">
                    <p>Willmore is reading one of the "papers" pinned on the dresses of the women,
                  which have enigmatic statements vaguely hinting at the womens' sexual
                  availability.</p>
                </note>

            <note resp="editors.xml#AJB" type="editorial" xml:id="bush" target="bush_">
                    <p>A sexual
                  double-entendre; pubic hair.</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="gloss" xml:id="pesthouse" target="pesthouse_">
                    <p>A hospital for people suffering from an infectious disease
                  (Oxford English Dictionary).</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="gloss" xml:id="cuckold" target="cuckold_">
                    <p>A husband who is being cheated on by his wife; traditionally, cuckolds were
                  said to wear horns as a sign of their being mastered by another, more virile
                  man.</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="gloss" xml:id="essex" target="essex_">
                    <p>Essex was frequently a butt of jokes for Londoners, who saw it as a rural
                  backwater.</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="gloss" xml:id="piazza" target="piazza_">
                    <p>Or Piazza; a public space or market square.</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="editorial" xml:id="newbridge" target="newbridge_">
                    <p>The joke here is that the hangman has beaten the Frenchman in
                  their contest, just as the French beat the Dutch in theirs: a reference to an
                  incident in 1672, when Nieuwerbrug (New Bridge), a Dutch garrison post on a branch
                  of the Rhine, fell to the French.</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="gloss" xml:id="humor" target="humor_">
                    <p>A
                  mixture of sharp wit and sarcastic comments.</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="gloss" xml:id="venus" target="venus_">
                    <p>The
                  Roman goddess of love, sex, fertility, and victory, Venus was, according to
                  mythology, born of sea-foam.</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="gloss" xml:id="oldlaw" target="oldlaw_">
                    <p>The Old Testament.</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="editorial" xml:id="jeptha" target="jeptha_">
                    <p>In the book of Judges, Jephtha, having won a major military victory, vows to
                  God that he will sacrifice the first thing he sees on his return home. When he
                  arrives, his daughter rushes out to greet him, and he realizes that he must kill
                  his daughter to fulfill his vow. She agrees, but asks for a reprieve of two months
                  to visit friends in the mountains and to lament the fact that she will die a
                  virgin.</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="gloss" xml:id="peru" target="peru_">
                    <p>That
                  is, Peru, where slaves worked in silver mines.</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="gloss" xml:id="maid" target="maid_">
                    <p>A
                  female servant responsible for performing many household responsibilities,
                  including laundry. See Joanna Martin, <hi rend="italic">Wives and Daughters: Women
                     and Children in the Georgian Country House</hi> (London: Hambledon and London,
                  2004).</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="gloss" xml:id="geld" target="geld_">
                    <p>Castrate.</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="gloss" xml:id="paduana" target="paduana_">
                    <p>A "Paduana" is someone who comes from the city of Padua. Many critics have
                  noted that Angellica Bianca shares initials with Aphra Behn.</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="gloss" xml:id="vizard" target="vizard_">
                    <p>A
                  simple mask; pictures attatched at the following link:
                  https://finds.org.uk/database/artefacts/record/id/402520.</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="gloss" xml:id="bottomhazard" target="bottomhazard_">
                    <p>Risk in a single ship.</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="gloss" xml:id="baseness" target="baseness_">
                    <p>Membership or characteristic of a lower social class (OED).</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="gloss" xml:id="oft" target="oft_">
                    <p>Shortening of often (OED).</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="gloss" xml:id="errant" target="errant_">
                    <p>Travelling or roaming (OED).</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="gloss" xml:id="cozening" target="cozening_">
                    <p>Also spelled cozening, it means cheating, deceitful or fraudulent
               (OED).</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="gloss" xml:id="piccaroon" target="piccaroon_">
                    <p>A pirate or privateer (OED).</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="gloss" xml:id="antick" target="antick_">
                    <p>In dress or attire (OED).</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="gloss" xml:id="mewed" target="mewed_">
                    <p>In
                  hiding or a place of confinement, like a cage (OED).</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="gloss" xml:id="wanton" target="wanton_">
                    <p>Of a person, a person's will: undisciplined, ungoverned; unmanageable,
                  rebellious (OED).</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="gloss" xml:id="bonaroba" target="bonaroba_">
                    <p>A wench (OED).</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="gloss" xml:id="spigot" target="spigot_">
                    <p>A
                  small wooden peg or pin used to stop the vent-hole of a barrel or cask; a
                  vent-peg; a similar peg inserted into and controlling the opening or tube of a
                  faucet and used to regulate the flow of liquor (OED).</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="gloss" xml:id="balderdash" target="balderdash_">
                    <p>Jumbled mixture of liquors e.g. beer and wine.</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="gloss" xml:id="sack" target="sack_">
                    <p>A
                  general name for a class of white wines formerly imported from Spain and the
                  Canaries (OED).</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="gloss" xml:id="capuchin" target="capuchin_">
                    <p>A friar of the order of St. Francis, of the new rule of 1528 (OED).</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="gloss" xml:id="collation" target="collation_">
                    <p>Bringing together, comparison (OED).</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="gloss" xml:id="perjured" target="perjured_">
                    <p>Of a person that has deliberately broken an oath (OED).</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="gloss" xml:id="vizar" target="vizar_">
                    <p>The
                  front part of a helmet, covering the face but provided with holes or openings to
                  admit of seeing and breathing, and capable of being raised and lowered
               (OED).</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="gloss" xml:id="intercession" target="intercession_">
                    <p>The action of interceding or pleading on behalf of (rarely
                  against) (OED).</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="gloss" xml:id="sigher" target="sigher_">
                    <p>To emit, give, or heave a sigh (OED).</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="gloss" xml:id="jewel" target="jewel_">
                    <p>An
                  article of value used for adornment, chiefly of the person / possibly a picture of
                  her (OED).</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="editorial" xml:id="bill" target="bill_">
                    <p>Phrase meant to suggest that a promise or vow to be "paid" can be
                  counterfeited or easily passed from one to another (O'Brien in class /
                  Wikipedia).</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="gloss" xml:id="repose" target="repose_">
                    <p>Temporary rest or cessation from physical or mental exertion in order to
                  recover one's energy (OED).</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="gloss" xml:id="unmask" target="unmask_">
                    <p>Unmask.</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="gloss" xml:id="shehe" target="shehe_">
                    <p>She
                  and he respectively.</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="gloss" xml:id="business" target="business_">
                    <p>His womanizing has ended with her.</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="gloss" xml:id="budget" target="budget_">
                    <p>A
                  pouch, bag, wallet, usually of leather (OED).</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="gloss" xml:id="bonaroba2" target="bonaroba2_">
                    <p>Italian for: A wench; ‘a showy wanton’ (OED).</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="gloss" xml:id="whe" target="whe_">
                    <p>Why
                  (http://www.bookwolf.com/Wolf/pdf/AphraBehn-TheRover.pdf).</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="gloss" xml:id="lye" target="lye_">
                    <p>Sleep
                  with.</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="gloss" xml:id="religiously" target="religiously_">
                    <p>Refers to taking an oath on the bible / Oath: A solemn or
                  formal declaration invoking God (or a god, or other object of reverence) as
                  witness to the truth of a statement, or to the binding nature of a promise or
                  undertaking (OED).</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="gloss" xml:id="age" target="age_">
                    <p>A long
                  time / A period of existence, and related senses (OED).</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="gloss" xml:id="dull" target="dull_">
                    <p>Dull:
                  Not quick in intelligence or mental perception; slow of understanding; not sharp
                  of wit (OED).</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="gloss" xml:id="pox" target="pox_">
                    <p>Senses
                  relating to diseases characterized by pocks(OED). Referencing a sort of curse on
                  his vow.</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="gloss" xml:id="hark" target="hark_">
                    <p>
                  "Hark ye"= (ref:http://www.bookwolf.com/Wolf/pdf/AphraBehn-TheRover.pdf). To give
                  ear or listen to (OED).</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="gloss" xml:id="beatbush" target="beatbush_">
                    <p>He thinks he has chased his lady into the arms of another man. To rouse the
                  birds that they may fly into the net held by some one else (OED).</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="gloss" xml:id="wine" target="wine_">
                    <p>Metaphor to understand and subdue loves troubling nature by drinking one's
                  self to sleep.</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="gloss" xml:id="minute" target="minute_">
                    <p>His plan to sleep with her is near completion. Compass: To plan, contrive,
                  devise (OED). Also: navigational reference meaning close in proximity: A compass
                  divided into 360 degrees is the most common unit of measurement. Each degree is
                  divided into 60 minutes, each minute into 60 seconds...those units are used for
                  precise locations using latitude and
                  longitude.(http://www.compassdude.com/compass-units.php).</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="gloss" xml:id="justice" target="justice_">
                    <p>Addressing his clothes, in England he could be "A magistrate appointed to hear
                  minor cases, grant licences, etc" (OED).</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="gloss" xml:id="commission" target="commission_">
                    <p>His job or orders; Authority committed or entrusted to a
                  person (OED).</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="gloss" xml:id="dog" target="dog_">
                    <p>Luckiest rogue.</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="editorial" xml:id="betray" target="betray_">
                    <p>Darkness necessary to setup the robbery of Blunt.</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="gloss" xml:id="anon" target="anon_">
                    <p>In a
                  short time; soon (CollinsDictionary).</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="gloss" xml:id="jest" target="jest_">
                    <p>Trick; an exploit (OED).</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="gloss" xml:id="coy" target="coy_">
                    <p>Animal
                  trap (OED), if she had been trapped by Blunt's love.</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="gloss" xml:id="mollified" target="mollified_">
                    <p>That has been mollified; appeased, conciliated; †softened,
                  rendered soft or supple; †made less severe; mitigated (OED).</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="gloss" xml:id="lute" target="lute_">
                    <p>A
                  stringed musical instrument, much in vogue from the 14th to the 17th centuries.
                  Source: Oxford English Dictionary.</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="gloss" xml:id="breeches" target="breeches_">
                    <p>Short pants / Breeches are distinguished from trousers by coming only just
                  below the knee (OED).</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="gloss" xml:id="watch" target="watch_">
                    <p>The
                  first actual pocket watch was "said to have occurred in 1675 when Charles II of
                  England introduced waistcoats (Wikipedia).This would have been an incredibly
                  exepensive item.</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="gloss" xml:id="besse" target="besse_">
                    <p>Refers to Queen Elizabeth I, reigned from 1558-1603.The quarrel from "Eighty
                  Eight" seems to refer to the Spanish Armada, which was destroyed in
               1588.</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="gloss" xml:id="shoar" target="shoar_">
                    <p>Seems to refer to a sewer into which he entered.</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="gloss" xml:id="nosegay" target="nosegay_">
                    <p>A bunch of flowers or herbs, especially those having a sweet
               smell-OED.</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="gloss" xml:id="coyl" target="coyl_">
                    <p>A
                  noise or disturbance, a 'row', a tumult.</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="gloss" xml:id="endued" target="endued_">
                    <p>Imbued or transfused.</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="gloss" xml:id="skull" target="skull_">
                    <p>Reference to the common law of taking your victim as you find them
                  http://definitions.uslegal.com/t/thin-skull-rule/.</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="gloss" xml:id="picaroon" target="picaroon_">
                    <p>A variant spelling of Picaroon meaning a rogue or a scoundrel.</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="gloss" xml:id="frigate" target="frigate_">
                    <p> A warship.</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="gloss" xml:id="chasegun" target="chasegun_">
                    <p>A canon at the bow or stern of an armed ship used in pursuit Source:
                  Merriam-Webster.</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="gloss" xml:id="cloyd" target="cloyd_">
                    <p>Clogged, cumbered, burdened (OED).</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="gloss" xml:id="wanton2" target="wanton2_">
                    <p>Double meaning: to play and to behave in a sexually promiscuous
               way.</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="gloss" xml:id="virago" target="virago_">
                    <p>A
                  wicked woman (OED).</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="gloss" xml:id="tramontana" target="tramontana_">
                    <p>"Dwelling or situated beyond, or pertaining to the far side
                  of, the mountains (orig. and in reference to Italy, the Alps...hence,
                  foreign...occupied by a non-Italian." This word could also have, "the connotation
                  [of] 'uncouth, unpolished, barbarous'." ("tramontane, adj. and n." OED Online.
                  Oxford University Press, September 2016. Web. 5 December 2016.)</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="gloss" xml:id="parlous" target="parlous_">
                    <p>"In a parlous manner; esp. perilously, dangerously; precariously;
                  desperately," ("parlously, adv." OED Online. Oxford University Press, September
                  2016. Web. 5 December 2016.)</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="gloss" xml:id="gaffer" target="gaffer_">
                    <p>"A term applied originally by country people to an elderly man or one whose
                  position entitled him to respect." Or, "Used simply as a title of address, often
                  with not intimation of respect," ("gaffer, n." OED Online. Oxford University
                  Press, September 2016. Web. 5 December 2016.)</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="gloss" xml:id="bugg" target="bugg_">
                    <p>"A
                  word meant to frighten or terrify; a word that causes dread," († bug-word |
                  bug's-word, n. OED Online. Oxford University Press, September 2016. Web. 5
                  December 2016.)</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="gloss" xml:id="incle" target="incle_">
                    <p>"A
                  kind of linen tape, formerly much used for various purposes," ("inkle, n." OED
                  Online. Oxford University Press, September 2016. Web. 5 December 2016.)</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="gloss" xml:id="bayes" target="bayes_">
                    <p>"A
                  bag of bay leaves used in cooking." (Canfield, J. D., and Sneidern M.-L. Von. The
                  Broadview Anthology of Restoration and Early Eighteenth-Century Drama.
                  Peterborough, Ont: Broadview Press, 2004. Print).</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="gloss" xml:id="cast" target="cast_">
                    <p>A
                  look or view ("cast, n." OED Online. Oxford University Press, September 2016. Web.
                  5 December 2016.).</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="gloss" xml:id="Conventickling" target="Conventickling_">
                    <p>A religious meeting of an unsanctioned or clandestine
                  nature ("conventicle, n." OED Online. Oxford University Press, September 2016.
                  Web. 5 December 2016.).</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="gloss" xml:id="canting" target="canting_">
                    <p>Hypocritical ("ˈcanting, adj.2." OED Online. Oxford University Press,
                  September 2016. Web. 5 December 2016.).</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="editorial" xml:id="blackfriars" target="blackfriars_">
                    <p>A major London theater in which the Shakespeare company
                  performed during the winter until 1642, when all the playhouses were closed (Gurr,
                  Andrew. "London’s Blackfriars Playhouse and the Chamberlains Men’." Inside
                  Shakespeare: Essays on the Blackfriars Stage (2006): 17-33.).</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="gloss" xml:id="noddle" target="noddle_">
                    <p>Head ("noddle, n.1." OED Online. Oxford University Press, September 2016. Web.
                  5 December 2016.).</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="gloss" xml:id="sparks" target="sparks_">
                    <p>A
                  foppish, affected type of man ("spark, n.2." OED Online. Oxford University Press,
                  September 2016. Web. 5 December 2016.).</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="editorial" xml:id="nokes" target="nokes_">
                    <p>James Stokes and Anthony Leigh were celebrated comic actors of the period,
                  often appearing alongside one another (Chernaik, Warren. “Nokes , James
                  (c.1642–1696).” Warren Chernaik Oxford Dictionary of National Biography. Ed. H. C.
                  G. Matthew and Brian Harrison. Oxford: OUP, 2004. Online ed. Ed. David Cannadine.
                  Jan. 2008. 5 Dec. 2016).</p>
                </note>

            <note resp="editors.xml#UVAstudstaff" type="editorial" xml:id="thomaso" target="thomaso_">
                    <p>The Rover borrows heavily from Thomas Killigrew's Thomaso, or,
                  The Wanderer, though Behn seems to minimize the extent to which she borrowed from
                  it here (DeRitter, Jones. "The Gypsy," The Rover", and the Wanderer: Aphra Behn's
                  Revision of Thomas Killigrew." Restoration: Studies in English Literary Culture,
                  1660-1700 10.2 (1986): 82-92.).</p>
                </note>
         </div>
      </back>
   </text>
</TEI>